Who is the author of Wenfu ? What does Wenfu mean

Lu Ji (261-303), the character Shiheng, a native of Huating, Wu County, Wu County (now Songjiang, Shanghai), a writer and calligrapher of the Western Jin Dynasty, and his younger brother Lu Yun were collectively called "Erlu", and later died in the "Rebellion of the Eight Kings", and were razed by the three clans. He has served as the internal history of the plains, sacrificial wine, and writers. , so it is called "Lu Plain".

He "has few geniuses, the article is the world" ("Jin Shu Lu Ji Biography"), and his younger brother Lu Yun is a famous writer in the Western Jin Dynasty of our country, in fact, Lu Ji is also an outstanding calligrapher, his "Pingfu Post" is the earliest surviving celebrity law book in ancient China.

Life. Lu Ji was born in a famous family, his grandfather Lu Xun was a famous general of the Three Kingdoms, he was the prime minister of Eastern Wu, and his father Lu Kang was the great Sima of Eastern Wu, leading the troops to confront Yanghu of Wei. When his father died, Lu Ji was 14 years old, and he led his father's soldiers with his younger brother and was the tooth keeper.

When Wu died at the age of 20, Lu Ji and his brother Lu Yun retired to their hometown and studied diligently for ten years. In the tenth year of Emperor Taikang of the Jin Dynasty (289 AD), Lu Ji and Lu Yun came to the capital city of Luoyang to visit Zhang Hua, a famous scholar who was Taichang at the time. Zhang Hua attaches great importance to it, which makes Erlu famous.

From time to time, there is a saying that "two lands enter Luo, and three are reduced" ("three" refers to Zhang Zai, Zhang Xie and Zhang Kang).

Opus. Lu Ji is known as "Taikang Zhiying". There are a total of 104 poems that have been handed down, most of which are Yuefu poems and pseudo-ancient poems.

His representative works include "Gentleman's Walk", "Chang'an Narrow Evil Walk", "Going to Luodao in the Middle" and so on. Liu Xian's "Wenxin Carving Dragon: Talent Strategy" commented on his poems: "Lu Jicai wants to look deep, and his resignation is broad, so he can think skillfully, but not complicated."

There are 27 articles. In the prose, in addition to the famous "Discerning the Dead", the representative work is "Hanging Wei Wu Emperor Wen". Its pronunciation and rhythm are harmonious, pay attention to duality, and there are many allusions, creating a precedent for pun writing.

Zhang Pu of the Ming Dynasty praised: "After Beihai, there is only one person."

In addition, Lu Ji has also made achievements in historiography, and has written four volumes of "Jin Ji", "Book of Wu" (uncompleted), "Luoyang Ji" one volume, etc. Xu Minzhen of the Southern Song Dynasty found 10 volumes of posthumous texts, which were compiled with Lu Yun as "Jin Erjun Anthology". Zhang Pu of the Ming Dynasty has "Lu Pingyuan Collection" in "Han and Wei Six Dynasties One Hundred and Three Collections".

"Wenfu" written by Lu Ji, a writer in the Western Jin Dynasty

Interpretation of Wenfu.

The talent of Hua Hua and Wen is more than Yao, but the canon is not as good as it. Song Su Shi's poem "Su Feudal Temple Xiaodeng Shan Pavilion Wangshao Stone" poem: "Shu humanities endowed Chu people, Yao in Chongshan Shun Jiuzhi.

2).** of the Fu. Jin Luji is the author of "Wenfu".

Words decomposition Interpretation of the text Wen é The texture or image caused by the intricacy of things: Canruo Wenjin . Tattoo pattern:

Tattoo. Qing Wang Dan Symbols for recording language: words.

Illiterate. Words in words. Write it down in words and in relation to:

Diploma. Literary. Style.

Tian Fu. Taxes. Tomb manuscript Chinese is a genre of classical literature.

Reciting poems or composing poems: ascending to the heights to write poems. Giving, also specifically refers to the qualifications generated:

Endow. Endowed with. Talent.

Endowment. Ancient with "dressing", spreading, distribution. Number of strokes:

radical : shellfish; Stroke order.

