The difference between ancient and modern poetry and modern poetry, how can a poem be neat, rhyme, a

Near-style poems refer to the five-character and seven-character poems with strict rhythms since the Tang Dynasty, such as quatrains, rhythmic poems, and rhythmic poems. The poems before the Tang Dynasty are all called ancient style poems.

The difference between ancient style poems and near-style poems is mainly in its differences in the rhythm norms, first of all, in the number of words, the number of words in near-style poems is strictly set at five or seven words, while the generalized ancient poems are not clearly specified. Therefore, the poems we see before the Tang Dynasty today not only have the style of five and seven words, but also have various styles of three words, four words, six words and miscellaneous words (sentences of different lengths).

The second is the standard of using rhyme, and near-style poems generally use flat rhyme, and there are few examples of rhyme. In ancient poetry, there is a large number of rhymes. In addition, in addition to the longer arrangement, the rhyme is rarely changed in the near style poems, while the ancient style poems have no restrictions.

There is also the requirement of ping and fighting, and the ping in the sentences of the close poem is formulated in strict accordance with the standard of two syllables - that is, pingping-pingping-ping, pingping-ping-ping; Or Pingping-Ping-Ping-Ping Especially at the end of a sentence, the same tone is connected to up to two syllables, and the same tone of three syllables is called three flat tails or three tails, which is a serious out-of-law in close style poetry, but it is not restricted in ancient style poetry, and sometimes the whole sentence can be the same tone. Therefore, since the Tang Dynasty, when the artists imitated the style of ancient poetry to create the "ancient style" of five or seven words, they often deliberately used the tonal format of three flat tails or three thousand tails.

A near-body poem uses two five- or seven-word sentences as a complete sentence, called a couplet, and each couplet rhymes. The first sentence in a couplet is called the first sentence, and the second sentence is called a couplet. The first couplet is called the first couplet, and the last couplet is called the tail couplet.

In a couplet, the first sentence and the couplet should be opposite, and the two couplets should be sticky. In a poem, except for the first couplet and the last couplet, the first sentence and couplet in the other couplets should be opposed. For example, the eight lines of the poem are quadruple, the second couplet is called the jaw couplet, and the triptych is called the neck couplet.

In addition to the head and tail couplets, the jaw couplets and neck couplets should use the syntax of the battle, but occasionally the jaw couplets are not right and the neck couplets are opposed, which is called the "bee waist body". But it is not the case of the verse.

The genres of four-, five-, and seven-word poems in ancient style poems are also two sentences in a couplet, and each couplet rhymes. But the couplets in the ancient poems do not require that they must fight. In the miscellaneous style, the number of short verses as complete sentences is more arbitrary, but generally two or three short sentences are combined into one complete sentence, and the complete sentences rhyme at the end.

But there is also a case where a short sentence comes into its own.

In addition, regarding the norms of rhyme, the rhyme of ancient style poems and near-style poems is one thing the same, that is, the tone of the rhyme foot must be consistent, that is, the flat sound is rhymed, the sound is suppressed, and the flat voice is not allowed to be rhymed.

When changing rhyme, it is necessary to start with the first sentence in a couplet, that is, a couplet at the rhyme change, the first sentence is changed to rhyme, and the sentence rhymes with a new rhyme. The other rhymes are at the end of each couplet.

Well,It's still good from the background alone.,Typical substitutional nostalgia.。。 But at most, it's just nostalgia for the past, and it's impossible to hurt the present and ironize the present. This can be regarded as a narrative affair between narratives and discussions.

From the point of view of the plot itself, it is still well written, but it has no practical significance, and it has nothing to do with you. I've always believed that poetry shouldn't be treated with a game attitude, because what is written in this way, no matter how wonderfully conceived and ornately written, is just a fake "craft" detached from reality. Of course, as you get older, you will realize this kind of thing.

I don't know if you can be more concise in your language when writing a quatrain poem like a quatrain poem (the style of this poem is really not flattering, vernacular, but it is not a problem to have length). If you can, then you already have the foundation, or start writing from the perspective of life. If you can't refine it, then it's better to accumulate it, and this thing is also a process of continuous improvement.

The difference between ancient style poetry and modern style poetry is whether or not the rhythm of the rhythmic poem is observed. The only way to do a good sentence is to read and write more, is there any other way?

Lyric poems belong to the close body of poetry, with four couplets and eight verses. In turn, the first joint, the jaw joint, the neck joint, and the tail couplet, of which the middle two couplets require neat battles.

Lyric poetry originated from the new style of poetry such as Shen Yue in the Southern Dynasty Qi Yongming period, which paid attention to sound rhythm and duality, and began to appear in the early Tang Dynasty. Lyric poetry requires the number of words in the poem to be uniform, and each poem is five words and seven words respectively, referred to as five rules and seven laws. The usual lyric verses stipulate 8 verses per poem.

