What is the difference between Western traditional art and Chinese traditional art observation metho

1. Different characteristics.

Ordinary paper is made of batter and each layer of base pulp on a multi-round screen multi-dryer paper machine or a long round screen hybrid cardboard machine. The pulp is generally divided into batter (surface layer), two layers, three layers, and four layers, and the fiber ratio of each layer of pulp is different, and the fiber ratio of each layer of pulp is different according to the quality of the paper made.

Sketch paper is between printing paper and kraft paper, generally made of pure wood pulp, the paper fiber is long, tough, tough, rubbing-resistant, lint-free, easy to lead. The thickness is medium, two sides and one side are rougher, suitable for pencil and charcoal coloring, beginners usually use 8 open size, after proficiency with 4 open, after reaching a certain level, there is a half-open or 1 open painting.

2. The advantages are different.

The texture of ordinary cardboard is relatively tight, the thickness is also relatively uniform, its paper surface is generally more white and smooth, with more uniform ink absorption, the surface of powder and hair loss phenomenon is very little, the paper is tougher and has a good folding resistance, but its water content is higher, generally about 10%, there is a certain elasticity, which will have a certain impact on printing.

The sketch paper does not contain acid, no bleach, and is treated with anti-mildew and anti-frog treatment, so that the painting can be preserved for a long time without yellowing and graying. The natural surface texture is not pressed, and the roughness is firm, which makes the painting more smooth, delicate, vivid and natural. It is easy to lead, expressive, wear-resistant, anti-rubbing, not easy to deform, and protects the eyes.

3. Different uses.

Ordinary paper is mainly used for daily writing and office use.

Sketch paper is suitable for: pencil, charcoal, chalk brush, colored pencil, charcoal strip, charcoal pen, oil stick, watercolor pen drawing. You can also practice gouache painting.

Sketch paper:

1. Sketch paper is thicker than ordinary paper, and there will be fine and rough lines when touched by hand, which can also be seen when you look at it, and it is easy to produce results when drawing, while ordinary paper does not have this effect, especially smooth paper.

2. Sketch paper is between printing paper and kraft paper, generally made of pure wood pulp, with long paper fibers, strong toughness, toughness, rubbing resistance, no lint, and easy lead. Medium thickness. Two sides and one side is rougher, suitable for pencil and charcoal coloring, beginners usually use the size of eight open, after proficiency with four open, after reaching a certain level, there is a half-open or one-open painting.

4. The sketch paper does not contain acidic bleach, and is treated with anti-mildew and anti-frog, so that the painting can be preserved for a long time without yellowing and graying. The natural surface texture is not pressed, and the roughness is firm, which makes the painting more smooth, delicate, vivid and natural. It is easy to lead, expressive, wear-resistant, anti-rubbing, not easy to deform, and protects the eyes.

Ordinary white paper: 1. The texture of ordinary white paper is relatively tight, the thickness is relatively uniform, and its paper surface is generally white and smooth, with more uniform ink absorption, and the surface is very little depowdered and dehaired.

2. Paper is tougher and has better folding resistance. However, the water content is high, generally about 10%, and there is a certain elasticity, which will have a certain impact on the printing.

The main difference is that after the sketch paper is processed, the powder can be well retained on the paper surface, and the thickness of the paper is thicker than ordinary paper, which is convenient to avoid breaking the paper and damaging the picture when painting and modifying.

There is a texture on the plain paper, which is easy to color when drawing, it is not easy to paint and polish, and the paper is also thick. Ordinary paper painting is easy to draw flowers, easy to break, and deformed.

The most obvious is the thickness. There is also the pigment preservation time.

The difference between the methods of traditional Chinese and Western painting to represent perspective is that the Western one is "focal perspective", while the Chinese one is "scattered perspective".

1. From the perspective of the spatial processing of the picture, the "scattered perspective" method is a unique treatment method in Chinese painting. This method has the ability to transcend time and space, and it can express plots of different times, different spaces, and different places on the same screen. The Western "focal perspective method" is to represent the picture from a fixed point of view, which has certain limitations.

Second, the difference between Chinese and Western perspectives has an extremely important causal relationship with the living environment and the political and cultural differences caused by the living environment. The focal perspective is that one person is looking, and there is a strong individualism in it; Scattered perspective, on the other hand, is when a group of people line up and then superimpose the visual effects of all of them, and the power of the collective inside is self-evident.

