How did Hugo praise the Great Water Law of the Old Summer Palace? 5

Updated on culture 2024-04-12
8 answers
  1. Anonymous users2024-02-07

    Imagine a building that words can't describe, something like a moon palace, and this is the Old Summer Palace. Please build a dream with marble, jade, bronze, porcelain, make its roof truss with cedar, decorate it with precious stones, drape it with satin, build a temple here, build a harem there, build a city tower, put a god statue in it, put a strange beast, decorate it with glass, decorate it with enamel, decorate it with **, apply grease powder, ask the architect who is also a poet to build a thousand and one dreams of a thousand and one nights, and add gardens, a square pool, a fountain at a glance, plus flocks of swans, ibises and peacocks, in short, Suppose that some kind of dazzling cave that humans fantasize about, which looks like a temple and a palace, is actually a unique miracle in the world, and that is this famous garden.

  2. Anonymous users2024-02-06

    1. Wonder of the World;

    2. Fantasize about a certain scale of giant models;

    3. Silhouette of Asian civilization. Hugo commented on the Old Summer Palace in his "Letter to Captain Butler on the Anglo-French Expedition to China", and the original text is as follows: In a certain corner of the world, there is a world miracle, and this miracle is called the Old Summer Palace.

    There are two origins of art, one is the ideal, which gives rise to European art; The first is fantasy, which gives rise to oriental art. The Old Summer Palace has the same place in fantasy art as the Parthenon in ideal art. This is an achievement that is almost the result of the imagination of a superhuman race.

    It's not a rare, one-of-a-kind piece, like the Parthenon; If fantasy can be exemplary, it is a kind of enormous model of fantasy.

  3. Anonymous users2024-02-05

    Old Summer Palace. It was called the "Museum of the Orient" by the French-Chinese writer Hugo.

    The Old Summer Palace is a large imperial garden in the Qing Dynasty of China, located in Haidian District, Beijing, founded in 1707, composed of the Old Summer Palace and its attached gardens, Changchun Garden and Qichun Garden, also called the Three Gardens of the Old Ming Palace, there is "the Garden of Ten Thousand Gardens."

    called. Under the establishment and operation of the Qing Dynasty for more than 150 years, the Old Summer Palace has been famous for its grand regional scale, outstanding construction skills, exquisite and closed buildings selling lead, rich cultural collections and profound national cultural connotations, and is known as "the model of all gardening arts", and was recognized by the French writer Victor Hugo.

    It is praised as "a model of ideals and art".

  4. Anonymous users2024-02-04

    Hugo's evaluation of the Old Summer Palace:

    In one corner of the earth, there is a magical world, and this world is called the Summer Palace. The foundation of the artistic vertical belt is laid by these two factors, that is, the rationality of European art and the imagination of Oriental art. In the art of imagination, the summer palace is the Parthenon in the art of reason.

    Everything that could be created by the imagination of the people, almost magical, is embodied in the summer palace. The Parthenon is a rare and unique creation in the world, but the summer palace is a huge model of imagination, and it is only possible to create such a model according to imagination.

    Just imagine that it is a fascinating building, like the castle of the Moon Palace. The Summer Palace is one such building. You can create your imagination with marble, jade, bronze and ceramics; You can use the cloud pine as its building material; You can take the most precious treasure imaginable and decorate it with magnificent silk.

  5. Anonymous users2024-02-03

    Didn't come to China, but he wrote an article about the Old Summer Palace. Called the Anglo-French army a beast.

  6. Anonymous users2024-02-02

    Hugo has a special affection for China.

    2. Hugo's interactions with the Chinese.

    Hugo has never been to China, but he has had a lot of contacts with Chinese.

    On December 1, 1851, Hugo wrote a small poem called "Chinese Vases".

  7. Anonymous users2024-02-01

    The great writer Victor Hugo once said: "Two robbers broke into the Old Summer Palace, one was England and the other was France." ”

    It expresses Hugo's anger and sigh at the destruction of the Yuanmingxian Middle Palace, which is a gathering place of ancient Chinese treasures, and was destroyed in one fell swoop, and the great powers brought not only material destruction, but also the destruction of spiritual culture.

    Somewhere on Earth, there was once a wonder of the world, and its name was the Old Summer Palace. Art has two principles: the idea and the dream.

    Ideas give rise to Western art, and dreams give rise to Eastern art. Just as Barthenon is the representative of conceptual art, the Old Summer Palace is the representative of dream art. It brings together the envy of a nation's almost all the fruits of the human imagination.

    Unlike Barthenon, the Old Summer Palace is not only a one-of-a-kind, one-of-a-kind masterpiece, but also a sublime example of dreamlike art – if fantasy can be a model at all. You can imagine a fairyland-like building that you can't describe in words, and that's the Old Summer Palace.

  8. Anonymous users2024-01-31

    1. Hugo's famous quote in "The Destruction of the Old Summer Palace":

    Only when we are strong can we safeguard the dignity of a nation and a country.

    Falling to pieces is nothing.

    As long as you can stand up bravely again and work hard.

    2. Shouting for the feast Hugo is saddened by the disappearance of the Old Summer Palace; Hugo was indignant, Hugo was indignant at the destruction of the treasures of Oriental civilization; Talking about Hugo's punishment.

    Hugo condemned the barbarism of the Anglo-French forces; Hugo spoke out and praised the Old Summer Palace as an incomparable loss in the history of human civilization.

    artistic value.

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