If there are more than 8 sentences, that is, more than 10 sentences, it is called a row or a long law. It is customary to call the first couplet (the first couplet), the second couplet is the jaw couplet, the third couplet is the neck couplet, and the fourth couplet is the final sentence (tail couplet). Every song.

The upper and lower sentences of the second and third couplets (i.e., the jaw couplet and the neck couplet) are used to be battle sentences. In addition to the first and last two couplets, the middle couplets must be in the upper and lower sentences. Lyric poems require a rhyme throughout the poem, and lyric poems usually rhyme flat; Clause.

Two, four, six, and eight sentences rhyme, and the first sentence can be rhymed or not. Broad rhythmic poems are allowed to lose stickiness, and narrow rhythmic poems are not allowed to lose stickiness. There are two types of "Qi Qi" and "Ping Qi". In addition, the metrical requirements of the lyric poems also apply to quatrains.

Summary. Hello, in addition to the fixed number of sentences and strict rhyme, close poems also pay attention to (level) and requirements (battle).

In addition to the fixed number of sentences and strict rhyme, the close poem also pays attention to and requires pro, is inquiring about relevant information, please wait a moment!

Hello, in addition to the fixed number of sentences and strict rhyme, close poems also pay attention to (level) and requirements (battle).

Hello, in addition to the fixed number of sentences and strict rhyme, close poems also pay attention to (level) and requirements (battle).

Summary. In the collection of close poems, peace and harmony must be contrasted, that is, the so-called equality and relativity.

There are three types of quatrains: quatrains (five words and four sentences, seven words and four sentences), rhythmic poems (five words and eight sentences, seven words and eight sentences), and rhythm (more than ten sentences), which are based on the rhythm of rhythmic poems. (The metrical quatrain is a half-rhyme poem.) The rhythm is the extension of the rhythm).

The most basic rules include: the number of words, the number of sentences, the use of rhyme and the battle (quatrains do not require a battle), there are three main points:

1. Each sentence must be evenly matched, the two sentences of the same couplet must be flat and opposite, and the couplet must be flat and sticky to each other; 2. In addition to the first and last two joints, it is necessary to fight; 3. A flat rhyme to the end.

What and what is in the collection of near-body poetry must be contrasted.

Hello, I'm Teacher Xiao Xiang, I've seen your question and answer, and I'm quick to prepare for you in the answer to "What and What Must Be Contrasted in the Poetry Collection of Branches and Skins", give me two minutes of time code words, thank you, please wait a while.

The collection of near-style poems must be contrasted, that is, the so-called relative peace. There are three types of quatrains: quatrains (five words and four sentences, seven words and four sentences), rhythmic poems (five words and eight sentences, seven words and eight sentences), and rhythm (more than ten sentences), which are based on the rhythm of rhythmic poems. (The metrical quatrain is a half-rhyme poem.)

The rhythm is the extension of the rhythm). The most basic rules include: the number of words, the number of sentences, the use of rhyme and the battle (quatrains do not require a battle) several aspects of the reputation, there are three main points:

1. Each sentence must be evenly matched, the two sentences of the same couplet must be opposite to each other, and the couplet must be flat and sticky; 2. In addition to the first and last two joints, it is necessary to fight; 3. A flat rhyme to the end.

Summary. Pro-<>

Hello, I am glad to answer for you [ ] The second word of the first sentence of the close poem is called Qi Qi; With a flat voice, it is called a flat voice. The five laws are based on the positive case, the seven laws are the opposite, and the fifth character of the first sentence is the sound of the voice, which is called the collection; With a flat sound, it is called a flat harvest. For example, there is a final Nanshan D, Wang Wei:

Taiyi is close to the sky, even from the mountains to the sea. The white clouds look back, and the blue mist enters to see nothing. The peaks in the field change, and the clouds and sunshines are different.

If you want to stay with someone, ask the woodcutter across the water. There are mountain dwellings in autumn twilight, after the new rain in the empty mountains, the weather comes late in autumn. The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat. Feel free to rest in spring, and the kings and grandchildren can stay. Five Laws of Collecting:

There is a road, a book, a mountain is a path, and a flat boat crosses the sea. Qianqiu hegemony Qin is here, next to Yicai Tao Juwu County. Five Laws Flat Harvest:

The country is broken by mountains and rivers, and the city is deep in spring. When I feel the tears, I hate the birds.

In the second word of the first sentence of the poem, it is called Qi Qi; With a flat voice, it is called a flat voice. The five laws are based on the positive letter of the rubber, and the seven laws are the opposite, and the fifth word of the first sentence is the sound of the voice, which is called the seepage of the Tan world for the collection; With a flat sound, it is called a flat harvest. Can you give us an example?

