How to play the accordion, how to play the accordion with the left hand

A natural, relaxed, positive posture is the foundation for good playing. The accordion is usually played in a seated position. When you sit and play, your upper body is naturally straight, with your feet shoulder-width apart and your feet on the ground.

The center of gravity should be stable during the performance, and the center of gravity should not be moved with the push and pull of the bellows. The shoulder straps on the body should be adjusted appropriately and should not be too loose or too tight. Usually the right shoulder strap is slightly wider than the left shoulder strap so that the right hand is not restricted.

The bottom of the piano is basically flat on the legs, and the lower end of the right keyboard is slightly down against the right leg, but it should not sink deep into the inner thigh. Reach into the bellows belt with your left hand and your middle finger bent naturally, leaning against the button with your thumb relaxed. The bellows belt is close to the back of the wrist, pay attention to adjust the bellows belt to make it moderately tight.

Raise your right hand naturally and place your five fingers on the keyboard in a natural bend, with your wrist parallel to the keyboard and not convex or concave. 2 Touch the key method.

Finger touch keys, in principle, are low-level keys. The metacarpal joints are active and the fingers relax after the fingers are quickly lowered, so that each finger should be played independently and not affect each other. The intensity of the playing should not be too large, but should be moderate.

The keys themselves are very light, and the amount of force required to play the keys to the end is the amount of force that should be used when playing the piano. In order to make your fingers feel good as soon as possible, you can first close the bellows and perform non-pronunciation exercises. I let each finger do the key touch exercises easily without a burden without pronunciation.

Attention should be paid to the speed of pressing and disconnecting the keys in the practice of touching the keys. In order to exercise the flexibility, independence and strength of the fingers at the beginning of the school, the method of quick key down and quick off the key should be adopted. Even use a small amount of high finger raising exercises to achieve the purpose of training.

However, in the actual performance, depending on the requirements of the music, the touch keys with changes are used. For example, lively and cheerful music can be quickly keyed off-key; The lyrical music with strong singing ability, because the tone on the ** is longer and more coherent, can be used to slow down the key and slow off the key.

Of course, there are many ways to play, and there are no immutable guidelines, let alone rigid ones. Any method must be aimed at performance, and the practice should try to combine technical training with the requirements of the first grade, so that the technology and the first synchronous development. When touching the key, you should also pay attention to the natural bending of the finger Finger touch the key with the fingertip, and the first joint of the finger should stand firm and not shake.

Throw your fingers and touch the keys with the outside of your fingertips. After the fingers are lowered, the off-key action should be as close as possible to the key, so that the fingers can relax in time to prepare for the next note.

Play the keyboard with your right hand and Beth with your left hand, if you want to play a tune, it's best to practice the keyboard first, and then make peace with Beth. When playing the keyboard, keep your hands arched and don't collapse.

Own experience.

Generally a song, what kind of situation is it, what kind of feeling! And then play it with the feeling! For example, the bullfighting dance must have momentum, and it can't be played with tenderness.

Accordion exams, 8 and above need to be played with feeling.

I suggest you experience this piece before you play it, so that you can play it!

I've been learning the accordion lately.

The accordion is quite troublesome to learn, because you can't see it at all, I don't know if you have a keyboard foundation, if you have it, it will be faster to learn.

I felt very tired from practicing the accordion, and my shoulders were very sore after not practicing for long.

You can start by looking at your hand in the mirror, especially with your left hand, which is very troublesome and a little difficult to press wrong.

Yes, I can't really ask the manufacturer of the accordion!!

We hope you are satisfied!

In the past, we have introduced the right hand of the accordion C major scale, but this time we will talk about the left hand.

The left hand is obviously more difficult than the right hand, because the buttons are not clearly visible when playing. First, let's familiarize ourselves with the position of the scale, and take a closer look at the diagram below.

