Seek poems similar to Cangyang Gyatso s Sad.

The autumn breeze is clear, the autumn moon is bright, the fallen leaves gather and disperse, the jackdaws are frightened, and the lovesickness knows when to see each other, and the night is embarrassing.

Entering my lovesick door, knowing that I am lovesick, long-term lovesickness, long-term lovesickness, short-term lovesickness is infinite, I knew that it was so stumbling, and it was as if I didn't know each other at the beginning.

First, it's best not to see each other, so that you don't fall in love.

Second, it's better not to know each other, so that you don't love each other.

Thirdly, it is better not to be accompanied, so that you do not owe each other.

Fourth, it is better not to cherish each other, so that you can not remember each other.

Fifth, it is better not to love each other, so that you can not abandon each other.

Sixth, it is better not to be relative, so that we can not meet.

Seventh, it is better not to be wrong, so that there is no loss.

Eighth, it is better not to allow each other, so that there can be no continuity.

Ninth, it is better not to depend on each other, so that they can not be together.

Tenth, it is better not to meet, so that we can not meet.

But if you have seen each other, you will know each other, and when you have not seen each other.

Ande and Jun are absolutely anon, and they are exempt from teaching life and death to be lovesick.

You see, or you don't see me.

I was right there.

Not sad or happy. You read me, or you don't read me.

The love is there.

Don't come and go. You love, or don't love me.

The love is there.

Neither increase nor decrease. You follow, or you don't.

My hand is in yours.

Don't give up. Come into my arms.

Or let me dwell in your heart.

Silently in love.

Silence likes.

It's been years. You've been living in seclusion in my wounds.

I've let go of heaven and earth.

Go has never put you down.

There are thousands of mountains and rivers in my life.

Say goodbye to you one by one.

Worldly things. Except for life and death.

Which one is not an idle matter.

"Seeing and Not Seeing" is not a poem by Cangyang Gyatso, but a poem by Tashi Ram Duoduo, but many people know Cangyang Gyatso as "Seeing and Not Seeing", so they put it in this collection of poems.

See or not see" you see, or the scum cavity doesn't see me.

I was right there.

Not sad or happy. You read me, or you don't read me.

The love is there.

Don't come and go. You love, or don't love me.

The love is there.

Neither increase nor decrease. You follow, or you don't.

My hand is in yours.

Don't give up. Come into my arms.

Or. Let me dwell in your heart.

Silently in love. Silence rejoices.

Cangyang Gyatso represents poetry.

Love Poems Part II" Qingcang Yang Gyatso.

I wish to marry Qing for a hundred years, it is better to cherish the gold house and prepare for Jiaojiao. It is like the Biyuan Crystal Palace, which is stored with rare and strange treasures.

Love is the first poem of its twenty-nine".

Clearing Yang Gyatso.

End the flower hat under the makeup floor, carved saddle goodbye when each hand. The mercy was sad and persuaded each other, and there was not much time left for them to get together again.

Love Poems Its Eleventh

Clearing Yang Gyatso.

The cave room was lit with flowers and candles overnight, and Qingqing married another woman. Lovesickness is like madness, heart is like ashes, who to complain to for the haggard feelings.

Love Poems Part 1" Qingcang Yang Gyatso.

Dongshan Cui Wei can not be climbed, and the top of the sky is bright and the moon is born. The red face is lovesick and bitter, and this heart only remembers Qingqing.

Love Poems Its Eighteenth

Clearing Yang Gyatso.

Immortal feathers wandered like snow temporarily, wanting to borrow this body to carry it on wings. If you don't learn to order the crane to go, Litang will return when you see each other.

Who, by my hand, has taken me into madness for half my life; ­

Who, kissing my eyes, covering me for half my life; ­

Who, caress my face, comforts me for half a lifetime of sorrow; ­

Who, with my heart, melts the frost of half my life; ­

Who, hold me by the shoulders, drive me to silence all my life? ­

Who, call my heart, cover my life. ­

Whosoever forsakes me, and leaves me alone for the rest of my life; ­

Who can know my will, so that I have no regrets in this life; ­

Who can help my arm, unparalleled for thousands of years; ­

Who, who can pour out my heart, every inch of land is just like nothing; ­

Who, can bury me, laugh at the vain world, and my heart is crazy. ­

Yi, cover my lips, dispel my past life; ­

Yi, take my arms, except for the frivolity of my previous life. ­

The hand of the son will accompany you to be crazy for a thousand lives; ­

Deep kiss eyes, accompany you in eternal reincarnation. ­

The hand of the son, you will be a lifetime of wind and frost; ­

The eyes of a kiss will give you a lifetime of affection. ­

I, take Eryu by the hand, and take everything you have in this life; ­

I, caressing your neck, block the wind and rain of your life. ­

Yu, Bangzi Qingsi, Bangzi I love for a lifetime; ­

giving, holding the hand of the son, going to a lifetime of love; ­

Was, in the name of the Father, so that you will not mourn all your life; ­

Zeng, the love of the pity, I wish you a safe life! ­

I don't have a book.

