The principle of accordion left hand accompaniment, how to play the accordion with the left hand

Accordion. The phoneme of the left-hand button.

Whether it is a bass or a chord, they all have a common feature, that is, the two adjacent keys in the vertical row are fifths.

As for the horizontal row of buttons, it is simpler, and it can be clearly seen that except for the first row of counterpoint bass, each key in the remaining five rows is the same degree, and the fingering of the accordion left hand button can be divided into bass scale fingering and chord accompaniment fingering. Here we will only talk about the most basic major scale fingering and the commonly used chord accompaniment fingering.

The left-hand major scale fingering is very fixed, and it is generally in this form, such as C major below.

Scale fingering. <>

Mainly combined with the melody of the right hand, such as the first measure contains dol, mi, sol these obvious major characteristics are basically used in the major third chord, the major ** with the major chord minor minor can be heard in the minor key is not a major key can be heard as for i don't know how to match the chord well said a chord is composed of three notes you can use the right hand to find the three notes corresponding to the left hand and the melody these three tones are what you want to use as long as these three notes are matched with the three tones

The major key is ** with the chord of the major key The minor key can be heard in the major key The major key is bright and the minor key is dim As for the i, I don't know how to match the chords It's easy to say that a chord is made up of three notes You can use your right hand to find the three notes corresponding to the left hand and the melody These three tones are what you want to use As long as it is these three tones, you can match it however.

The key of the melody with the right hand is consistent with the main note of this phrase, and the main thing is to sound harmonious.

The left-handed one is basically an accompaniment and belongs to the bass.

In the past, we have introduced the right hand of the accordion C major scale, but this time we will talk about the left hand.

The left hand is obviously more difficult than the right hand, because the buttons are not clearly visible when playing. First, let's familiarize ourselves with the position of the scale, and take a closer look at the diagram below.

The upper two rows are the left-hand buttons, which are the basic bass and the counterpoint bass, and the bottom is the C major scale marked by the staff, which is translated into a simple score and is 12345671 (the first seven notes are bass), the letters on the top of the staff (small circles) are the names of the notes corresponding to the scale, the Arabic numerals below indicate the fingering, and the notes marked with (-) indicate that the counterpoint bass is played.

When playing the scale, don't rush to pull the bellows, first one finger at a finger to familiarize yourself with the position, you must follow the correct posture and correct fingering, such as the first "1" with 3 fingers (middle finger) of the left hand, "2" with 2 fingers (index finger)...Strictly number the seats. Maybe when it comes to this, novices are still a little confused, "1" is in **, "2" is in **.

In fact, the diagram is clearly marked, "1" is C, "2" is D, "3" is E, and so on.

In addition, beginners should also note that to play the first "1", start with the C key of the basic bass, that is, draw the C within two circles (a little dented in the middle of this button on the accordion), and then follow the direction and fingering of the arrows, and press the rest of the notes in turn. Once you have become familiar with all the scale positions in silent practice, you can pull the bellows and slowly play one note at a time.

Finally, by the way, the left-hand button posture should be to touch the keys vertically with your fingertips, do not collapse the joints, and press the buttons to the end.

Answer 1: The keys must be relaxed and natural, not tense or stiff, both hands are naturally bent, and the touch force is generally concentrated on the fingertips (the thumb of the right hand is on the outside of the fingertips). Both the left and right hands are required to play with the keys, which is significantly different from other keyboard instruments.

2. The left hand should not only push and pull the bellows but also press the buttons, so its touch keys are pure finger movements, and the wrists and arms should not be involved, otherwise the bellows will run unsmoothly and shake.

3. The left hand should be more close to the keys than the right hand, maintain the correct hand shape and hand position, do not raise or jump randomly, and be familiar with the position of all the buttons on the left hand to avoid frequent mistakes due to inability to look directly.

Left hand: If the movements of the right hand can be controlled and adjusted with the help of visuals, then the movements of the left hand are entirely dependent on the feeling of playing. First of all, when the fingers of the left hand touch the key, try to avoid being affected by the force of the bellows, the applause of the hand should be relaxed, the joints of the second, third and fourth fingers should be upright, the fingertips should touch the keys, and the five fingers should be used on the side, pay attention to the area of the key should not be too large, the palm of the hand should not be concave when playing, the fingers should be naturally bent, and the fingers should not shake.

The "bass" button on the left hand itself is very "elastic". Do not press, press or tap the keys when touching. The action should be as small as possible, stick to the keys, and exert force on the metacarpophalangeal joints (three joints), and the force speed should be fast, and when the buttons are played to the end, they should be relaxed quickly.

