What are the criteria by which a person can be called a calligrapher?

A person who can be called a calligrapher must first understand the history of the development of Chinese characters, be able to read the soul of words, and then give soul to words when writing.

I think that if a person wants to become a calligrapher, the most basic criterion is that his calligraphy can be liked by people, can have his own unique style, and can have a certain guiding role and a certain status in this field of calligraphy.

The criterion for a person to be called a calligrapher is that he has written his own characters perfectly, and he can stand on his own and have his own characteristics.

To be called a calligrapher, you must have practiced calligraphy for many years, have a high level of artistic attainment, and have published representative works with high artistic value that have been widely recognized by the industry.

See whether his font is distinctive, and whether the words he writes have a soul, not just the beauty of the writing, but also the skill of calligraphy to be examined.

Wang Xizhi (Eastern Jin Dynasty) Wang Xizhi's calligraphy is mainly special and natural, the gesture is euphemistic and subtle, beautiful and beautiful, and later generations commented: "Floating like floating clouds, like a dragon." Wang Xizhi's calligraphy is exquisite, beautiful, and extremely beautiful.

In short, he introduced the writing of Chinese characters from practicality to a realm that focuses on technique and taste, marking that calligraphers not only discover the beauty of calligraphy, but also express the beauty of calligraphy.

Ouyang Xun (Tang Dynasty) Ouyang Xun's calligraphy due to the characteristics of the Han Dynasty and the Jin Dynasty regular script, and also participated in the six dynasties tablet calligraphy, the division is said to be the strength of the wide collection of each family. The main characteristics of Ouyang Xun's calligraphy style are rigorous and neat, flat and sharp. Although the glyph is slightly longer, it is divided into white cloths, neat and rigorous, the middle palace is tight, the main pen is elongated, it seems to be unrestrained, there are sparse and dense, all sides are prepared, the eight sides are exquisite, the rhyme is vivid, just right.

The dot painting is coordinated, the structure is arranged, it is flat and steep, and most of the fonts are expanded to the right, but the center of gravity is still very stable, and there is no sense of oblique tilting, and the fun of the danger is positive.

Yan Zhenqing (Tang Dynasty) first learned Chu Suiliang, and later studied under Zhang Xu, and absorbed the characteristics of the four families of the early Tang Dynasty, combined with the seal and the Northern Wei Dynasty brushwork, self-contained, contrary to the early Tang Dynasty calligraphy style, turned thin and hard into plump and majestic, the body is broad and magnificent, the bone strength is strong and awe-inspiring.

Zhao Mengfu (Yuan Dynasty) is very neat and stable, whether it is regular script or line script. Gentleness and elegance are his main characteristics.

Chinese calligraphy is broad and profound, let's start with the historical record:

Qin: Li Si--- Qin stone carvings.

Han: "Shi Chen Tablet", "Yiying Tablet", "Ritual Tablet", "Cao Quan Tablet", "Zhang Qian Tablet", "Xizhai Tablet", "Ode to Shimen", "Xiping Stone Classic".

Wei and Jin: Wang Xizhi - Lan Tingxu (the first line of books in the world), sunny stickers when the snow is fast, aunt stickers Wang Xianzhi - Mid-Autumn Festival stickers.

Wang Xun --- Boyuan post.

Tang and Song Dynasties: Chu Suiliang - Wild Goose Pagoda Holy Religion Preface Monument.

Zhang Xu--Lang Guan Shizhu preface.

Huaisu - self-description post.

Yan Zhenqing - Yan Qinli Monument, Yan Family Temple Monument, Sacrifice Nephew Manuscript (the second line of books in the world) Liu Gongquan - Mysterious Tower Monument, Shence Military Discipline Monument of Saint Merit.

Huang Tingjian--Songfeng Pavilion, Su Shi Cold Food Poems.

Su Shi - Huangzhou cold food poems, New Year's exhibition celebration post.

Mi Fu - Shu Su post, coral post.

Cai Xiang - Wan'an Bridge Record, Chengxin Hall Post.

Zhao Ji -- Chunhua Pavilion Post.

Yuan, Ming, Qing:

Zhao Mengfu - Bilba Monument, Huzhou Miaoyan Temple.

Wen Zhengming--Before and after Chibi Fu.

Dong Qichang - the third decree.

Liu Yong - Linmi Fu poems.

Fu Jianzeng, a modern calligrapher, is known for his left-handed calligraphy, founded the calligraphy and painting club of Nankai University and served as its president. In the early years, he studied under the famous Chinese female calligrapher Wang Qian, and later had many contacts with calligraphy masters Wu Yuru, Li Henian, Ouyang Zhongshi, Wang Xuezhong, and Fan Zengzhu, and his calligraphy works were collected by Japan, Britain, the United States, Italy, Canada and other countries.

It depends on whether you have a lot of knowledge.

It depends on your creation.

Secondly, calligraphy can exercise people's observation skills. If you want to practice calligraphy well, you must keep in mind the structure of the font and the method of moving the pen, how to write well, how to write not good-looking, almost not to achieve the desired effect. Through countless observations and copies, people gradually grasp the trick of writing calligraphy, which also invisibly exercises your observation ability.

In this way, it can be applied to other things. For example, a person's personality can be judged by observing his thoughts and intentions from his actions and micro-expressions. Once you have practiced calligraphy, you will suddenly find that your observation skills have improved a lot.

