Why does the red glaze of Yuan blue and white frequently hit sky high prices?

As the saying goes, "scarce is expensive"! Therefore, the reason why Yuan blue and white glaze red can create ** is also because it is "difficult to find"! We all know that the smaller the number of antiques, the greater the room for appreciation, plus there are some antique craftsmanship that is very complex, and the patterns are particularly exquisite, so that all the viewers will have their eyes lit up and their mouths water.

Especially the porcelain of the Qing Dynasty, the craft has reached its peak, and even some of the crafts have been lost later, and the craftsmanship used by modern people cannot do the original effect at all, so such a treasure is naturally priceless!

It is said that at that time, it took a year or two to create a set of fine porcelain for the emperor, and the craftsmen had to repeat the trial and error, and the proportion of the materials was not bad at all, so that they could make the desired color and glorious glaze effect.

Porcelain is not easy to preserve, since the end of the Qing Dynasty China began to experience war, after several times of burning and looting, it is not easy to pass down, so these completely preserved porcelain ** extremely high! Yuan blue and white glaze red belongs to a kind of high-end porcelain!

In fact, among the many antiques, blue and white porcelain is the most popular among the public, in addition to because it has a certain collection value, but also because it is very beautiful, with a certain ornamental value! This brings certain benefits to the collection price of porcelain! However, there are many imitations of porcelain, but don't look away.

Yuan blue and white glaze red is the best among the Yuan blue and white flowers, and the Yuan blue and white itself is relatively small in the world, so it is understandable that the value of the Yuan blue and white glaze red is self-evident. In fact, what has always been pursued in the collecting world is that rare things are expensive, good things are relatively rare, and rarity is bound to be of high value.

The word is as it means, the glaze red is more vivid than the traditional Yuan blue and white color, in the Yuan blue and white he is a more prominent style, and the firing of the glaze red requires a higher temperature, so the production process is relatively more difficult, and the scarcity of the surviving world is also an important reason why he frequently sets sky-high prices.

Compared with other porcelain, he does not need to rely on hype, because he has the incomparable superiority of other porcelain, on the basis of Yuan blue and white he has created a precedent for porcelain, which has epoch-making significance, so his value is completely beyond the porcelain itself, so there is a reason for the sky-high price, and the existing ones are even rarer, and there are two pieces that are now scattered abroad.

Yuan blue and white glaze red is the Tang Dynasty appeared, the production technique is very complex, the temperature requirements are particularly high, the main chemical composition is copper oxide, blue and white glaze red in the process of firing, the temperature control is very strict, the two materials of manganese and cobalt need to be made together to burn out the color, is in the Yuan Dynasty revival, but also a technological turn in the production process.

Glaze red is the Tang Dynasty, the Yuan Dynasty revival, its production techniques are very complex, the temperature requirements are very strict, is an important turning point in the process, to promote the national culture.

The time of appearance is in the early Yuan Dynasty, we must pay attention to the color, we must pay attention to polishing, we must smelt by high temperature, the artistic value of this kind of thing is particularly high, and then the literature is clear, and the color is particularly good.

When the red in the glaze appeared, it depends on the actual objects unearthed in the future. Now is not the time to say that. It can only be said that there is a period of glaze red now.

Yuan Qinghua plus the glaze red beard years old These two general banquets add up to the sky-high price of eight years, it should be a model, right?

For reference, these two pieces of **.

100 million yuan Ghost stove valley down the mountain.

100 million Hong Kong dollars glaze red.

Historically, the transactions of blue and white glaze red porcelain have been mainly concentrated in the Qing Dynasty, and the blue and white glaze red small ware types of folk kilns are basically about 130,000 to 200,000; The large ones are between 400,000 and 700,000; The official kiln is generally more than one million, and the record of the most expensive official kiln is as follows.

Tang Ying blue and white glaze red lion play ball garlic head bottle 2010-06-04Sold price: 16,800, yuan.

The scarcity of the blue and white glaze of the Yuan Dynasty is that people who have these collections are generally reluctant to sell it.

