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The fonts in the computer should not be handwritten (but some time ago, the rise of handwriting), the Chinese line should also be printed (sorry, I didn't find the official introduction.) Generally speaking, each word in the printed font, including the spacing, is exactly the same, which is easy to read; Handwriting is not, it is necessary to talk about the frame and layout, and it should be easy to write. )
The line of the brush, the inscription, Wang Xizhi's "Orchid Pavilion Preface" is an example, as well as the "Holy Order", "Xingfu Temple Tablet" and so on. There are roughly two ways to say the order of learning brush words: one is to learn first.
Regular script (mostly from the "Ouyan Liu Zhao" four masters), the Tang Dynasty tablet, and then go back to the Wei and Jin dynasties, and then take into account the Song Dynasty after the family, the ancients learned calligraphy this is the right way; Second, according to the order of development of calligraphy, it is said that this method is more effective for people who have difficulty persevering for a long time.
If you want to learn the line of a hard pen, you can go to the bookstore to see the character marked "line letter", and practice whose character you like. The difference between the stroke order of the line and the regular script is not small, and it is better to find a book to start from the side of the stroke.
In addition, as far as I can see, there is no necessary connection between good calligraphy and hard pen calligraphy. I have a classmate I know from elementary school, and when I was in the third grade, I wrote beautifully in large characters, and the school gave it as a gift, but I didn't dare to compliment the pen (and pencil characters) ......Maybe it's because calligraphy is not only about knowing "what it is", but also about who can make perfect. (FYI).
...... on the second floorKhan, "Xingkai" and "Kaishu" are juxtaposed, referring to "the structural form of the text"; And "Yan Ti" is a type of regular script, which refers to "the genre or style characteristics of calligraphy". Some fonts have both handwriting and typographic, such as regular script (and handwriting is divided into brush and hard pen, some fonts are commonly used in both, while others are only common in one); Some are basically only used in printed fonts, such as Song font and black font; Some of them are artistic fonts, and there are a lot of them on the computer, (I don't know much about the relationship with the printed font).
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You can buy it at Xinhua Bookstore!! I've seen a book like this in Xinhua Bookstore!!
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Qigong Xinhua Bookstore sells thousand-character texts.
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Huawen] refers to the unit that made the font [Huawen Xingkai], for example, they made [Huawen Lishu] and [Huawen Heiti].
Letter] is a type of font.
Chinese Xingkai is a computer font, not a handwriting.
These are computer fonts, which are fonts that can be used on the computer by programmers to program the brush words, without the need to write them on paper with a brush and then scan them on the computer. Relatively formal.
Therefore, no calligrapher's calligraphy is written in Chinese.
Chinese] is equivalent to a brand, such as Li Ning sneakers, Li Ning casual wear, Li Ning swimming trunks, Li Ning jerseys, Li Ning is just a brand, [Chinese] is like this brand, not this font is created by him, there is his style.
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The brush line is still written by the ancients, such as Wang Xizhi, Wang Xianzhi, Zhiyong, Lu Cambodia, Zhao Mengfu, Wen Zhengming. as well as Tang Yin, Prince Cheng, Liang Shizheng, etc.
Hard pen lines such as Wu Yusheng, Qian Peiyun, Tian Yingzhang, Lu Zhongnan, Chen Weixun, etc.
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Hello kiss, Wang Xizhi, Wang Xianzhi, Zhiyong, Lu Cambodia, Zhao Mengfu, Wen Zhengming. as well as Tang Yin, Prince Cheng, Liang Shizheng, etc.
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Personally, I recommend Mr. Wang Xizhi's "Orchid Pavilion Preface" in block letters, which is not only helpful for practicing characters, but also helpful for appreciating beautiful words and sentences. In addition, there are Yan Zhenqing's "Sacrifice Nephew Manuscript", Su Dongpo's "Cold Food Post" and Mi Fu's "Shu Su Post".
Of course, there are also some books with titles, such as Wang Xizhi's "Holy Order", "Funeral Post", "Le Yi Post" and "Fast Return to Tan and Sunny Post when the Snow is Sleepy". These are all good practice calligraphy notebooks, and they are sold in various bookstores.
As long as you insist on practicing calligraphy, you will definitely write very beautiful words, and at the same time, you can also cultivate self-cultivation and cultivate patience.
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Here are some good recommendations for block letters:
1."Mi Fu line calligraphy": Mi Fu is a famous calligrapher in the Northern Song Dynasty, his line of calligraphy works penmanship smart, Xiuyi Yanrun, unique.
