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Before Grandma Liu appeared, Cao Xueqin.
A small preface was added to the "Stone Noise" in the book, saying: "According to the calculation of the Rongguo Building, although the population is not large, there are 3,400 people from top to top; Although there are not many things, there are 120 pieces a day, and there is no clue about making a program. He started thinking about Fang Miao from that thing or that person.
Suddenly, a small family from thousands of miles away.
Here it comes. Because they have a relationship with Rongfu, they are coming to Rongfu today. So that's a clue to the family.
Grandma Liu's writing seems to be just to understand Rongfu's complex people and things, which is just an excuse for the author, not the real intention of arranging this role. Judging from the storyline of this book, we believe that the author created the image of Grandma Liu for at least four reasons. First of all, in addition to the elegant conversation of Childe, Mrs. and Miss, there are more slang words of Grandma Liu, which are in color matching.
on each other, reflecting each other's elegance and customs. Different life situations and different perspectives of consciousness are novel or mutually attracting.
In such a family, the only thing that is difficult to write about is that they are the largest part of the common people, because since they fought with the village chief, who came to pay the rent every year, they have not had the opportunity to contact the farmers. Cao Xueqin grew up in a depraved family and eventually moved to a mountain village in the western suburbs of Beijing. He is more likely to be familiar with rural life, and unfortunately, these life experiences are useless.
Now with Grandma Liu, everything is ready and everything is settled. The third is to witness the rise and fall of the Jia family. According to the sixth chapter of "Ziping", she wrote "the first two times, the second time" in the "Continuation Book" of Rong Guofu in the "Three Advances". "One Gold" focuses on her poverty and Sister Feng.
The shame and pleas for help when "proud when it's easy to help". Because of this, she "accumulated yin skills" and fell into a series of plots such as "good gold hometown", "opening rivers and rivers", tasting tea, setting up banquets, and teasingFully compare and feel the rich and poor in different lives, so as to see the grand occasion of the good family.
None of this would have been any different without Grandma Liu. When something happened to the Jia family during the "three advances", it must have changed the scene and changed the person. At that time, I learned that something had happened to the Jia family, and today is the day to meet with "Sister Feng in Prison" and "The Twelfth Remand for Review", so I will go to find the whereabouts of my lost daughter, find Qiao Mei who was lost in the fireworks, rescue her from the fire pit, and cherish the kindness of the sun.
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Grandma Liu, an old lady with extraordinary public relations talents. witnessed the whole process of the rise and fall of Jiafu. As soon as she entered the Rongguo Mansion, Grandma Liu was cautious and opened the joints.
Establish a relationship with a well-known Jinling family, enter the Rongguo Mansion for the second time, and Grandma Liu is left and right, pretending to be crazy and stupid, deducing the success of a public relations person. Three into the Rongguo Mansion, Grandma Liu stepped forward, chivalrous and courageous, and became an important ending figure in "Dream of Red Mansions". How could an illiterate rural old lady swim in the Grand View Garden and lie in the Yihong Courtyard in Jiafu?
In "Dream of Red Mansions", the relationship between Grandma Liu and Jiafu has to start with his son-in-law Wang Gou'er, Wang Gou'er's ancestor used to be a small Beijing official, and he knew the father of Mrs. Wang of Jiafu, and because he was surnamed Wang, he "connected the sect" and became the "family" by taking the opportunity of "being an official in one place".
So Wang Gou'er's family married the rich family of Jiafu. Later, this Wang Gou'er's family was not angry, and the family business was depressed, so he moved out of the city and lived in the countryside. At the end of the winter, Wang Gou'er's family had nothing to do, and she couldn't take care of the end, so her mother-in-law Grandma Liu had to take advantage of this relationship to go to Jiafu to seek relief, so Grandma Liu staged it as soon as she entered Rongguo Mansion.
