Please summarize the breakthrough of Cultural Journey in traditional Chinese prose and its contribut

The prose in "Cultural Journey" quotes a large number of historical and cultural backgrounds and related classics, so that the status of the original prose has a fixed and stable structure from the general sense of the gods in the dispersion, and the historical quotation makes the prose more knowledgeable, and the article will be better understood than the works of the ancient gods, so that some of the prose without purpose has a clearer direction, so that the contemporary literary world will move towards a healthier development direction.

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Its aesthetic significance lies in the bold breakthrough of all traditional prose concepts, and the successful use of a series of artistic expressions that contain the writer's personality and originality.

From the perspective of life, Yu Qiuyu gave a rich and vivid image of culture, and practiced it himself, exploring all the way from the historical sites of civilization, and it is no longer a narrative of several fragments of things that are no longer scattered and separated. He integrated his true view of history into his prose, substituting himself into the historical era of contemporary times, as if he was watching the big mistake made by his predecessors inadvertently but could not tell him, "There is an inscription on the body of the tower, move to read it, and suddenly be surprised, its owner is actually that Wang Yuanqi!" ”

It is possible to pour out the flood of anger on him. However, he was too humble, too small, too ignorant, and the biggest outpouring was only to play the piano to the cow in exchange for an indifferent expression. Let his ignorant body completely shoulder this cultural debt, and even we will find it boring.

This is a great national tragedy. Wang Daoshi is just a clown who stepped forward at a wrong step in this tragedy. A young poet wrote that that evening, as Stein, an adventurer, was about to set off with a cart full of ox carts, he glanced back at the bleak sunset in the western sky.

There[1], the wounds of an ancient people were dripping blood. The cultural journey of the Taoist Pagoda woke up the people at that time and told them how precious the cultural relics in the Mogao Grottoes were, but the feudal decadent thought numbed people deeply, so that people could join him in this great joy and sorrow but helpless, and feel the vicissitudes of fate.

Contemporary prose mostly writes about the beauty of the writer's inner feelings or implicitly exposes the current social situation and appeals to people's hearts, while "Cultural Journey" is an ascetic practice, allowing people to experience with him from the heart, feel everything in the collision of history, and expose the tragedy of culture born at the roots of society. The writer has integrated his vivid cultural life into the end of the pen, and this specific cultural life is formed by the accumulation of deep and heavy real history, just like a miniature sculpture after magnification, which is amazing!

An overview of the ancient and modern essays of prose:

1.Ancient prose: ancient China, for the difference.

In rhyme and prose, all prose articles that do not rhyme and do not rearrange evenly, including scriptures, biographies, and historical books, are all called prose.

The development of ancient prose in China:

1) Pre-Qin prose: including Zhuzi prose and historical prose. Zhuzi's prose is dominated by discourses, such as the Analects, Mencius, and Zhuangzi; Historical prose is an essay based on historical topics, and all articles and books that describe historical events and historical figures are historical essays, such as "Zuo Biography".

2) Prose of the Han Dynasty: Sima Qian's "Historical Records" in the Western Han Dynasty pushed biographical prose to an unprecedented peak. After the Eastern Han Dynasty, individual prose forms such as books, notes, tablets, inscriptions, treatises, and prefaces began to appear.

Tang and Song Dynasty prose: Under the impetus of the ancient literature movement, the writing of prose became more and more complicated, and literary prose appeared, producing many excellent landscape travelogues, fables, biographies, essays and other works, and the famous "Eight Masters of the Tang and Song Dynasties" also emerged at this time.

3) Ming Dynasty prose: First, there were "Seven Sons" who mainly imitated antiquity, and then there were Tang and Song factions who advocated that the works "all flow out of the chest", and the more famous one is Gui Youguang.

Qing Dynasty prose: Qing Dynasty prose represented by the Tongcheng School, focusing on the embodiment of "righteousness". Yao Nai, a representative writer of the Tongcheng School, summarized the ancient prose style in China and divided it into 13 categories, including debates, prefaces, recitals, writings, gift prefaces, edicts, pleadings, inscriptions, miscellaneous sayings, proverbs, praises, resignations, and mourning.

"Cultural Journey" is Yu Qiuyu's first collection of essays, and the collected works mainly include two parts: one is historical and cultural essays, scattered discussions, and cultural exploration; The other part is the reminiscence essay. Relying on his profound literary and historical skills, rich cultural perception and artistic expression, these articles not only reveal the great connotation of Chinese culture, but also provide a new paradigm for the field of contemporary prose.

The theme of the book is to seek the soul of culture and the true meaning of life through the use of landscapes and landscapes, and to explore the historical destiny of Chinese culture and the personality composition of Chinese literati. Among them, "Taoist Tower" and "Yangguan Snow" are ancient images that describe the rise and fall of the Yellow River civilization in the desert and desolation, and the deep and desolate sense of history can be seen in the pen. "White-haired Suzhou" and "Jiangnan Town" are based on the soft and sad small bridge and flowing water, showing the fresh and graceful Jiangnan culture and the world's human feelings.

A Pavilion on a Stormy Day" and "Caprice of Qingyun Spectrum" directly point their brushstrokes to cultural personality and cultural conscience, showing the difficult mental journey of Chinese literati.

Cultural Journey is a collection of cultural essays by the author.

Some of the essays have won first prizes in various literary awards, and the theme of the book is to seek the soul of culture and the true meaning of life through the use of landscapes and landscapes, and to explore the historical destiny of Chinese culture and the personality composition of Chinese literati.

The use of contrasting techniques shows the cultural perception of the writer's wit. Prose is a lyrical art that cannot but be linked to the subjective consciousness of the author. While expressing the objective world, it also focuses more on expressing the author's 'self-celebration' emotion and the subjective spiritual world.

Each prose work is the most authentic and specific display of the author's personality, learning, spirit, sentiment, etc.

In "Cultural Journey", we see not only the writer's footprints all over the motherland, but more importantly, we feel the outpouring of Mr. Yu Qiuyu's main polemical spirit, and the cultural perception of the motherland's landscape superman, and this kind of outpouring and understanding often gives people enlightenment and shock, so that readers have to admire the writer's unique insight.