About Brahms, Clara, Schumann The emotions of the trio

Clara was Schumann's wife, and Brahms was deeply in love with Clara. The general framework is like this, and the rest of the landlord can imagine it carefully. See the wisdom of the people, see the high and the vulgar - -

Clara was Schumann's wife, and Brahms was deeply in love with Clara.

If so, I probably won't be able to help you, I just know a little.

I don't know who the protagonist is? The scene before Clara dies and the plot of Brahms getting on the wrong car can be played, which is more attractive.

After listening to Schumann and "Childhood Scenes" told by Mr. Tian Yimiao, I read the story of Schumann and Clara's love for the ages, and thought of a sentence from the great man***: "The blade ** has oppression ** and has resistance." ”

Schumann had studied piano with Clara's father, Vic, and it was during that time that Schumann had a love affair with Clara. Clara Pitchgigau herself was a piano genius and enjoyed a high status in the German ** world, and many of Schumann's pieces were written for Clara to play.

Scenes from Childhood is a set of 13 piano pieces, the seventh of which is the most widely circulated. This suite is not only Schumann's memories of Clara in his childhood, but also a key "love letter" to Clara.

However, the relationship between the two was strongly opposed by Vic, and was obstructed in every possible way, and even resorted to the court, and finally the court ruled that the two lovers won the case. In Germany at the time, a woman's consent was required for her father to marry.

The lovers eventually married, and they were married in 1840, and it is said that the day of the wedding was Clara's birthday. Their love affair has also become a good story.

I'm thinking that in the face of children's marriage and love, encouraging opposition is always better than warm blessings. Maybe you see the future, but the present of the child is more important.

It is true that some people are not a good match, but people in love tend to be more resolute when they are thwarted.

There is a fable about the god who rules the north and the god of the south make a bet to see who can make passers-by take off their coats.

The northern god blew a fierce north wind, and the passers-by shivered with cold, and wrapped their coats tighter and tighter. It was the turn of the southern gods to show their supernatural powers. He was blowing a warm south wind, and soon, passers-by, who were getting hotter and hotter, took off their coats.

The results speak for themselves, and the power of warmth is more conducive to unraveling frozen relationships.

Clara, Schumann, 9 years apart. But the two fell in love.

The hard work of love, the hardship of love, but the depth of love, the inextricability of love, the love ... The promise is for life.

After the appeal, after a period of struggle, Clara and Schumann finally had happy days.

But who knows, this marriage and love is only 16 years, it seems so short, but I think that these 16 years may be the life of Clara and Schumann, what if Schumann is dead, love is still going on, the crystallization of love is still spreading, Clara guarded the lonely love for 43 years for Schumann, and the girl has finally become an old lady. It's hard for me to describe how an old man in his sixtieth birthday sat in a rocking chair in the late afternoon and watched the sunset, and his mind still showed the music that Schumann played for himself 43 years ago, the only person he loved in his life. Clara's eyes were squinted, her gray hair was blown messy by the wind, maybe it was Schumann...

At the age of 77, after 43 years of solitude, finally, Clara went to heaven as she wished, to Schumann's world, under the premise of "love", what is death worth, Clara is calling, Schumann, my love, I am coming...

However, for Brahms, since that meeting, he has not been able to control his love for Clara, the so-called love at first sight. When Schumann was sick in the hospital for two years, Brahms could only silently accompany Clara to support her. originally thought that Brahms would take advantage of the situation, but no, except for talking about Schumann's illness and **, personal feelings will always be a mark in the deepest part of Brahms's heart.

Even after Schumann's death, Brahms did not talk about feelings, but left Clara, hiding this love deep in his heart, and always only loved Clara. This guard is also 43 years, which is enough to erase a person, especially such a ** family, who can know how deep and great Brahms's love for Clara is. In 43, for the sake of Clara, Brahms never married.

However, 43 years later, on the day of Clara's death, Brahms rushed to the grave and all he could do was dedicate to her the manuscript of the piece he had written for Clara, but she would never hear it again. (Who's to say how many braces and children in Brahms's life didn't write for Clara).)

Finally, Clara's death is undoubtedly a heavy blow to Brahms, perhaps, for Schumann and Clara, and Brahms, the final destination is heaven.

In the end, 11 months after Clara's death, Brahms is gone...

Schumann and Clara's 16 years of poetry and flower-like life. And Brahms said:"My best melodies come from Clara".

The Four Most Serious Songs" ends... Brahms's tetralogy for Clara's Last Sparrow).

It's the story of three men.

His father was Friedwick, the most famous teacher in Leipzig, and his mother Marianna was a pianist, even though Mariana was not feeling well, Vic still asked her to take piano and vocal lessons, Mariana left home when Clara was 5 years old, and then married his second wife Grimity when Clara was 9 years old, and his father was undoubtedly the most influential key figure in Clara's life. Although Clara's father strongly opposed Clara's marriage to Robert Schumann, he was also a strong educator with strong convictions and a strong personality. The collection of Vic's piano etudes used by Clara at that time, which has now been published, is of great help to piano learners, and the content advocates that a true master should cultivate personal sentiment and sensibility, not just blindly learn mechanical techniques.

Clara also admits that she can continue to love playing in her later years, thanks to her father's teaching from an early age. Sending his daughter to the stage as a genius pianist was in the hope that she would become famous and appreciated by all Europeans, no wonder the appearance of Robert Schumann at this time would cause her father's resolute rejection. What's more, Schumann is an introverted, fantasizing, nervous breakdown and lacking the skills to make a living.