Fingers or chords can also be used as legato and pause. When playing, it can be adjusted according to the needs of the situation.

What is a triangular seki, how to play,

Hello, the method of playing the keys of the left hand of the accordion with the stool section is: 1. The keys must be relaxed and natural, not nervous or stiff, both hands are in a natural state of bending, and the power of the keys is generally concentrated on the fingertips (the left thumb is on the outside of the fingertips). The left hand is required to play with the keys, which is significantly different from other keyboard instruments. 2. The left hand should pay attention to the fact that when the staccato force is large (in the double tone and the chord), there is a wrist joint or even a forearm action, while the left hand does not have it at any time, and the left hand generally relies on the finger itself to move, that is, the third joint of the finger (metacarpal joint) to drive.

3. The left hand touch key also requires fast action and moderate strength, press the key to the end, and the fingers should not be raised too high. To keep playing fast, keep your five fingers on standby.

Even the place where the college graduated.

The profession is the accordion.

First of all, the concept of landlord is not clear.

The left hand of the accordion is generally used for accompaniment.

The so-called accompaniment is rarely a single line melody (of course, even the traditional piano, even after changing the bayan, the left and right hands are melodies, hehe).

In the case of a traditional piano, the left hand is familiar with the traditional bass keys in the first two rows.

From the third row onwards are the big three, the minor three, the seven and the minus seven chord bass If the landlord is a beginner, it is best to practice the bass chord and the big and minor threes, such as: 1, 1 big three; 5,5 juniors; 1,5 juniors; 5,2 juniors...

The latter two are also called triangles, that is, the fingering of pressing down is similar to a triangle, which is a more basic accompaniment.

After learning for a long time, there will be melodic accompaniment.

For example, when playing a baha song, there will inevitably be a melody produced with both hands, and at this time, there is a situation where the left hand presses the melody monotonously.

It's best for the landlord to find a teacher, or look at the teaching materials himself.

I teach students, and I generally recommend "Eight Basses for Children's Accordion Course".

It's simple, but it's practical, and you can see it at a glance.

This book only talks about the eight keys of the left hand, but after learning it, you will find that the 120 keys of the left hand are all the same. This book is just for eight buttons that let you learn how to play differently.

I wish the landlord success in his studies.

If you have any questions, you can send me a letter.

The introductory tutorial for playing the left hand accompaniment is as follows:

1. Look at the melody of this piece, be familiar with which part is which major or minor key, and at the same time be familiar with the scale.

2. After knowing which key this part is, listen carefully to each bar, press the harmony of this key with the left hand, and play the melody with the right hand, which is suitable for the left hand of this subsection, and use which one of the melodies is used with the left hand of this bar, and each bar should be pressed at least 1 and the rotation, if you want to listen to it, you can press 2, as long as you can keep up with the speed when you play.

3. When playing the harmony and rotation with the left hand in the piano, the "g" is "so" (that is, the fifth build), then you can't only try three harmony and rotation like in the scale book, you have to try all 7, but you generally only need to try "1 to 6 harmony", and there are few 7s. Here the 1 harmony begins with "so", and in the accompaniment key, the "so" in G major should be taken as the usual "do", and so on, and the 1 harmony is "so+xi+ri.""2 and spin is "la+do+mi.""up).

Piano playing skills: Scales: The 24 major and minor keys of the scale are more important and useful.

Many large sonatas, music, and concertos have scales in many places, so it is necessary to master the scales well. If you play the scale, you should pay attention to the sound of all the sounds, not light and heavy, you must pay attention to the control ability of the fingers, if you play the scale when there are still heavy and light, the control of the dynamics is not good, you may not be able to play the timbre and melody that you are satisfied with.

Octave: There are two techniques for playing 8 degrees, the first one is done with the wrist only, and the second one is done with the arm and wrist. If you play a long 8-degree clip, you need wrist skills, and if you play a small part of the 8-degree clip at the end of the game, you need arm strength to play a brilliant effect.

If it is an 8-degree clip with the same two hands, you need to use the wrist and arm together, and if you only use the wrist or arm, it is difficult to pop the FF strength and jump well.

Wheel fingers: Commonly used wheel fingers have 3 fingers and 4 fingers. The bullet should have good granularity, and there should not be any vague and chaotic ingredients in it. For example, the opening part of Mozart's "Turkish March" requires a very coherent wheel finger.