So if you really have a blue and white glaze red, it is recommended that you must be cautious just now I checked the company's internal information, in 2014-06-08, there is a piece of blue and white glaze red 1,725,000 Hong Kong dollars sold this jar is 39 cm high, caliber cm, bottom diameter cm, can straight mouth, short neck, slip shoulders, bulging belly, ring feet, sand bottom without glaze. The carcass is thin at the top and thick at the bottom, the fetal quality is delicate, the blue and white colors are bright, and the red in the glaze is slightly dark. The lid of the can is stacked with plastic sitting lion buttons.

The tank body adopts a variety of decorative techniques such as painting, carving, stacking, etc., and has a high level of craftsmanship. At the same time, this jar has obvious characteristics of the era, and it is the standard ware with a dynastic effect in the blue and white porcelain of the Yuan Dynasty. This jar is glazed with green and white glaze throughout, and the glaze layer is thick.

The ornamentation is rich, the level is clear, the theme is prominent, and the lid of the jar is painted with blue and white lotus petal pattern, curly grass pattern, and back pattern for a week. The edge of the mouth of the can body is painted with blue and white entwined branch patterns and curly grass patterns for a week. The shoulders are painted with drooping Ruyi cloud head patterns, the cloud head patterns are painted with blue and white water ripples to support white lotus, and the cloud head patterns are painted with folded branches and peony patterns.

The abdomen is piled up on all sides of the double diamond-shaped beads, and the four seasons of the garden scenery such as mountain stones, peonies, and chrysanthemums are carved in the light, and the mountain stones, flowers and flowers are painted in red in the glaze, and the flowers and leaves are painted in blue and white, and the pattern is decorated with a relief effect. The lower part of the abdomen is decorated with a blue and white folded branch lotus, which corresponds to the cloud head pattern on the shoulder. Near the bottom of the painting scroll grass pattern and deformed lotus petal pattern, lotus petal pattern painted inverted hanging treasure phase pattern.

The shape of the jar is plump and vigorous, the ornamentation is distinct, and the comprehensive painting, engraving, plastic, pasting and other techniques. Blue and white and red in the glaze complement each other, and red and blue complement each other.

Blue and white glaze red, commonly known as "blue and white plus purple", is a kind of porcelain decoration technique with red in the glaze and painting between blue and white. Blue and white porcelain appeared in the Tang Dynasty, and glaze red was a new variety in the Yuan Dynasty. Cobalt oxide and copper oxide are painted on white porcelain blanks, and after applying high-temperature glaze, they are fired in a kiln with a reducing flame of about 1200 meters, and the porcelain with blue, white and red patterns on the surface is blue and white glaze red porcelain.

The emergence of this new underglaze color variety is an important symbol of the technological progress of porcelain production in the Yuan Dynasty. The red porcelain in the Yuan glaze is accompanied by the Yuan blue and white flowers, and its shape, glaze, ornamentation, and process characteristics are similar to the Yuan blue and white flowers, and have the same Yuan Dynasty style. The glaze characteristics of the glaze of the red porcelain in the glaze of the Yuan Dynasty are consistent with the glaze characteristics of the blue and white ware of the same period.

It is very difficult to fire from dry underglaze red color, and the red glaze in the Yuan Dynasty is the initial stage, and the firing process is not well mastered, the red is often not pure enough, and the pattern often has halo phenomenon, gray or black. The decoration of the glaze red ware is relatively simple, and most of them are painted with thick brushes, which is obviously different from the glaze red of fine line painting in the early Ming Dynasty. Glaze red porcelain can be decorated in two different ways:

One is the red line painting in the glaze, the second is the red and white in the glaze, and the third is the red painting in the glaze.

Your question, what are the characteristics of such porcelain varieties, what are the characteristics of the red in the glaze of Yuan blue and white, and the market value of the genuine product is very high; Genuine color: calm hair color; However, there are many imitations on the market, so you must pay attention to distinguish!