Wenfu is a type of endowment. "text"Refers to ancient texts. That is, the fu written in ancient Chinese in relation to the pun script, that is, the fu that is not informal, as opposed to the haiku.

Yuan Dynasty Zhu Yao said,"The Song people made the endowment, and there are two kinds of styles: Haiti and style";And think that the use of style as a endowment,"It's a piece of text, rhyming a few rhymes"("Ancient Fu Discernment").

As a variant of Fu, Wenfu is a product of the Tang and Song Dynasty ancient literary movements. Han Yu and Liu Zongyuan advocated the ancient literature movement in the Tang Dynasty, and reformed the puppet language under the slogan of Shenqiao retro.

Their endowments directly inherit and develop the ancient traditions of the pre-Qin and Han dynasties, such as Han Yu's "Explanation of Learning", Liu Zongyuan's "Questions and Answers", and "Set Fishermen to Zhibo", although they are not"Fu"Famous articles, but its genre is taken from Dongfang Shuo's "Difficult to Answer Guests" and Yang Xiong's "Solving Mockery", which is listed in the "Anthology"."Arguments"A kind of ancient fu body, which not only maintains the structure of the subject and the guest answering the problem, but also uses a more neat and informal ancient language of duality, which is essentially the literary endowment. Wenfu began in the Tang Dynasty, and the typical work is "A Fang Gong Fu".

After a long-term evolutionary process, it developed into the Middle and Tang Dynasty, and under the influence of the ancient literary movement, there was a trend of scattered culture, which did not emphasize puppetry, rhythm, uneven sentence structure, and rhyme was relatively free to form a fresh and smooth momentum of prose-style noisy branches, which was called "Wenfu". As a variant of Fu, Wenfu is a product of the Tang and Song Dynasty ancient literary movements. Han Yu and Liu Zongyuan advocated the ancient literature movement in the Tang Dynasty and reformed the puppet language under the slogan of retro.

Their fu directly inherited and developed the ancient Fu tradition of the pre-Qin and Han dynasties, such as Han Yu's "Entering the Study Solution", Liu Zongyuan's "Q&A", and "Set the Fisherman to Zhibo", although it is not famous for "Fu", but its genre is taken from Dongfang Shuo's "Answering Guests" and Yang Xiong's "Solving Mockery". Wenfu began in the Tang Dynasty, and the typical work is "A Fang Gong Fu".

The ancient literary movement represented by Ouyang Xiu in the Northern Song Dynasty inherited the tradition of Han and Liu's innovation, opposed the Western style of puppet writing that was prevalent in the early Song Dynasty, further consolidated the status of ancient literature as a literary language replacing the ancient language, and expanded the literary function of ancient literature.

One of its achievements is to make the development of Wenfu more mature and distinctive. His representative works are Ouyang Xiu's "Autumn Sound Fu" and Su Shi's "Red Cliff Fu" before and after. From the perspective of genre form, both "Qiu Shengfu" and "Former Chibi Fu" still maintain the system of "setting up theories" and other Han fu, which not only has the structural form of the subject and the guest answering questions, but also absorbs the narrative nature of Han Yu's "Studying Solution", but expands the narrative part and adds the lyrical part of the scene.

On the other hand, "Hou Chibi Fu" is almost completely free from the influence of the Han Fu system, and creatively conceives the plot of traveling to Chibi at night, climbing the peak, boating on the Yangtze River, and meeting cranes and dreaming of cranes. The common feature of the Song Dynasty Wenfu represented by these three articles is that it integrates scene, lyricism, narrative, and argumentation, and writes sonorous and harmonious rhymes in a rather neat ancient Shengchang language.

The essence of the Song Dynasty Wenfu is a rhyme with a fu structure written in ancient Chinese language, so according to the ancient traditional literary concept, on the one hand, it is affirmed that the fu body is a variant of "the Song people changed into Wen again"; On the other hand, he believes that "the text is still reasonable, but it is lost in words, so those who read it have no last sound of songs, and cannot know how to speak beautifully" ("Stylistic Discernment"), and feel that it does not meet the requirements of "ancient poetry", nor does it meet the standard of "lilie" of the rhythm of puppetry, but in fact it is no longer a fu. However, from the perspective of the development law of literary genres, the Song Dynasty Wenfu is the ultimate stage of the development of the Fu, and the former and later "Red Cliff Fu" is a critical symbol work.

