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To put it simply, the biggest difference between Li Qingzhao's Yi'an style and other words is that Yi'an is close to life and writes colloquial language into words, such as Li Qingzhao's "Slow Voice" There are many "how to fight him, come late and be anxious" and "How can you be worried?" The word "how" is a kind of colloquial language. Secondly, Yi'an Ti can be said to be a representative system of miserable style in the graceful school, and the words of Yi Anti are melancholy to read, which is also inseparable from Li Qingzhao's life experience.
In addition to Li Qingzhao's words, Xin Qiji also wrote the words of the Yi'an system, Xin Qiji was a bold lyricist in the Song Dynasty, and the words made in the graceful style are also strong, and his words are classified as Yi'an body, which naturally shows that Yi'an is soft and rigid, and the feelings are rich and diverse, which makes people feel sad and sad when they read it.
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Encyclopedia writes the characteristics of Yi'an body: graceful but not soft, delicate and thoughtful, full of true feelings, fresh and natural language, flowing like pearls, and beautiful tone.
Personally, I have the same view as Zhang Duanyi of the Song Dynasty, and I think that Yi'an style "refines sentences exquisitely and is plain and tonal".
The Qing Dynasty poet Huang Liyuan commented that Yi Anti "is a very casual work, but it is elegant, without a hairpin powder, and it is the style of the Northern Song Dynasty".
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The characteristics of Yi'an are that from an emotional point of view, it mostly writes about girlish feelings or lovesickness and parting feelings between men and women, which mostly refers to the lyrics made by Li Qingzhao when he was a girl and when he married Zhao Mingcheng. The later lyrics are integrated into the sorrow of life and the pain of family and country, and the emotions are much deeper.
From the stylistic point of view, Yi'an Ti belongs to the school of euphemistic words, and the common characteristics of euphemistic words are rhetorical tactfulness and delicate expression. Use subtle ways to express emotions.
In addition, the biggest feature of Yi'an is that Li Qingzhao's language is often new and natural. It can be used in colloquial slang and slang, but it can be turned into elegant, fresh and bright, natural and generous. It's a place that others can't imitate.
For example, "I'm afraid that the Shuangxi boat can't carry a lot of sorrow", write sorrow and turn fiction into reality. "Looking for the cold, desolate, miserable and miserable relatives" uses fourteen stacks of words, and for example, "should be green, fat, red and thin" to write the state of flowers after wind and rain, all of which have always been praised.
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The god is "sorrowful" and "thin" and has a fresh and strange artistic characteristic.
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There is some sadness in the tactfulness, and the tone is beautiful.
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There is a hint of sadness in the graceful manner.
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In the early stage, he wrote more about his leisurely life, and in the later stage, he lamented his life experience, the mood was sentimental, and he made good use of white drawing techniques in form, found his own way, and the language was clear and beautiful, and the words emphasized harmony and advocating elegance.
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First, Li Qingzhao's statement of "not being a family" aims to establish the unique personality of the word by strictly dividing the boundaries of poetry, so as to achieve the purpose of respecting the body. This concept is formed in the context of the prosperity of the word body and the controversy of lexicology, and it is the inheritance, summary and development of the predecessor and contemporaneous pronoun theory, so it embodies the consciousness of a generation. It can be seen that respecting the style of words has become a trend with universal significance in Li Qingzhao's time, which shows the consciousness of the lyricists of the literary form of words.
Second, the theory of the word "other family" also shows that the popular literature, which was developed by the people, is about to finish its path as popular literature and has begun to turn to the road of refinement. Judging from the trend of the development of China's literature, from vulgar to elegant is the basic law of the development of various literary styles, such as poetry, lyrics, songs, and **. In front of a kind of popular literature produced in the folk, which is valued by people and carried out theoretically, this literary form reveals the clues of elegant culture.
The concept of "respecting the body" embodied in Li Qingzhao's "Theory of Words" is a theoretical sign of the transformation of words from vulgar to elegant. The above two understandings are precisely the significance of the concept of "respecting the body" in the "Theory of Words".
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With the meaning of being unique and unique, she created her own "Yi'an style", established the unique status of the Song Dynasty's word style, and became the word sect of the Wanyue school. First of all, she is good at choosing the living environment, actions, and details in her daily life to show her inner world. The language is unique, unique, subtle and clear, and has a natural charm.
The second is to be good at using the most ordinary and concise language to accurately express complex and subtle psychology and changeable emotional processes, because Li Qingzhao's special life background and experience make her words have a sincere feeling.
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Li Qingzhao, known as Yi'an Jushi, her words are unique in Soho, Liu Customs, and Zhou Law, graceful and not soft, delicate and thoughtful, full of true feelings, fresh and natural, flowing like pearls, beautiful tone, so famous for a while, called "Yi'an Ti".
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Li Qingzhao is a member of the Song Ci Wanyue faction. Her words are unique in Soho, Liu Customs, and Zhou Law, graceful but not soft, delicate and thoughtful, full of true feelings, fresh and natural, flowing like pearls, and beautiful tone, so it is famous for a while, and it is called "Yi'an Body".
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