Send **, I can identify and take pictures as required.

In the twelfth year of the Great Yuan Kingdom, blue and white flowers were made in the glaze and red eight-sided jars.

The glaze characteristics of the glaze red porcelain in the glaze of the Yuan Dynasty are consistent with the glaze characteristics of the blue and white ware of the same period, but the shape of the vessel is less. Due to the difficulty of firing the underglaze red color, the pattern often has a halo phenomenon, so the decoration of the glaze red ware is relatively simple. The fetal bones are generally thicker than the blue and white tires of the same period, and there are more white tires with dragon patterns in the early stage, and there are white tires at the end of the Yuan Dynasty.

The utensils showed obvious swivel marks and tire marks. The early pale blue-white or off-white glaze of the glaze layer belongs to the shadow blue glaze, with high transparency and glass texture. At the end of the Yuan Dynasty, the egg white glaze was light red and oily, and the transparent white glaze on the large blue and white porcelain of the same period was not seen.

It is unstable, light red, red, and dark red mixed with gray, with varying degrees of haloing. It is mostly found on the edge of copper red material. Due to the high firing temperature, most of them are burning.

The decoration process of glaze red in the Yuan Dynasty lagged far behind the blue and white of the same period. In the early glaze, the red used the method of painting, some of them first carved the decoration on the tire and then filled the red outside the decoration to form a red ground and white flowers, and some filled the carved decoration with red to form a white ground red flower. As for the glaze red of the line drawing pattern, it is a later work, and the time is about the end of the Yuan Dynasty.

The glaze red of these line drawing patterns is also very simple, basically a method of outlining and simple dot dyeing. With the persistence of the Yuan blue and white fever, the red in the Yuan glaze has become the heat of the heat, and a large number of imitations have appeared. According to some articles in newspapers and magazines, most of them are unreliable.

Strictly speaking, these imitations are different from the real thing in every way, but there are a few things that can be paid special attention to. The fetal bone is too delicate; The bottom surface is not clear or there are people who artificially make kiln red; The glaze layer is gray, rough, dirty or dry, there is no translucent and moisturizing feeling, the red in the glaze is dark red or iron red, too uniform, no gray black or moss green, and there is no burning situation; Some imitations are made with other colorants, and the hair color is different from the red in the glaze; Some of the ornaments are painted with porcelain from the Ming and Qing dynasties, and some imitate the blue and white painting of the Yuan Dynasty. So far, it can no longer be determined to be red in the glaze of the Yuan Dynasty, and there is no painting method of similar large-scale blue and white porcelain; Some of the inscriptions "Dayuan XX year" are all fabricated.

Yuan Dynasty porcelain, it can be said that it is the best kind of human civilization created by the Chinese ancestors to embrace the mud and fire in the world civilization, and the regrettable fact is that the great Chinese contribution created by the Chinese ancestors was not recognized by the Chinese civilization until the eighties of the twentieth century, when it was forced by foreigners to recognize the great contribution of Chinese civilization to world civilization. Therefore, the Chinese people have not studied it enough, and the experts in the past are only in a cognitive process from denial to admit, so Chinese should be beginners in this field. In the past, experts said that everything with words on Yuan porcelain as "Great Yuan Country" was a fabrication of the current red Chinese.

The gentleman who answered this said that the characteristics of the glaze red in the Yuan Dynasty were basically in place. But there is a shortcoming, the said Yuan glaze red are all small pieces, the Forbidden City has a pure glaze red white dragon pattern plum bottle in kind. In the Inner Mongolia Yuan Porcelain Museum, there is a porcelain of the "Great Yuan Kingdom".