Dear <> hello, I'm glad to answer for you [ ] The second word of the first sentence of the near-body poem is called Sanchang Qingqi; With a flat voice, it is called a flat voice. The five laws are based on the positive case, the seven laws are the opposite, and the first five characters of the first sentence are the voices, which are called the collections; With a flat sound, it is called a flat harvest. For example, there is a final Nanshan D, Wang Wei:

Taiyi is close to the sky, even from the mountains to the sea. The white clouds look back, and the blue mist enters to see nothing. The peaks in the field change, and the clouds and sunshines are different.

If you want to stay with someone, ask the woodcutter across the water. There are mountain dwellings in autumn twilight, after the new rain in the empty mountains, the weather comes late in autumn. The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat. Feel free to rest in spring, and the kings and grandchildren can stay. Five Laws of Collecting:

There is a road, a book, a mountain is a path, and a flat boat crosses the sea. Qianqiu hegemony Qin is here, Yicai Tao Juwu County next to the swift touch. Five Laws Flat Harvest:

The country is broken by mountains and rivers, and the city is deep in spring. When I feel the tears, I hate the birds.

Extended information: Wulu is the abbreviation of Wuyan rhythm poem, the whole poem has eight sentences, each sentence has five characters, and the third and fourth sentences, the fifth and sixth sentences should be dualized respectively; Seven rules is the abbreviation of seven words of poetry, the whole poem has eight sentences, each sentence has seven characters, and the third and fourth sentences, the fifth and sixth sentences should be dual. The requirements of the near-body poem (metrical poem) are far more than the one mentioned above, and its requirements are very strict.

In addition to the above, the other basic conditions are: every sentence must be even; The rhyme should be according to the ancient rhyme, generally rhyme "Pingshui Rhyme", and rhyme with the flat sound rhyme in the flat water rhyme (that is, the word that rhymes with the upper flat sound or the lower flat sound); In a poem, you can only rhyme one rhyme from beginning to end, and you can't change the rhyme. [heart no hand] <>

Ancient style poems generally rarely fight against each other, and the occasional one or two lines of battle are usually not very neat. In the middle of the poem, the middle two couplets must be relatively neat battle sentences, and there are also three or even four couplets that are all in battle.

Ancient style poems use rhyme relatively freely, you can change the rhyme halfway, or you can have a few sentences that do not rhyme. The rhyme used in the rhyme of the poem is relatively regular, and it must rhyme at the end of the even-numbered sentence, and the first sentence can be pressed or not.

Moreover, ancient style poems can be flat rhyme, can also be flat rhyme, or even flat rhyme alternately. The rhyme of the rhyme must be flat, and the end of the odd sentence must be the sound of the rhyme, (except for the first sentence.) Of course, there are also rhyme poems, but because they are so small that they are not included in the general discussion.

This statement is basically correct.

Please see 360 Encyclopedia's standard explanation of near-style poetry: near-style poetry, also known as modern style poetry or rhythmic poetry, is a Han poetry genre that pays attention to leveling, confrontation and rhyme. It is different from the ancient style of poetry and has the name of close body.

It refers to the rhythmic poetry style formed in the Tang Dynasty. In the proximal psalms, there are strict restrictions on the number of sentences, the number of words, the number of words, and the rhyme. Near-style poetry is the main poetic genre after the Tang Dynasty, and the famous representative poets are:

Li Bai, Du Fu, Li Shangyin, Lu You, etc. It has an important position in the history of Chinese poetry.

Near-style poems have strict requirements for rhyme and rhythm, so they are also called rhythmic poems, including quatrains and rhythmic poems.

Near-style poetry, also known as modern style poetry or rhythmic poetry, is a Han poetry genre that emphasizes leveling, confrontation and rhyme. In order to distinguish it from the ancient style of poetry, it has the name of close body. It refers to the rhythmic poetry style formed in the Tang Dynasty.

In the proximal psalms, there are strict restrictions on the number of sentences, the number of words, the number of words, and the rhyme. Near-style poetry is the main poetic genre after the Tang Dynasty, and the famous representative poets are: Li Bai, Du Fu, Li Shangyin, Lu You, etc.

It has an important position in the history of Chinese poetry.

Quatrains include quatrains (four sentences each, five words are referred to as five quatrains, and seven words are referred to as seven quatrains. ), rhythmic poems (generally each poem has eight sentences, the five words are referred to as five rules, the seven words are referred to as seven laws, and those with more than eight sentences are called long laws or row rhythms. ）。

Metrical poems, including rhythmic poems and quatrains.