Finally, calligraphy can change a person's character. Sloppy people can become careful, attentive, and persistent by practicing calligraphy. Everyone knows that if you want to practice calligraphy well, you can't achieve it without a few years of hard work.

Freezing three feet is not a day's work, and people often say that the country is easy to change, but the nature is difficult to change. But the character here is the attitude towards things. If you are a person who doesn't care about details before you practice calligraphy, after practicing calligraphy, it will take a few days for a stroke.

The thick branches are gone, the ambiguity is gone, and the personal style is formed.

Learning calligraphy can make people more temperamental and cultivated, and it will also make a person more humble and rigorous, because learning calligraphy is very diligent and serious, so calligraphy will also shape a person's character.

In fact, the process of practicing calligraphy is a process of improving morality, such as your patience, your study, and your hard work.

Calligraphy has an impact on a person's personality, and it can make a person's personality more stable and restrained.

Famous calligraphers in ancient China include Wang Xizhi, Ouyang Xun, Yan Zhenqing, Liu Gongquan, Wang Xianzhi, Zhao Mengfu, Huang Tingjian, etc., each of whom is a figure who has influenced the times, and calligraphy has influenced generations. Or someone who is proficient in calligraphy.

Note: 1. Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty, is known as the "Saint of Calligraphy". The representative work "Orchid Pavilion Preface" is known as "the first book in the world".

Wang Xizhi is not only a symbolic monument in the history of Chinese calligraphy, which has had a profound impact on Chinese calligraphy for thousands of years, but also left a large number of rich and diverse calligraphy masterpieces.

2. Ouyang Xun, a famous calligrapher in the Tang Dynasty, one of the four masters of regular script, his masterpiece "Huangfu's Birthday Monument" is known as "the first regular script of the Tang Dynasty". Ouyang Xun's calligraphy achievements are the most in regular script, the pen is dangerous, the structure is unique, and later generations are called "European disturbance and balance matrix".

3. Yan Zhenqing, a calligrapher in the Tang Dynasty, one of the four masters of ancient Chinese regular script, is also known as "Yan Liu" and Liu Gongquan, and is known as "Yan Muscle and Willow Bone". Founded "Yan Ti". "Manuscript for the Sacrifice of Nephews" is a draft of Yan Zhenqing's posthumous sacrifice from his nephew Yan Jiming in the Tang Dynasty.

4. Liu Gongquan, a famous calligrapher in the Tang Dynasty, one of the four masters of regular script, his representative works are "Diamond Sutra Tablet", "Mysterious Tower Tablet", "Shence Military Ji Shengde Tablet" and so on. Creation of "Willow Body". Liu Gongquan's calligraphy was famous in the Tang Dynasty at that time, and there was a saying that "a word of willow is worth a thousand gold".

5. Wang Xianzhi, known as the "Great Order", learned calligraphy with his father in his childhood, especially famous for his grass, and was known as the "Little Sage" in the history of calligraphy, and was called the "Two Kings" with his father Wang Xizhi. The regular script is represented by the "Thirteen Lines of Luo Shen Fu", the book is the most written by the "Duck Head Pill Post", and the famous work of the grass slow book is listed as one of the "Three Xi Posts" of the Qing Dynasty.

In ancient China, there were many famous calligraphers, such as Wang Xizhi, Yan Zhenqing, Liu Gongquan, Zhao Mengfu, etc. Their characters have been practiced for a long time, and they have their own unique style of sock hole ants, which has both artistic content and historical value, and has far-reaching influence and has been passed down to this day. When one's own characters have formed their own style and are respected by most people, after a long period of time, they still have a certain value of trembling, they can be called calligraphers.

Wang Xizhi, Ouyang Xun, Yan Zhenqing, Liu Gongquan, Wang Xianzhi, Zhao Mengfu, Huang Tingjian.

1.Outstanding Contribution to Calligraphy, 2His character has been recognized by the public Fu Qingbi.

Both are indispensable. Therefore, no matter how good the writing is, strictly speaking, it cannot have the title of calligrapher, and those who really have the title of calligrapher must be a person who is both virtuous and artistic.

I think the famous calligraphers in ancient China include Wang Xizhi, Yan Zhenqing, Ouyang Xunqi Sanye, Liu Gongquan, Wang Xianzhi, Zhao Mengfu, Huang Tingjian, etc.; I think that the character must be very good in all aspects, so that it can be called a calligrapher, and the character must also have its own style and personality.

Summary. Hello dear, A calligrapher is a person who is good at calligraphy, a person who has the ability to write Chinese characters and can push them to the height of art. To put it simply, he is an artist whose main work is calligraphy. Or someone who is proficient in calligraphy. Representative, Yan Zhenqing and Wang Xizhi.

Hello dear, A calligrapher is a person who is good at calligraphy, a person who has the ability to write Chinese characters and can push them to the height of art. To put it simply, he is an artist whose main work is calligraphy. Or someone who is proficient in calligraphy. Representative, Yan Zhenqing and Wang Xizhi.

In ancient times, there was no such thing as a "calligrapher", and the word "calligrapher" is a modern one.

I participated in the National Calligraphy and Painting Competition sponsored by the Changsha Federation of Literary and Art Circles in O6 and won the title of Famous Calligrapher and Painter, is this of practical significance?

Are you there? In, dear, it has the meaning of strength, which can prove your calligraphy strength and improve your popularity in the calligraphy industry.