But since you want to be quiet, I recommend a spell.

The root mantra of the Eleven-sided Contemplation of Freedom Bodhisattva is not bad It is said that it was founded by Guanyin Bodhisattva to save all sentient beings in the Asura Path It can be said that it is the great compassion mantra chanted by Sanskrit Qiongying Zhuoma is very good.

Landlord, if you are interested, I can recommend it again.

To see or not to see – Cangyang Gyatso.

You see me or not, I'm there, not sad or happy.

Whether you read me or not, the love is there, and it doesn't come or go.

Whether you love me or not, love is there, neither increasing nor decreasing.

Whether you follow me or not, my hand is in your hand and I will not give up, come to my arms or let me live in your heart.

Silently in love. Silence rejoices.

The author is actually: Tashi Ram Dodo.

See and don't see.

Cangyang Gyatso. You see, or you don't see me.

I was right there.

Not sad or happy. You read me, or you don't read me.

The love is there.

Don't come and go. You love, or don't love me.

The love is there.

Neither increase nor decrease. You follow, or you don't.

My hand is in yours.

Don't give up. Come into my arms.

Or let me live in your heart.

Silently in love.

Silence rejoices.

Cangyang Gyatso's full poem "Seeing and Not Seeing".

See or not see you, or not me.

I was right there.

Not sad or happy. You read me, or you don't read me.

The love is there.

Don't come and go. You love, or don't love me.

The love is there.

Neither increase nor decrease. You follow, or you don't.

My hand is in your hand.

Don't give up. Come into my arms.

Or let me live in your heart.

Silently in love. Silence likes.

The first of the Ten Commandments is that it is best not to see each other, so that you can not fall in love.

Second, it's better not to know each other, so that you don't love each other.

Thirdly, it is better not to be accompanied, so that you do not owe each other.

Fourth, it is better not to cherish each other, so that you can not remember each other.

Fifth, it is better not to love each other, so that you can not abandon each other.

Sixth, it is better not to be relative, so that we can not meet.

Seventh, it is better not to be wrong, so that there is no loss.

Eighth, it is better not to allow each other, so that there can be no continuity.

Ninth, it is better not to depend on each other, so that they can not be together.

Tenth, it is better not to meet, so that we can not meet.

There's a song called "The Battle of Vietnam," which I really like, which was written by an American woman in the '70s to her husband who went to war, but her husband never came back.

The Battle of Vietnam remembers that time, I borrowed your new car.

And I bumped into it, and I thought you were going to kill me, but you didn't.

Remember that time I dragged you to the beach.

And you said it was going to rain, and it did.

I thought you'd say I, tell you, but you didn't.

I remember the time I spit strawberry pie all over your freshly painted carpet.

I thought you'd hate me, but you didn't.

I remember that time I forgot to tell you that the ball was in a dress.

And you showed up wearing only jeans, I thought you were going to give up on me, but you didn't.

Yes, there are many, many things that you have not done.

For you tolerate me, love me, and protect me.

There are many things I want to give back to you.

Waiting for you to come back from Vietnam.

But you don't.

Some of Sanmao's classic sentences are also good, and they can be searched on it.

The ten precepts of acacia are also Cangyang's. His poems are really good and strongly pushed.

Seeing and Not Seeing" wasn't written by Cangyang Gyatso, right? . .

That Day, You, Year, January, That Life" was not written by him.

This one was written by a Han Chinese.

And this is also a song,--Cangyang Gyatso Love Song", The Believer

The previous one sounds good.

See or not see" You see, or don't see me, I'm there, not sad or happy;

Whether you read me or not, the love is there, and it doesn't come or go.

Whether you love me or not, love is there, neither increasing nor decreasing.

If you follow, or not, my hand is in your hand, and I will not give up;

Come into my bosom, or, let me dwell in your heart.

Silently in love.

Silence rejoices.