The glaze red of the Yuan Dynasty is the development of the copper red glaze used in the pottery by the ancestors of the previous generation to the exploration of the mold period used in the porcelain, or the experimental stage, this stage is reflected in the work with all the characteristics of the initial creation, that is, from the evidence of the physical objects and archaeological excavations in the museum now, the expression of its characteristics is roughly as follows, first, the glaze red porcelain in the Yuan Dynasty is molded in two ways: molding and manual molding, and the characteristics of the fetus are the same as those of the Yuan blue and white fetus; Second, the decoration of the red in the glaze of the Yuan Dynasty adopts the early stage for the white drawing and painting, the later line drawing technique, the transition period is the combination of the white painting and line drawing, and the later period is the decoration pattern with clear lines, which lays the foundation for the perfection of the glaze red pattern in the Ming Dynasty; Third, the red in the Yuan glaze is the exploration period, and the color of its reaction is burned black, burned and flying, and the phenomenon of green moss spots or green can be seen in the red, and the red has a natural halo phenomenon, and there are sedimentary plaques similar to the Yuan blue and white spots where the red is thick. The glaze red pattern of the Yuan Dynasty is not the same as the pattern of the Yuan blue and white flowers, and the glaze red ware with the same pattern as the Yuan blue and white pattern can only be the utensils made by the blue and white patterns of the Yuan Dynasty in the Ming Dynasty. According to relevant information, the people of the Yuan Dynasty were heavy glaze red ware, and despised the Yuan blue and white, and the Han people of the Yuan Dynasty thought that the Yuan blue and white were cheesy, which was related to the aesthetic taste of the times.

The red glaze of Yuan blue and white ware is the same as that of Yuan blue and white ware in the color of blue and white ware, and the red in the glaze on blue and white ware is the same as the red color of Yuan pure glaze. The picture below is that experts say that there is a great Yuan country script is a masterpiece of the current people, in fact, the Chinese ancestors of the Yuan Dynasty Shunmin are called the Great Yuan Kingdom according to the era in which they lived, and there is also a Chinese character in the national character box that is not the modern red China only appeared as the jade character, but the king character, at that time people just thought that China was a land where only the people who called the king lived.

People are looking for the truth of history, and the Chinese do not know when they became a country that believes in human God, that is, what people believe that human God says has become Chinese's understanding of the world, society, science, and the truth of history. I said that if there is something inappropriate, I hope that people of insight from all walks of life will give advice!

Summary. Hello, pro authentic Yuan blue and white glaze will appear purple red powder, which is caused by the dispersion and condensation of the glaze of Yuan blue and white pigmentation.

Hello, pro authentic Yuan blue and white glaze will appear purple red powder, which is caused by the dispersion and condensation of the glaze of Yuan blue and white pigmentation.

Specific reasons: There are many effects of the glaze of Yuan blue and white glaze, and this effect penetrates into the fetal soil very specially, which is related to the green material used in Yuan blue and white. First of all, the Yuan Dynasty blue and white ornaments in the Yuan Dynasty were basically painted with green materials, and the drawing methods of green materials could not be imitated by modern people.

Secondly, at that time, the specific firing conditions, such as the firing material, the firing temperature, and the specific environment, the firing effect of the green material was also varied, which was also unattainable by modern imitations Then, the modulation of the green material in that era would not have a strict data ratio like the modern one, and its modulation was based on the experience of the old craftsmen, so the green material was not pure green material, and the proportion and content of mineral elements in it were also different, so the glaze of the Yuan blue and white glazed Luzhou surface dispersion effect was also different. Some of them are formed because of the accumulation of green materials, some are reflective, and some are scattered and closed in the form of points. Again, at that time, the green material of Yuan Qinghua was mixed with kaolin, and the proportion of this blending was also based on experience, and the proportion was difficult to control. Finally, the extant Yuan blue and white materials have been more than 100 years old, coupled with the difference in the preservation environment, these have also become external factors affecting the effect of Yuan blue and white materials.

The effect of the green material used in the glaze is very unique, not only deep into the fetal bone, but also diversified, the green material is not pure, the proportion of mineral content is different, and the effect of dispersion is different, or such as the point of late and dotted stars, or radial, or thick ink and heavy pen constitute the green material plaque (also known as rust spot) and so on. The fuchsia parsley in your question is one of them.