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Weichuan Tianjia. Wang wei.
The oblique light ruins, the cattle and sheep in the poor alleys return.
The wild old man reads the shepherd boy, leaning on the staff and waiting for the thorn.
Pheasant wheat seedlings show, silkworms sleep mulberry leaves are scarce.
Tian Fu hoeed to, and the words of meeting each other followed.
That is, I envy and relax, and I chant "Decline".
When the sun was setting and night was approaching, the poet was faced with a picture of the late return of the Tian family, and he spontaneously felt envious. At the heart of the poem is the word "return".
At the beginning of the poem, he first describes the scene of the setting sun obliquely shining on the village, rendering the intense atmosphere of the twilight, as the general background, and overseeing the whole text. Then, the poet fell on the word "return", describing the scene of the cattle and sheep slowly returning to the village, which naturally reminds people of a few lines of poetry in the "Book of Songs": "The chicken perches on the hill, the sun is shining, and the sheep and cattle come down."
A gentleman is in service, so why not think? The poet watched the cattle and sheep return to the village with infatuation, until they sank into the deep alley. It was then that the poet saw an even more moving scene:
Outside the chai gate, a kind old man on crutches is waiting for the children returning from grazing. This kind of simple affection that exudes the fragrance of the earth infects the poet, and seems to share the joy of the shepherd boy's homecoming. Suddenly, he felt that all life in this field seemed to be thinking about returning at this twilight.
Isn't it? How emotional the pheasant in the wheat field is, it is calling for its mate; There are not many mulberry leaves left in the mulberry forest, and the silkworms begin to spin silk into cocoons, camp their own comfort nest, and find their own home. On the field, the farmers came back from the field with hoes on their shoulders, and met by chance on the field paths.
When the poet saw all this, he thought of his own situation and life experience, and was very emotional. Since the prime minister Zhang Jiuling was expelled from the imperial court in the twenty-fifth year of the Kaiyuan Dynasty (737), Wang Wei felt that he had lost his political support and was in a dilemma. In this mood, he came to the wilderness and saw that everyone had something to return to, but he was still wandering in the middle of the road, how could he not be both envious and melancholy?
Therefore, the poet said with emotion: "That is, I envy and relax, and I chant "Decline". "Actually, the farmers are not idle.
However, the poet felt that compared with his own frightened officialdom life, the peasants were much more peaceful and comfortable, so they felt at ease. "Decline" is one of the "Book of Songs: Shao Feng", in which the poem repeatedly sighs: "Decline, decline, no return?
In order to express his eagerness to return to the countryside, the poet not only reflects the first sentence "the sun shines on the ruins" in the artistic conception, but also falls on the word "return" in the content, so that the scene and the lyricism are in perfect harmony, and the finishing touch reveals the theme. After reading this last sentence, it suddenly dawned on me: there are so many "returns" written in the front, but in fact, they are all contrasts, with everyone having a home, and contrasting with oneself having no home; With the timely, cordial, and comfortable return of everyone, it contrasts with the loneliness and depression of his own late retreat and his own officialdom.
This last sentence is the heart and soul of the whole poem. If you think that the poet's original intention is to complete the picture of the late return of the Tian family, this is too superficial. The whole poem is not carved and painted, purely painted in white, natural and fresh, full of poetry.
Fu Ruyi).
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Dream Li Bai II
The clouds travel all day long, and the wanderer does not come for a long time.
Three nights of frequent dreams of the king, love and relatives see the king's will.
It is cramped to return to normal, and the bitter road is not easy to come by.
There are many storms in the rivers and lakes, and the boat is afraid of falling.
Go out and scratch your white head, if you live up to your life.
The crown is covered with Jinghua, and the Si people are alone and haggard.
The cloud network is restored, and the old body will be tired.
Long live the name of Qianqiu, lonely after death.
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In the summer, Nanting Huaixin Da Meng Haoran.
The mountain light suddenly sets in the west, and the pond moon gradually rises in the east.
Radiate the sunset cool, open and open.
The lotus wind sends the fragrance, and the bamboo dew drops are clear.
If you want to play the piano, you hate ignorance.
I feel nostalgic for the old people, and I dream of working all night.
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Tang poem "Farewell".
Farewell Wang Wei.
Send each other off in the mountains, play the piano and howl again.
The spring grass will be green next year, will the king and grandson return?
Notes] Wang Sun refers to someone else or a wanderer. "Chu Ci Recruiting Hermits": "The king and grandson will not return, and the spring grass will be full of flowers." ”
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"Dream Li Bai: Part I".
Farewell to death has swallowed the voice, and farewell to life is always compassionate.
Jiangnan is a miasma, and there is no news of the eviction of customers.
The old man entered my dream, and I remembered my appearance.
You are now in the net, why do you have wings?
I am afraid that it is not the soul of life, and the road is far and unfathomable.
The soul comes to Fenglinqing, and the soul returns to the black.
The setting moon fills the beams of the house, hesitating to shine on the color.
The water is deep and the waves are wide, and there is no dragon to get it.
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The spring is full of ghosts, and it goes with you.
The evening breeze blows the boat, and the flower road enters the mouth of the stream.
Turn to the west gully at night, and look at the Nandou across the mountain.
The smoke of the pond dissolved, and Lin Yue was low and backward.
Life and pervasive, willing to hold the pole.
Author]: Qi Wuqian [Dynasty]: Tang [Genre]: Five-character quatrain.
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Autumn Denglan Mountain sent Zhang Wu.
Tang Meng Haoran.
In the white clouds of the North Mountain, the hermit is happy.
Looking at each other and trying to climb high, the heart flies away with the geese.
Sorrow is due to the twilight, and the prosperity is the autumn hair.
When I saw the people returning to the village, the sand crossed the head to rest.
The trees on the horizon are like camellias, and the boats on the riverside are like the moon.
Why should he bring wine and get drunk on the Double Ninth Festival.
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Qingxi Wang Wei.
Words into the Huanghua River, every clear stream.
With the mountains, there will be thousands of turns, and there will be no hundred miles of fun.
The sound is noisy in the stone, and the color is quiet and deep.
The rippling pan water chestnut is clear and reflects the reeds.
I'm idle, Kiyokawa is like this.
Please stay on the rock, the fishing will be over.
"Horse Poems" is written by the poet Li He of the Tang Dynasty.
Year]: Song [Author]: Su Shi [Works]:
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