-
I think that this work written by Mo Yan Yuxin reflects the current life, continuing the previous writing style of Zhen Hanlun, ** unique artistic shape and effect, giving people a sense of novelty and peculiarity, making people very optimistic and very substitutional.
-
I think the article Transparent Carrot is very much in line with Mo Yan's previous writing style, and it presents a very hazy form in this work.
-
I think this work is a very interesting plot, there are some novel perspectives, and it also presents a different view of the world for our big mill, and some of the themes are also particularly interesting, and it also makes people feel that they can understand life, so I like this work very much.
-
This book is a true reflection of the current life, and it also depicts the naughtiness of children and the backwardness of parents' education methods, making children become silent and silent, feeling very inferior, and also reminding parents to learn ways and means when teaching noisy people to raise children, don't beat and scold at every turn.
-
I think this is a more magical, and it is a model or something that people imagine, but this is very meaningful, and it is liked and sought after by many people.
-
Mo Yan's "Transparent Carrot" tells the story of a black child, a poor boy who has no father and mother, is lonely and forbearing, but also a strange boy with tenacity, perseverance, intelligence and spirituality. In the story, the person who made the jujube bend did not give the child a name, everyone called him Black Child, and Black Child became his name. This is enough to show that this kid is an insignificant existence.
Sometimes, however, life itself has its own aura, and it doesn't matter if external forces influence it.
Like a black child, although he is lonely in this world, ravaged by poverty and hunger, abused by his stepmother, and indifferent to the people around him, he seems to be pitiful to anyone, but he seems to be born with a certain detached temperament, most of the time he is indulged in the psychedelic world of his own, and is unaware of the toil and grinding that he is going through in front of him. In this way, it becomes less important to search for those sufferings as if they did not exist.
To put it simply, the black boy is only a ten-year-old child, and perhaps it is precisely because of his small age that he is less concerned about the suffering brought to him by the material world, and more obsessed with the purity of nature. Miraculously, many beautiful things were magnified by him, and even became unconventional and dreamy. He could see the jute as water, like lakes and seas, and the sparrows became kingfishers; He could hear the "deafening" sound of mist crashing against jute leaves and stalks, and the sound of grasshoppers shearing their wings was like "a train crossing an iron bridge"; With his eyes and ears together, he could see the shiny gas rising and falling in the river, and the sound was hidden in the gas; When Kikuko girl gently flicked a hair to the ground, he heard the sound "very loud" ......
It is precisely because this child loves things close to nature that he has the ability to fantasize
-
He saw a strange and beautiful picture: a smooth anvil with a faint glow. On the anvil, which glowed blue, there was a golden carrot.
The carrot is shaped and sized like a large pear, and it has a long tail with roots and whiskers like golden wool. The carrots are crystal clear and exquisitely clear.
Mo Yan once said: "A writer may write dozens of books in his lifetime, and may create hundreds of characters, but dozens of books are just copies of a book, and hundreds of characters are just various incarnations of a character." One of these dozens of books is the writer's autobiography, and one character of these hundreds of characters is the writer's ego.
Mo Yan also said: "If I have to pull out one such character from my book, then this character is the nameless black child I wrote in "Transparent Carrots". Mo Yan uses the black child to tell the hardships he endured in his youth, the loneliness and desolation of the living environment, and the time when no one paid attention to it but was indulged in fantasy.
Therefore, through the black child, we can better understand Mo Yan and understand the connotation of Mo Yan's works.
-
The protagonist in "Transparent Carrot", the 12-year-old "black child" working in the canal construction site, because of hunger, went to the vegetable field next to him to pull a carrot to satisfy hunger, was caught on the spot by the field watcher, escorted to the construction site, and the person in charge of the construction site held a terrible criticism meeting for this purpose. Hundreds of people gathered around a 12-year-old child, chanting slogans, "Surely you want to perish." The "black child" then burrowed into the hemp field and swam away like a fish.
He saw a strangely beautiful picture: a smooth anvil with a faint glow. On the anvil, which glowed blue, there was a golden carrot.
The carrot is shaped and sized like a large pear, and it has a long tail with roots and whiskers like golden wool. The carrots are crystal clear and exquisitely clear.
The theme of "hunger" in this ** is very obvious, but in terms of language and narrative, Mo Yan still maintains restraint, and the structure and clues of the story are also very traditional. The little black child is an orphan, who has been lacking his father's teaching since he was a child and has always been abused by his stepmother, as can be seen from the appearance of the little black child: the child is barefoot, barebacked, and wears a pair of fat, long white trousers with green stripes, which are stained with patches, some like the juice of grass, and some like dry nosebleeds.
The lower edge of the trousers is knee-length. The child's calves are covered with small shiny scars. His head was large, his neck was slender, and he looked in danger of being crushed at any moment with such a large head.
In the article, the passage in which the little black child was woken up from his sleep by his stepmother to carry water was written in more detail. The little black child's experience made his personality silent, stubborn and lonely, and his emotional world became empty, and he was never willing to take the initiative to deal with others. And the young people in the center of the village community have never been dismissive of black children......
Novella** "Transparent Carrots".
Long-form ** "Red Sorghum Family", "Breast and Fat Buttocks". >>>More
The documentary series "The Hometown of Literature", among them, Mo Yan and A Lai are impressive. The first article in this issue of "Reading Library" is a complete interview with Mo Yan, and a lot of content has been added. >>>More
Mo Yan's Nobel Prize-winning work is: "Frog".
Mo Yan's representative works include: "Red Sorghum", "Sandalwood Punishment", "Breast and Fat Buttocks", "Wine Country", "Life and Death Fatigue", "Frog". >>>More
The main ones are: "Sandalwood Punishment", "Life and Death Fatigue", "Breast and Fat Buttocks", "Red Sorghum Family", "Transparent Carrot", "Breast and Fat Buttocks - Supplemental Edition", "Treasure Map", "Forty-One Cannons", "Song of Heavenly Garlic", "Thumb Cuffs", "White Dog Swing Frame", "Mo Yan's Selected Works", "Wine Country", "Herbivorous Family", "White Cotton", "Mangrove", "Moonlight Chop", "Old Gun, Treasure Knife", "Singing Wall", "Commander's Woman", " Testimony of conscience", "The Room in the Keyhole", "What Smells the Best", "Legendary Mo Yan", "Mo Yan's Prose", "Mo Yan's Novella **Selection", "Mo Yan Wang Yao's Dialogue", "Comrades-in-Arms Reunion", "Frog".
It's thia, I know it all at once.