What does montage mean What does montage mean?

Cinematic means, by combining film clips from different time and space, produce different cinematic effects.

Use small ** to form a certain shape, and it looks like a big ** from a distance.

Montage Interpretation:

Cinematic terms, which have the meaning of editing and combining. It is one of the important methods of expression for film directors, in order to express the theme of the film, many shots are organized to form a coherent and complete film.

In the Soviet theory of montage, which was first introduced outside the USSR by Sergei Eisenstein, it was used to create symbolic meaning. Later, the term "montage sequence" was mainly used by British and American film companies, and became a common technique to indicate the passage of time.

From the 30s to the 50s of the 20th century, montage shots often combined a large number of short shots with special optical effects (faded, dissolved, split screen, double and triple dances).

Montage, a cinematic term, has the meaning of editing and combining.

Montage is that the director shoots many shots according to the script or the theme of the film, and then organically and artistically organizes and edits these different shots together according to the original creative concept, so that they can produce coherence, contrast, association, suspense and other connections and different rhythms, so as to selectively compose a film that reflects a certain social life and thoughts and feelings, and is understood and loved by the audience.

Montage is a transliterated loanword, originally an architectural term meaning to compose and assemble, and after the invention of film, it was extended to "edit" in French. In 1923, Eisenstein published an article "Attraction Montage" in the magazine "Left Literary Front" (old translation of "Juggling Montage"), which was the first to extend montage as a special technique to drama, and later extended to film art in his film creation practice, creating the theory of film montage and the Soviet school of montage.

In the twenties of the twentieth century, Eisenstein borrowed the French word montage and extended it to English in order to introduce montage (Russian: theory) outside the Soviet Union.

In the early 30s of the 20th century, Chinese filmmakers learned about the montage theory from English film theory, and initially tried to translate it as "weaving" according to the old meaning of French, but later found that "the old word was given a new meaning", so they retained the English transliteration and became a new term.

Montage refers to the organic combination of audio-visual modeling elements, ideographic elements, and linking elements that constitute the art system to form the sum of expression, thinking methods, and operation skills with certain artistic functions.

Montage writing technique refers to the fact that montage is a unique method of image thinking that reflects reality, a basic structural means and narrative mode of art, and a concrete, production, and expression method and technique.

Montage (French: montage) is a transliterated loanword, originally an architectural term, meaning composition, assembly. It is often used in the field of three-chain scum art, which can be interpreted as an artificial collage and editing technique of time and space with meaning.

It was first extended to film art, and later gradually was widely used in derivative fields such as visual hunger and orange art. Montage is one of the main narrative and representational means of film creation, as opposed to the expression method of long-shot film. A series of shots shot in different locations, from different distances and angles, and in different ways, montage is, in a broad sense, that is, to turn some of the captured shots into a movie plot, and to depict the characters in the booth.

With the role of montage, the film enjoys great freedom in time and space, and can even constitute a film time and film space that is inconsistent with the time and space in real life. Montage can create a "third action" in addition to the actor's movements and the camera's movements, which can affect the film's pacing and narrative.

Montage is an artificially collage editing technique of space-time burning jujubes with meaning.

Montage includes both editing and compositing, and when different shots are grouped together, they often have meanings that each shot does not have when they were alone. It was first extended to film art, and later gradually became widely used in derivative fields such as visual arts.

Montage originally refers to the relationship between images and images, after the emergence of sound films and color films, the use of montage has a broader world between images and sounds (human voices, sounds, **), sound and sound, color and color, light and shadow and light and shadow. There are many names for montage, and there is no clear grammatical norm and classification so far, but the film industry tends to divide it into three categories: narrative, lyrical, and rational (including symbolic, contrasting, and metaphorical).

The meaning of montage

When different lenses are grouped together, they often have meanings that the individual lenses do not have when they were on their own. For example, Chaplin's shot of the workers entering the factory gate is connected with the shot of the driven sheep; Pudovkin combined the footage of the melting glacier in the spring with the footage of the workers' demonstration, giving the original shot a new meaning. According to Eisenstein, when the opposing shots are linked together, the effect is not the sum of the two numbers, but the product of the two numbers.