As soon as Grandma Liu entered the Rongguo Mansion, she was victorious, so that a small family of Zhuang gradually established a relationship with a famous family in Jinling. She not only made Jiafu recognize this relative, but also got back twenty taels of silver plus a penny of aid, so that the family of the village survived the difficulties. At this moment, Grandma Liu's mission in "Dream of Red Mansions" is only one-third completed, and the more important scenes are still to come.
Grandma Liu's second entry into the Grand View Garden, her fourth role is to lay the groundwork for the future defeat of Jiafu and the rescue of Sister Qiao. Here it is written that Wang Xifeng's daughter at that time, the eldest sister was playing with a big glaze, at that time, she had not yet taken the name, she had not yet named Sister Qiao, she was playing with a grapefruit, and she saw that Ban'er was holding a Buddha's hand in her hand, and then she wanted it. The maid coaxed Ban'er to change this Buddha's hand to the eldest sister for the grapefruit, Ban'er was tired of playing with the Buddha's hand, and he had been playing for a long time, and he saw that the grapefruit was round and fragrant, so he changed it, okay, what is the emphasis here?
This seems to be the result of fate in the dark and the guidance of the Buddha's hand, Cao Xueqin is here he made such a hint. Therefore, let Grandma Liu name it, Grandma Liu just said, take the word "Qiao", in the future, it will definitely be auspicious in trouble, and turn evil into good fortune, all from this "Qiao" word.
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It plays the role of connecting the previous and the next, and it also shows the gorgeous style of Jiafu.
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promoted the development of the storyline and laid the groundwork for the fate of Wang Xifeng and Sister Qiao.
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The main role is that Grandma Liu undertook a turning point in the plot.
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The first time I came to see the prosperity of Jiafu, and the second time I witnessed the ruins of Jiafu.
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Grandma Liu is an ordinary person, and entering the Jia Mansion is like entering the palace for her, showing the wealth of the Jia family.
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Without Grandma Liu, all this would not be vivid, which played a role in the development of the article.
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This mainly plays a role in a connection, reflecting the storyline through Grandma Liu.
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About Grandma Liu's two visits to Jiafu, it plays a perfect role in the whole plot.
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Without Grandma Liu, all this would not be vivid, laying the groundwork for the fate of Wang Xifeng and Sister Qiao.
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In the sixth chapter of Dream of Red Mansions, Grandma Liu shows us the following aspects of Jiafu's situation:
1.The extravagant life of Jiafu. Grandma Liu saw all kinds of luxurious furnishings, rich food and exquisite etiquette in Jiafu, which all showed the luxurious life of Jiafu.
2.Internal relations of Jia Province. Grandma Liu came into contact with various characters in Jia's mansion, including masters and subordinates. Through her observations, the author shows the hierarchical and power relations within Jiafu.
3.The pomp and circumstance of Jia Fu. Grandma Liu was deeply impressed by the pomp and circumstance of Jiafu, such as the silence at the dinner table and the well-trained little girls, which all showed the rules and pomp of Jiafu.
4.The architectural layout of Jia House. After Grandma Liu entered the Grand View Garden, she gave a detailed description of the layout and scenery in the garden, which allowed us to understand the architectural layout and garden landscape of Jiafu.
5.The social status of Jia Province. When Grandma Liu told Jia's mother about her life experience, she mentioned that Jiafu was a world buried in the world where "a hundred-legged insect dies but does not stiffen", which reflects the status of Jiafu in the society at that time.
Overall, Grandma Liu's presentation of Jiafu in the sixth episode provides an important perspective for us to understand the lifestyle, social status, internal relations and architectural layout of Jiafu. At the same time, it also paved the way for the subsequent decline of Jiafu and the rescue of Sister Qiao.
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The way outsiders are received when they come to Jiafu, the relationship between some of the characters in Jiafu, and the actual family members in Jiafu.
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Because the author wants to make a comparison with the people in the Grand View Garden, on the surface, he will be Grandma Liu. Tu Lao Hat, in essence, is writing about the characters in it who ignore the world and don't want to be arrogant compared with the ups and downs of the outside world. It is precisely because of such a character that their values are shown.