Focal perspective. The basic principle of perspective in Western painting is to draw the image of the object seen through a glass plate on this glass plate with a brush, and then obtain a painting that conforms to the principle of focal perspective.

It is characterized by conforming to people's visual reality and paying attention to science. Under the guidance of the idea of combining art and science, he used focus perspective to master the laws of expression space. Leonardo da Vinci's The Last Supper, an example of focal perspective, creates a three-dimensional space on a flat surface.

Without the focal perspective method, there would be no Western realistic painting.

Cave 172 of Mogao Grottoes pays attention to the oblique lines formed by the central symmetrical scenery on both sides, and the sense of perspective formed by connecting with the central axis, while this scientific perspective method did not appear in the West until the Renaissance, more than 600 years later than the Tang Dynasty.

Scattered perspective. The perspective method of Chinese painting is different, the painter's observation point is not fixed in one place, nor is it limited by the fixed field of view, but according to the need, he moves the foothold to observe, everything seen on different footholds. can be organized into your own picture. This perspective method is called "scattered perspective", also known as "moving viewpoint".

The ability of Chinese landscape painting to express the vast realm of "thousands of miles away" is the result of the use of this unique perspective method. Therefore, only by adopting the principle of "scattered perspective" in Chinese painting can artists create long scrolls of tens or more than 100 meters (such as the picture of the river during the Qingming Dynasty), which cannot be achieved by using the "focal perspective method" in Western painting.

The difference between sketching and sketching is as follows:

Next points:

1. Inclusion relationship: Sketching, as the name suggests, is a quick sketching method. Sketching is a type of sketching.

3. Form of expression: Sketching shows the effect of light and shadow to express the structure of the object through perspective and virtual imagery. Sketches focus on the dynamics of characters, touching scenes, or fleeting beautiful landscapes.

4. Pay attention to the point: Sketching pays attention to the shape of the object, and sketching pays more attention to the relationship between light and dark of the object.

Difference Between Sketch and Sketch:

1. Different expressions.

Sketching: It is the foundation of plastic arts, the purpose of sketching learning and training is to cultivate learners' correct cognitive ability, observation ability, modeling ability, expression ability and aesthetic ability, mainly by depicting the shape, structure, space, proportion and so on of the object to shape the image of the object, which requires the use of perspective and three-dimensional principles.

Sketching: The pursuit of "fast, accurate and ruthless" is diverse in color construction and style.

2. The requirements are different.

Drawing: Because of the emphasis on detail and realism, it requires students to have keen insight and solid realistic ability and skills. Sketching trains people's observation, expressiveness, and description of details, and has very precise requirements for the level of the picture, front and back, space, perspective, structure, block surface, virtual and real, etc.

Sketching: It can best show the painter's keen observation ability and fresh feelings about the material world, and the picture is vivid and moving, which is a significant feature of sketching. Sketching is also a good training method to exercise hands-on ability.

3. The generalization is different.

Sketching: There is a target, the key parts are depicted in detail, and the generalization is not as good as sketching.

Sketching: Generalization is highly fast.

4. Difference in time.

Drawing: Pay attention to details, and need to show a series of contents such as light and shadow effects, perspective and virtual images, and the structure of objects. Therefore, it takes a long time.

Sketching: As the name suggests, it means that a painting must be completed in a relatively short time, and the time requirements are relatively high. The sketching time is short, the expression is flexible, and the emphasis is on the movement of the characters, wonderful expressions, touching scenes or fleeting landscapes.

The first type of method: "language-based method of conveying information", including the lecture method; Conversation Method; Discussion Method; Reading instruction, etc.

The second type of method: "direct perception method", including the demonstration method; Visiting the law, etc.

The third type of method: "practice-based method", including the practice method; Experimentation; Practical Assignment Method.

The fourth type of method: "teaching methods based on appreciative activities" such as the cultivation method.

The fifth type of method: "method based on guidance", such as the discovery method; Law and so on.

The fundamental guiding point of art education lies in the cultivation of learning

The correct aesthetics of students will improve the ability of DAO students to feel, appreciate, and create beauty. The new syllabus includes "giving full play to the function of art teaching to cultivate emotions, striving to cultivate students' healthy aesthetic taste, and improving students' aesthetic ability." ”

Art educators should explore the development path of quality education in many aspects, and of course, they should also promote quality education according to the characteristics of art education and the psychological quality of students.

