He Duoling s artistic style, why He Duoling s paintings are easy to move people

He is a representative of contemporary Chinese lyrical realist oil painting painters and a representative of "scar art". He Duoling's art is poetic, painterly, aesthetic, elegant, and sentimental, and he pursues unrestrained freedom. His artistic modeling skills are solid and comprehensive, and where he puts his brushwork, the characters and scenes are full of vitality.

He Duoling's paintings are easy to move people for the following reasons:

1. The social significance of a work of art is often not determined by the work itself, and He Duoling's "Spring Breeze Has Awakened" has a significant social impact, which he did not expect, because he did not want to express society, let alone express the major themes of society. However, no matter from the perspective of the general environment or the small environment, people will think that He Duoling is a subject that pursues politics.

2. This painting did suit the political requirements of the time. At this time, China was at the starting point of reform and opening up, economic reform began in the countryside, in 1979 the implementation of the contract responsibility system of joint production, in a very short period of time, the appearance of the countryside has undergone fundamental changes, the peasants from poverty to food and clothing, the peasants see hope and the future. At that time, the painting must have been interpreted in this way.

3. However, it is precisely this interpretation that "Spring Breeze Has Awakened" may become a pioneering work of art in the new era at a historical high point. In fact, He Duoling is not good at political subjects, although his works are endowed with political significance. When he created this painting, he didn't think of giving it a special meaning, he just painted the life he had experienced.

4. That kind of poor and simple life made him unforgettable for a long time, and he wanted to draw the memory of the sleepy cherry blossoms, and at the same time give the memory a special meaning. Understanding this is important for understanding He Duoling's art as a whole.

In 1984, the oil painting "Youth" participated in the 6th National Art Exhibition and won the bronze medal; In 1987, he won the 22nd Monte Carlo International Art Exhibition in Monaco.

1988 The Deep Realism of Chinese --- (Fukuoka Museum of Art, Japan).

1996 96 Shanghai Biennale (Shanghai Art Museum); Reminiscences of the Past Chinese Art Exhibition (Fruit Market Gallery, Edinburgh, UK).

1997 Chinese Art Exhibition (National Gallery, Prague, Czech Republic); National Gallery of Lisbon, Portugal); 100 Years of Chinese Portraiture (National Art Museum of China, Beijing).

2000 Century Gate: 1979-1999 Chinese Art Invitational Exhibition (Chengdu Museum of Modern Art); 100 Years of Chinese Oil Painting (National Art Museum of China, Beijing); Chengdu Movement (Canvas Art Association, Amsterdam, Netherlands).

2001 Sichuan Academy of Fine Arts Exhibition (Kassel, Germany).

2002 Sichuan Fine Arts Institute, Chongqing, Sichuan); Utopian Artist (Milan, Italy).

2003 50 Chinese Oil Paintings (China Millennium Monument, Beijing); Chongqing Chili America Tour (Ohio University Art Museum, USA; Concept and Performance (Shanghai Horizon Gallery); Chinese Oil Painting Exhibition (won the Chinese Oil Painting Art Award).

2004 He Duoling and Mao Yan (Huanbitang Gallery, Beijing).

2004 He Duoling and Mao Yan (Huanbitang Gallery, Beijing).

In 2006, he published "House with an Attic", a total of 44 oil paintings, created at the end of 1986.

Solo exhibition in Beijing in January 2008.

In May 2008, he was a large-scale oil painting of "Bloody May, 2008".