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paved the way for Sister Feng's daughter to come out later.
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Although you didn't say which paragraph.
But judging by the article as a whole.
Grandma Liu is a simple rural person.
At the same time, she is very tactful and knows how to behave.
When the son-in-law's family was in difficulty, he took his grandson to Jiafu to borrow money.
Reach out and don't hit the smiling person, let alone an old and a young.
Thinking that even if I couldn't borrow money, I would go into the city and take a look at the big courtyard like the painting, and then Grandma Liu was a person who knew how to cater to her.
Make up some new wonders in the countryside to amuse the ancestors and young ladies of the son, and there is also her gratitude and retribution.
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Grandma Liu is very simple and kind, as can be seen from her helping Wang Xifeng rescue Sister Qiao, and in addition, from the conversation between Grandma Liu and Mother Jia, it can be seen that she is a wise old man who can learn and use it very well.
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First, honest and honest, for example, when he saw Sister Feng, he said that his nephew borrowed money, and second, he knew how to cater to him, for example, Baoyu said that the girl was good, so he made up a story about asking for a woman and getting a woman, and the third was grateful to repay it, and finally saving Sister Qiao is the embodiment.
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She is a rural person with a big grin, no culture, and no rules.
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The "laughing" drama performed by Grandma Liu after entering the Grand View Garden was directed by Sister Feng, Mandarin Duck and others. They felt that Grandma Liu's words and deeds were a little incompatible with Daguanyuan, and even very funny, so they made fun of Grandma Liu. Behind this "laughing" drama is the author's compassion and respect, and the author is describing Grandma Liu, a calloused and down-to-earth citizen in exchange for food and clothing, with compassion and respect; At the same time, the author also reflected the scene of the smell of wine and meat in Jiafu and Zhumen through the eyes of Grandma Liu, and deeply condemned the corruption in Jiafu.
This is the situation when Sister Feng asked Grandma Liu to eat pigeon eggs: the pigeon eggs were small, the chopsticks were heavy and slippery, and Grandma Liu was very timid about occasions like Daguanyuan, so the funny when eating pigeon eggs can be known.
The words "trouble" and "pinch" write that Grandma Liu is not used to the heavy and slippery chopsticks, and she can't hold the pigeon eggs, so that the pigeon eggs run around the bowl, and vividly and vividly write the embarrassment of Grandma Liu when she holds the pigeon eggs; The word "stretch" highlights Grandma Liu's cautious and naïve attitude when eating pigeon eggs; The words "slippery" and "roll" describe the smooth chopsticks, the small eggs, and the speed at which the eggs fall. In short, these verbs vividly write the funny and innocent demeanor of Grandma Liu when she eats pigeon eggs, highlighting Grandma Liu's simple, cautious and cowardly character. Sister Feng and Mandarin Duck's smile without revealing reflects their character traits of being good at scheming, playing tricks, making fun of people, and playing tricks on people;
The smiles of Tanchun, Shi Xiangyun, and Aunt Xue are naturally revealed, reflecting their frank, hearty, and unrestrained character traits;
Lin Daiyu's smile is extremely controlled, reflecting her subtle, educated and cautious character;
Baoyu slipped into Jia's mother's arms when he smiled, reflecting his innocent and childish personality;
Xichun laughed so much that her stomach hurt, and let the nurse rub her intestines, reflecting her squeamish and childish personality;
Jia's mother laughed and burst into tears, reflecting her benevolent and compassionate personality.
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The most beautiful laugh is the natural laugh; The sincerest laugh is.
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Shi Xiangyun couldn't hold it, a mouthful of rice squirted out, Lin Daiyu laughed, belched on the table, Baoyu rolled into Jia's mother's arms, Jia's mother smiled and hugged Baoyu and called "heart and liver", Mrs. Wang smiled and pointed at Sister Feng'er, but couldn't speak, Aunt Xue couldn't hold it, she sprayed Tanchun's skirt in her mouth, and the rice in Tanchun's hand was on Yingchun's body. None of the people underground did not bend over and bend their backs, some hid out and squatted and laughed, and some endured laughter and came up to change for his sisters.