The upper two rows are the left-hand buttons, which are the basic bass and the counterpoint bass, and the bottom is the C major scale marked by the staff, which is translated into a simple score and is 12345671 (the first seven notes are bass), the letters on the top of the staff (small circles) are the names of the notes corresponding to the scale, the Arabic numerals below indicate the fingering, and the notes marked with (-) indicate that the counterpoint bass is played.

When playing the scale, don't rush to pull the bellows, first one finger at a finger to familiarize yourself with the position, you must follow the correct posture and correct fingering, such as the first "1" with 3 fingers (middle finger) of the left hand, "2" with 2 fingers (index finger)...Strictly number the seats. Maybe when it comes to this, novices are still a little confused, "1" is in **, "2" is in **.

In fact, the diagram is clearly marked, "1" is C, "2" is D, "3" is E, and so on.

In addition, beginners should also note that to play the first "1", start with the C key of the basic bass, that is, draw the C in two circles (a little dented in the middle of this button on the accordion), and then follow the direction and fingering of the arrows, and press the rest of the notes in turn. Once you have become familiar with all the scale positions in silent practice, you can pull the bellows and slowly play one note at a time.

Finally, by the way, the left-hand button posture should be touched vertically with the fingertips, the joints should not collapse, and the buttons should be pressed to the end.

Answer 1: The keys must be relaxed and natural, not tense or stiff, both hands are naturally bent, and the touch force is generally concentrated on the fingertips (the thumb of the right hand is on the outside of the fingertips). Both the left and right hands are required to play with the keys, which is significantly different from other keyboard instruments.

2. The left hand should not only push and pull the bellows but also press the buttons, so its touch keys are pure finger movements, and the wrists and arms should not be involved, otherwise the bellows will run unsmoothly and shake.

3. The left hand should be more close to the key than the right hand, maintain the correct hand shape and hand position, do not raise or jump randomly, and be familiar with the position of all the buttons on the left hand to avoid frequent mistakes due to inability to look directly.

Left hand: If the movements of the right hand can be controlled and adjusted visually, then the movements of the left hand are entirely dependent on the feeling of playing. First of all, when the fingers of the left hand touch the key, try to avoid being affected by the force of the bellows, the applause of the hand should be relaxed, the joints of the second, third and fourth fingers should be upright, the fingertips should touch the keys, and the five fingers should be used on the side, pay attention to the area of the key should not be too large, the palm of the hand should not be concave when playing, the fingers should be naturally bent, and the fingers should not shake.

The "bass" button on the left hand itself is very "elastic". Do not press, press or tap the keys when touching. The action should be as small as possible, stick to the keys, and exert force on the metacarpophalangeal joints (three joints), and the force speed should be fast, and when the buttons are played to the end, they should be relaxed quickly.

Feel that fingers or chords can also be used as legato and pause. When playing, it can be adjusted according to the needs of the situation.

What is a triangular seki, how to play,

Even the place where the college graduated.

The profession is the accordion.

First of all, the concept of landlord is not clear.

The left hand of the accordion is generally used for accompaniment.

The so-called accompaniment is rarely a single line melody (of course, even the traditional piano, even after changing the bayan, the left and right hands are melodies, hehe).

In the case of a traditional piano, the left hand is familiar with the traditional bass keys in the first two rows.

From the third row onwards are the big three, the minor three, the seven and the minus seven chord bass If the landlord is a beginner, it is best to practice the bass chord and the big and minor threes, such as: 1, 1 big three; 5,5 juniors; 1,5 juniors; 5,2 juniors...

The latter two are also called triangles, that is, the fingering of pressing down is similar to a triangle, which is a more basic accompaniment.

After learning for a long time, there will be melodic accompaniment.

For example, when playing a baha song, there will inevitably be a melody produced with both hands, and at this time, there is a situation where the left hand presses the melody monotonously.

It's best for the landlord to find a teacher, or look at the teaching materials himself.

I teach students, and I generally recommend "Eight Basses for Children's Accordion Course".

It's simple, but it's practical, and you can see it at a glance.