The meaning of the text refers to patterns and textures, and it is extended to words, cultural ornaments, civil and military, astronomy, etc. The original meaning of endowment refers to expropriation, and later it also has the meaning of giving, granting, etc. The combination of literature and endowment means that there is literary brilliance, literary quality and polite cultivation, vigorous, talented, positive and bright, and not vulgar.

Name: A name is a combination of a surname and a given name, also known as a first name. A person's name is a specific name symbol given to each individual by human beings in order to distinguish individuals, and it is a sign that distinguishes individual differences between groups of people through language and writing.

Thanks to names, human beings can interact in a normal and orderly manner, so everyone has a name of their own. Personal names came about after the creation of language. Various ethnic groups have many habits of naming people who have returned to the Qing Dynasty.

This habit is constrained by many cultural factors such as history, society, ethnicity, etc., and a person's name usually has a certain meaning.

Fifth, Wenfu. With prose as the main body, the rhyme is sparse and there is no certain rule is called literary fu.

The old titles of Qu Yuan's "Buju" and "The Fisherman" in Chu Ci, as well as the variants of Dongfang Shuo's "Answering Guests" and Yangxiong's "Solving Mockery", can all belong to the category of literary fu. It is a product of the rhetoric of the Warring States Travelers towards the written word.

The ancients wrote articles, and in order to make it easier for readers to memorize them, they often had rhymes. There are many of the sons of the pre-Qin Dynasty, such as the rhyme of the whole book of "Lao Tzu"; Even annotations have rhymes, such as Wang Yi's "Chu Ci Chapters and Sentences". This provides a precedent for the emergence of Wenfu.

Before the Song Dynasty, however, this phenomenon was less significant, and it was often hidden in the ancient fu or variant of the fu, so it did not attract special attention. From the Six Dynasties to the early Tang Dynasty, after the flourishing and decline of the pun literature, writers led by Han Yu advocated prose, so the ancient literature arose. (They called prose archaic to distinguish it from the later prose.)

In the Song Dynasty, Ouyang Xiu, Su Shi and others carried forward the ancient literature and expanded its position. As a result, in the middle of the fu, just as the fu and its derived laws appeared in the era of the prosperity of prose, the literary fu appeared in the era of the prosperity of prose. The Wen Fu, which was liberated from the relatively strict sentence pattern and vocal rhythm, inherited the artistic skills accumulated by the ancient writers for a long time, so that the Fu once again showed a new appearance.

It is free in writing and diverse in style, and it is a successful and important creation of prose poetry in the history of literature.

Wenfu is a type of endowment. Wen Fu", a treatise on ancient literature, written by Lu Ji of the Western Jin Dynasty. It is written in the form of a fu body, and the text is in order.

In the "Preface", Lu Ji specifically expounded the purpose of writing this book, and also put forward a specific problem in literary criticism, that is, "the constant trouble is not worthy of things, and the text is not satisfied", so he wrote this monograph "to slow down the prosperity of the ancestors with socks, because of the reasons for the advantages and disadvantages of writing". In the text, Lu Ji divides literary creation into the preparation stage, the conception stage and the specific creation stage to highlight the essence of literature.

In the preparatory stage of the work, attention was paid to the writer's own cultivation and the influence of natural and social life on the creation. In the conception stage, he put forward the role of imagination of "the eight extremes of the essence and the heart travels in ten thousand miles", and also emphasized the visualization in literary creation, that is, "although it is far from the square, it is round, and the form is exhausted". In the creative stage, he advocated that literary works should pay attention to both content and form, and the so-called "unity of literary quality" was the theory of "suing Hu and supporting quality to establish work, and writing to be complicated". "Wen Fu" also specifically mentions the issue of inspiration in creation.

"Wen Fu" occupies an important position in the history of Chinese literary theory, and Zhang Xuecheng of the Qing Dynasty believes that "Liu Xian's family, this Lu Ji's family, and Chang's heart", which had a great influence on later generations.