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The fortieth round: Shi Taijun's two banquets in the Grand View Garden, the golden mandarin duck and the three declaration of the tooth card order.
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1 All the first time to enter Jiafu, Grandma Liu is for her son-in-law Gou'er to seek relief, because it is difficult to maintain the family income of "two acres of thin fields", and believe that "things are done in people, success is in the sky" Grandma Liu, with "as long as he (Jiafu) has a little kindness, plucking a hair is stronger than our waist", with her grandson Ban'er shaky and trembling, came to Jiafu to find Mrs. Wang's companion Zhou Rui's house, and met Wang Xifeng through her. This time, Grandma Liu, who came empty-handed, achieved her goal, and Wang Xifeng, on behalf of Jiafu, who "emaciated camels are bigger than horses", subsidized her with twenty taels of silver. These twenty taels of silver are really nothing to an official eunuch like Jiafu who has no concept of cost control, but for a countryman like Grandma Liu, who has to calculate every penny to live, it is a large amount of money for them to turn over and get rich.
Sure enough, with these 20 taels of silver as the capital, Grandma Liu's family gradually lived a life of food and clothing. Grandma Liu is a person who knows how to repay kindness, after the harvest of grain in the second year, Grandma Liu took a few big bags of fruits, vegetables and vegetables to Jiafu again, one is to repay the kindness, and the second is of course to hope to get further funding from Jiafu in order to get on the road to prosperity faster.
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Main Storyline:
After entering the Rongguo Mansion and raiding the house, the Jia Mansion has been completely defeated, and Sister Feng had no choice but to ask Grandma Liu to take care of her only daughter. What it does:
After the defeat of the Jia family, Sister Qiao's maternal uncle Wang Ren (Wangren) beat her idea for money, and Grandma Liu worked hard to save her, this ordinary working people can drip the grace of water, and the spring reciprocates, reflecting the kindness of the working people, as well as the ugliness of the children of feudal families, which is also what Cao Xueqin wants to express.
The surprise and admiration that Grandma Liu generated when she entered the Grand View Garden are in line with our readers' psychological cognition of the unfamiliarity of the Grand View Garden. It can be said that we are also "Grandma Liu" in disguise, and our sensory thinking is guided by the physical "Grandma Liu", and we have once again traveled to the Grand View Garden from a completely new perspective.
Jiafu and the rural economy are inseparable from the umbilical cord. The appearance of Grandma Liu also hints at this.
A total of 120 times.
Grandma Liu entered Jiafu for the first time, in Wang Xifeng's view, it was no different from those who "fought the autumn wind", that is, they used their relationship to ask for property from Jiafu in the name of pretending, Wang Xifeng naturally had no good impression of Grandma Liu, and it was a kind of contempt and disgust, perfunctory attitude. And Grandma Liu came for the second time, she came to thank her, and she also brought melons and fruits and other ingredients, Wang Xifeng naturally had a better attitude towards such grateful people, plus Grandma Liu came for the second time and was liked by Jia's mother, of course Wang Xifeng was better to Grandma Liu.
Grandma Liu is a distant relative of Jiafu.
Because of his family's poverty, he had to go to Jiafu to visit relatives, hoping to get some help. >>>More
Grandma Liu in "Dream of Red Mansions" is an unforgettable character, she is a guest in Jiafu, how many rounds have she entered Jiafu? >>>More
Because the character of Grandma Liu is also a soul character, and has a very different image from all the characters in the Grand View Garden, it will focus on describing Grandma Liu.
Baoyu ran away from home and eventually cut out of the house, and the ending of Mrs. Wang does not indicate that many people speculate that she may be living with Party A. Yuan Chun died, Jia Zhu also died, and many others died due to some circumstances.