This book only talks about the eight keys of the left hand, but after learning it, you will find that the 120 keys of the left hand are all the same. This book is just for eight buttons that let you learn how to play differently.

I wish the landlord success in his studies.

If you have any questions, you can send me a letter.

Accordion Tutorial:

1.Select the piano. It is recommended to buy 48 bass or 60 bass as a starting point. First, beginners really don't need a well-rounded instrument, and secondly, the price of a 120 bass piano is relatively expensive, which is not very cost-effective for most beginners (especially those who are not ready to practice for a long time).

2.Week 1: Pull the bellows.

Press the exhaust button (the one that is independent of the others) for forty rounds a day. Key points: Adjust the sitting position, only sit in the front third of the chair, the piano is mainly placed on the left leg (it is recommended to put a cushion on the left leg to avoid being caught red by the bellows) The shape of the bellows should be kept fan-shaped in and out.

Silently recite one to four outs, five to eight times, to achieve the same speed in and out, and try to pull the bellows as wide as possible (i.e., the left hand is as straight as possible). This step is very important. Many people who don't practice bellows and practice fingering directly don't have time to take care of bellows, and when the right hand presses a note, the left hand starts to return to the bellows, causing one note to sound like two notes, and the song sounds like breathless.

Therefore, it is necessary to try to establish a good habit of changing the bellows in rhythm according to the number of subsections. At the same time, gently place your right hand on the keyboard, make a hand shape, imagine holding an egg in your hand, and don't fold your fingers. Forty back and forth to maintain this position, it is still quite tiring, and you need to get used to it.

Left hand alone. Tighten the belt and pull the bellows apart with force.

3.Week 2: Right-hand button with left-hand bellows.

12345 out, 54321 in. Preliminary reading. Key points:

Keep your hand in shape when pressing the keys. Don't fold your fingers. Don't leave the keyboard with your fingers to hit the keys, the accordion is not a piano, no matter how hard you press it, the volume will not get bigger, it will only damage the keyboard, and the volume is controlled by the bellows.

Train a preliminary sense of rhythm. Try to keep the timing of each note consistent. Left hand alone.

Not yet. That is, when the right hand button is pressed, the left hand should not press the exhaust button. Please use simple notation to read music.

Figure out key signatures, time signatures, time increments and subtractions, dots, repetitions, rests, lines, treble and bass points.

Accordion Beginner Tutorial: The difficulty of getting started with the accordion is mainly in the left hand and coordination, which includes the bass and bellows. Coordination is the right and left hand coordination. But the main thing is to spend time and practice well, and the hard work will eventually lead to success.

First of all, the size of the pro should be moderate, master the correct way to learn the piano, the posture is correct, the whole body is relaxed, especially the shoulders, elbows, and wrists should be relaxed, the fingers are naturally bent, the back of the right hand is on the back of the hand into a plane, the left hand limb holds the concave key button in the middle of the bass, that is, the position of C key 1, the middle finger holds down the 1 chord, and the three and four fingers are tightly together. <>

When you start practicing, the bellows should be closed very tightly, the left and right hands press the bellows at the same time to pull the bellows apart, the left hand while pulling the bellows four times, and when pulling the bellows outward, the bellows can not be folded back and forth, after the first syllable is opened, the bellows remain fan-shaped, and the bellows are slowly pushed back to the left hand side after the right hand holds down the second syllable.

After the beat is played, the bellows are closed strictly, one by one, the bellows are pushed and pulled in four beats, this is the first step, the above exercises achieve a balanced rhythm, stable sound, and tight bellows switch.

The shoulder, elbow and wrist are not deformed, the fingers are naturally bent, after practice, the beat gradually decreases, start three beats practice, a syllable is pulled away to play three beats, push back to play three beats, the bellows is closed tightly, from bass 1 to treble 1, in a circle from treble 1 to bass 1, practice for 2 to 3 hours a day, you can basically master the requirements of preliminary practice.