With the role of montage, movies enjoy great freedom in time and space, and can even constitute film time and film space that are inconsistent with the time and space in real life. Montage can create a third movement in addition to the actor's movement and the camera's movement, which can affect the rhythm of the film. Shortly after the advent of cinema, American directors, especially Griffith, noticed the role of film montage.

Montage is a transliterated loanword, originally an architectural term meaning to compose and assemble, and after the invention of film, it was extended to "edit" in French. Montage is one of the important methods of expression for film directors, in order to express the theme of the film, many shots are organized to form a coherent and complete film. Montage, as an important film theory, can be described as a hundred schools of thought.

Many film directors and theorists, including Eisenstein, Pudovkin, Béla Balazs, Rudolf Einheim, etc., have tried to classify montages.

In 1923, Eisenstein published an article "Attraction Montage" in the magazine "Left Literary Front" (old translation of "Juggling Montage"), which was the first to extend montage as a special technique to drama, and later extended to film art in his film creation practice, creating the theory of film montage and the Soviet school of montage. In the twenties of the twentieth century, Eisenstein borrowed the French word montage and extended it to English in order to introduce montage (Russian: theory) outside the Soviet Union.

In the 20s of the 20th century, Eisenstein proposed a systematic film aesthetic theory and practical principle for studying the characteristics of films based on the dialectic of perceptual thinking and rational thinking, and also refers to the theory of editing and storytelling in world cinema, and then mainly refers to the Soviet film montage theory represented by Kulishov, Eisenstein, Pudovkin, Vertov and others, especially Eisenstein's "conflict theory" and Pudovkin's "combination theory".

Montage generally consists of two aspects: picture editing and picture compositing. Picture compositing: A unified picture work formed by the juxtaposition or disposition of many pictures or patterns.

Picture editing: The way or process of making this artistic combination is to arrange and combine a series of shots of the film in different locations, from different distances and angles, and in different methods, to narrate the plot and portray the characters.

According to the knowledge points of montage language learned in this lesson, use the language you understand to explain: 1What is Montage?

2.Its function in film and television art is reflected in the **?

Try to choose one of these points as an example.

Montage is a theory and technique of combining shots in a film. For example, if we put together a mother cooking, doing laundry, taking care of a child, and a father reading a newspaper, we will produce a mother"Busy"feelings.

The result is a contrasting technique that highlights certain specific features of a person or thing, and the interconnection between two different fragments gives an unexpected effect.

Montage refers to the technique of editing different shots to achieve a certain expressive effect. While montage is often equated with "editing," editing is only a means to achieve it. And unlike the film, there is no "editing" step in animation production, and the montage in the animation is determined at the storyboard design stage.

Montage is essentially a kind of "composition", and the principle is to create connections and conflicts through the combination of different images, pictures and sounds, and finally achieve an expression effect beyond the picture.

Introduction

With the extension of film and television media, the high development of film and television art, colorful film and television art means emerge in endlessly, not only there are many new techniques, such as the application of digital technology in film and television, but also some classic techniques are constantly giving new meanings, such as the earliest and most classic montage techniques, the continuous innovation of these techniques provides a solid foundation for the gorgeous film and television stage.

As early as the end of the 19th century, the masters of cinema began to use montage (there was no television at that time), which was a technique that made a leap forward in cinema. Montage was originally used in the creation of the film to present amazing artistic effects and create a touching artistic charm.

The opening sentence of the film master Pudovkin in his classic book "On the Screenwriters, Directors and Actors of Films" is as follows: "The art of cinema is montage, and montage is a transliteration of the French montag, which was originally an architectural term, meaning composition and assembly."

Montage is a kind of narrator and expression method of film and television creation, which arranges and combines a series of shots shot in different places, from different distances or angles, and in different methods according to certain requirements, so as to narrate the storyline and portray film and television characters.

Therefore, with the role of montage, film and television works enjoy great freedom in time and space, and can even constitute a film and television time and space that is inconsistent with the time and space in real life.