The domestic brand of dynamic microphone is the best, and what is the best dynamic microphone

If you want to be more professional, you will win.

Foreign brands are relatively more mature in technology, such as Audix, Shure, Sennheiser, and Beyerdynamic, which are all world-renowned microphone brands.

You're talking about victory. The winning technology is relatively innovative and the quality is excellent. I feel that their products are always upgraded, and there are more choices, and his family has specially suitable for all kinds of serious and solemn occasions, as well as special for us to sing online, chat, and entertain.

You know, the modern consumer is demanding...

At present, there are two main categories of microphones sold on the market: one is dynamic microphones. Its main feature is that the sound quality is good, and it does not require a power supply, but it is relatively high.

Another type of microphone is an electret microphone. It is characterized by durability, high sensitivity, requires a power supply, and the sound quality is somewhat inferior to dynamic microphones in the same price range. However, its ** is relatively low, suitable for broadcasting microphones.

If you want to say the best, how can there be, the microphone is not the same for different purposes, you need Sansi Bayia Power and Sennheiser, as well as Audix, Shure, AKG, Audio-Technica, etc. are all world-renowned microphone brands.

Beyerdynamics, Sennheiser, AKG are gradually moving towards the second headphone market, Audix, Shure, Audio-Technica, etc. are still focusing on microphone research and development, but these brands of microphones are among the best, and the microphones for different purposes have their own characteristicsAudix, musical instrument microphones, test microphones, and vocal microphones are more prominent, and AKG's recording microphones are the veterans of microphones.

Beyerdynamic's test microphones and Shure's live performance microphones are also common.

Summary. Although dynamic microphones and dynamic headphones both use dynamic design, their working principles and application scenarios are different. A dynamic microphone is a device that converts sound into an electrical signal, and is commonly used in areas such as recording, sound amplification, and speech recognition.

Its main working principle is to use the action of the magnetic field to convert the vibration of the diaphragm caused by sound into an electrical signal, and then output it to the speaker or recording equipment after amplification and processing. Dynamic headphones are devices that convert electrical signals into sound, often used for listening**, watching movies, or other auditory entertainment. Its main working principle is to use the vibration of the diaphragm to convert electrical signals into mechanical vibrations, and then transmit sound to the human ear through air propagation.

Although dynamic microphones and dynamic headphones both use the dynamic bridge coil design, their working principles and application scenarios are different. A dynamic microphone is a device that converts sound into an electrical signal, and is commonly used in areas such as recording, amplification, and speech recognition. Its main working principle is to use the action of magnetic field to convert the diaphragm vibration caused by sound into electrical signals, and then amplify and process it to output to speakers or recording equipment.

Dynamic headphones are devices that convert electrical signals into sound, often used for listening**, watching movies, or other auditory entertainment. Its main working principle is to use the vibration of the diaphragm to convert electrical signals into mechanical vibrations, and then transmit sound to the human ear through air propagation.

Can you add, I don't quite understand it.

In addition, dynamic microphones and dynamic headphones are designed and manufactured differently. Dynamic microphones often require consideration of more acoustic and mechanical factors, including sensitivity, frequency response, directivity, and other aspects of performance. Dynamic headphones, on the other hand, pay more attention to comfort and sound quality, and need to consider factors such as diaphragm material, sound cavity design, and cable material.

The principles of a dynamic microphone and a dynamic speaker are:

Dynamic microphone: When the microphone receives the sound wave, the force generated by the sound wave acts on the diaphragm, causing the diaphragm to vibrate, driving the voice coil to vibrate accordingly, the voice coil moves in the magnet, generating electromotive force for the first time, and the sound signal is converted into an electrical signal;

Dynamic speaker: An energized conductor is subjected to a force in a magnetic field. The changing current passes through the coil, creating a changing magnetic field that causes the speaker's diaphragm to vibrate and produce sound.

A speaker is composed of an electromagnet, a coil, and a horn diaphragm. The speaker converts the frequency of the current into sound. The principle of physics, when the current passes through the coil to produce an electromagnetic field, the direction of the magnetic field is filial piety to do the right hand rule;

The dynamic microphone is relatively simple in construction, so it is durable. They can withstand the high sound pressure of the extreme demolition faction and are virtually immune to the sound of extreme temperatures or humidity.

It's all easy to use, with dynamic coils for live performances, and capacitors for recording. Of course, it also depends on the specific situation.

The condenser microphone has high sensitivity and high requirements for the surrounding environment, so the recording studio is a condenser microphone, and the stage performance environment is noisy, so the dynamic microphone is more suitable, but there is a microphone that is very special, although the Audix VX5 is a condenser microphone, but it is also suitable for the stage, and the unique VLM diaphragm makes the VX5 can still present the rich details and clarity of the condenser microphone in an environment where the general condenser microphone cannot play its advantage. It's feedback resistant, has 10dB pad attenuation, and can handle extremely high stage volumes. The VX5 has a wider pickup pattern, making it suitable for singers who want to fiddle with the microphone.

The distance between the condenser microphone and the change of the distance between the capacitors will produce a voltage, and the sound wave will push the gold-plated diaphragm, and the distance between the two metal plates of the condenser will change the output voltage of the microphone as long as it changes slightly, because the capacitor itself needs to be powered first, so you will see that some wired microphones need to be equipped with batteries, and some must rely on the virtual power supply on the mixer to provide, so if you buy a condenser microphone, remember to check if your mixer supports it. Condenser microphones are usually preferred in studios because of their high sensitivity, and generally have a better dynamic and frequency response than dynamic microphones, but if the studio soundproofing is not good enough, then you will find that condenser microphones are a problem.

In contrast, dynamic microphones work on a much simpler principle. It mainly produces sound signals through the movement of conductors in a magnetic field. In fact, the sound signal of a dynamic microphone is mainly generated by the continuous movement of a wire coil tightly connected to the diaphragm in a magnetic field according to the change in sound pressure.

Due to the relatively large size of the moving part, dynamic microphones are slightly inferior to condenser microphones in terms of response frequency range (mainly high-frequency parts), sensitivity, and instantaneous response.