The five core literacies of the art discipline: image reading, art expression, aesthetic attitude, innovation ability, and answer.

Cultural Understanding, Knowledge Base and Structural Psychology, Core Areas of Discipline System, Thinking Style, and Personality Characteristics -- Yang Xiangdong Aesthetic attitude is the special psychological state of people at the beginning of aesthetic activities.

The evolution of Chinese characters is as follows: oracle bone script, golden script, small seal, official script, cursive script, regular script, and line script.

Chinese characters have undergone many changes since the oracle bone inscriptions. Based on historical facts, these changes can be broadly divided into two main categories: reform and natural flow.

The reform of Chinese characters refers to the process of people consciously and actively governing Chinese characters, while the natural flow of Chinese characters refers to the natural process of change of Chinese characters. The reform of Chinese characters is generally discontinuous, drastic, and completed in a short period of time; The natural flow of Chinese characters is continuous, slow, and long-term.

Chinese character structure. The natural rheology of the structure of Chinese characters includes at least the following aspects:

1. There are more and more variant characters, that is to say, there are more and more different writing forms of the same character.

2. There are more and more patterns of strokes.

3. There are more and more ways to write.

Chinese characters, Chinese characters, were created in the late Shang dynasty in the 14th century BC, when the first stereotyped script, known as oracle bone scripts, was formed. The oracle bone inscription is both a pictogram and a phonetic character, and there are still some pictographs in Chinese characters that are the same as pictures, which are very vivid.

In the late Western Zhou Dynasty, Chinese characters evolved into the Great Seal. As a result of the development of the Great Seal, there are two characteristics: first, linearization, the early uneven thickness of the lines become uniform and soft, and the lines drawn with the real thing are very concise and vivid; The second is standardization, the glyph structure tends to be neat, and gradually leaves the original shape of the picture, laying the foundation of the square character.

Later, Li Si, the prime minister of the Qin Dynasty, simplified the big seal and changed it to a small seal. In addition to simplifying the shape of the big seal, the small seal has reached a perfect degree of linearization and standardization, almost completely detached from the picture and text, and has become a neat and harmonious, very beautiful basically rectangular square font.

The development of Chinese characters, after the unification of China by the Qin Dynasty, continued to simplify and organize Chinese characters, so that Chinese characters gradually became standardized. The development of Chinese characters can be roughly divided into four stages of evolution: ancient script, seal script, official script, and regular script. Among them, the seal book is divided into large seals and small seals; Lishu has the difference between Qin and Han.

It can be seen that any new font in history has been gradually formed after a long period of evolution. Generally speaking, after the formation of regular script, Chinese characters have been basically finalized.

Chinese characters (pinyin: hànzì, phonetic symbols: also known as Chinese characters, Chinese characters, square characters, are morpheme syllabic characters that belong to ideograms.

Chinese characters are the written characters of Chinese, and are also borrowed to write Japanese, Korean, Korean and other languages, which is a kind of script widely used in the Chinese character cultural circle, and it is also the only highly developed morpheme script that is still widely used in the world.

In a broad sense, Chinese characters refer to characters ranging from oracle bone scripts, large seals, golden scripts, Zhou scripts, and small seals to official scripts, cursive scripts, regular scripts (and derivative line scripts), and in a narrow sense, Chinese characters that are written in regular letters as the standard, which are also commonly used in modern Chinese characters today. Chinese characters were invented and improved by the Chinese people in ancient times, and the exact history can be traced back to the oracle bone inscriptions, Zhou scripts, and Jin inscriptions of the Shang Dynasty in about 1300 BC. Then to the small seal of the Qin Dynasty, to the Han Dynasty, to the Tang Dynasty, to the Tang Dynasty Kaihua into today's handwritten font standard - block letters.

Chinese characters are by far the longest continuously used script, and they are the only one of the major writing systems in antiquity that has been passed down to the present day, and Chinese characters have been used as the main official script in all Chinese dynasties. Before the 20th century, it was the official written standard script of Japan, the Korean Peninsula, Vietnam, the Ryukyus, and other countries, and all East Asian countries created their own Chinese characters to a certain extent.