2.Huang Tingjian was a famous calligrapher in the Northern Song Dynasty, and his calligraphy works were full of ups and downs, full of rhythm, and were one of the classic texts for learning calligraphy.
3."Wang Xizhi's Calligraphy Copybook": Wang Xizhi is a famous calligrapher in the Eastern Jin Dynasty, his calligraphy works are known as "the world's first line of calligraphy", its penmanship is natural and smooth, the rhyme is vivid, is one of the classic models of learning calligraphy.
4."Zhao Mengfu Xingshu Calligraphy": Zhao Mengfu is a famous calligrapher Fan Sun of the Yuan Dynasty, his calligraphy works are rigorous and elegant, and it is one of the good models for learning calligraphy.
5."Yan Zhenqing's Calligraphy": Yan Zhenqing is a famous calligrapher in the Tang Dynasty, his calligraphy works are magnificent, majestic and bold, and he is a model of learning calligraphy.
The above calligraphy is a relatively good line script, you can choose one of them according to your preferences and needs to practice.
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Chinese line block is not a free font.
Chinese Xingkai is a truetype computer font made by the new Chinese printing technology **** (SinoType) in Changzhou, China, and is written by calligrapher Ren Zheng. Because it was originally distributed with the Chinese Simplified Chinese version of Microsoft Office, it is quite aesthetically pleasing, and has now been used in various fields in Chinese mainland. is copyrighted.
Founder Heiti, Founder Book Song, Founder Imitation Song, Founder Kaiti, Siyuan Heiti, Siyuan Rou Heiti, Siyuan Song Ti, Zhan Ku Hei Ti, Zhan Ku High-end Heiti, Zhan Ku Happy Body, Zhan Ku Italian Font, Zhan Ku High-end Black Font, Droid Sans Fallback, Zhan Ku Happy Font, Zheng Qingke Butter Font, Wang Hanzong Free Glyph, Wenquanyi Font, Seto Font, Coca-Cola Caring Font. This is free for commercial releases.
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The model of the block script is the "Sacred Preface to the Book of Wang Xi of Huairenji". The so-called line is to add the neatness of the Ming Zheng Kaishu to the composition of the Qing line, so the line is the most beautiful font.
Chinese Xingkai is a computer font made by the new Chinese printing technology **** in Changzhou, China, and the calligrapher Ren Zheng serves as the character model writer. Because it was originally distributed with the Chinese Simplified Chinese version of Microsoft Office, and because it is quite aesthetically pleasing, it has now been used in various fields in Chinese mainland.
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The contrast between regular script and line book lies in the starting pen, folding pen and joint relationship is different, regular script starting and closing the pen have a pause pen, the glyph is more extensive, each stroke has no direct relationship, the pen at the beginning of the line of the pen is removed, directly into the paper, for the folding pen is also carried out the nuclear ant turn, and there is a joint relationship between the stroke and the stroke.
The difference between regular script and line book lies in the way of writing, the font structure of regular script is strictly forbidden to be square, the pen of regular script is more complex, the pen and the pen have a pause pen, and the line of the book usually removes the pen at the beginning of the pen, and directly hits the front into the paper.
The line of the book often folds the pen in a circle, which improves the speed and efficiency of writing, and also improves the fluency of the burying strokes, the glyph of the regular script is more broad, and at the same time, the left is real and the right is virtual, and the space is basically the same, while the line of the book is the left and the right is real, and the word is rounded.
Xingshu increases the joint emphasis on echoing the relationship, there is a joint relationship between the strokes and the strokes, all the strokes in the book are independent individuals, the last stroke receives the next stroke, and there is no direct relationship between each stroke.
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Wang Xizhi (Eastern Jin Dynasty) Wang Xizhi's calligraphy is mainly special and natural, the gesture is euphemistic and subtle, beautiful and beautiful, and later generations commented: "Floating like floating clouds, like a dragon." Wang Xizhi's calligraphy is exquisite, beautiful, and extremely beautiful.
In short, he introduced the writing of Chinese characters from practicality to a realm that focuses on technique and taste, marking that calligraphers not only discover the beauty of calligraphy, but also express the beauty of calligraphy.
Ouyang Xun (Tang Dynasty) Ouyang Xun's calligraphy due to the characteristics of the Han Dynasty and the Jin Dynasty regular script, and also participated in the six dynasties tablet calligraphy, the division is said to be the strength of the wide collection of each family. The main characteristics of Ouyang Xun's calligraphy style are rigorous and neat, flat and sharp. Although the glyph is slightly longer, it is divided into white cloths, neat and rigorous, the middle palace is tight, the main pen is elongated, it seems to be unrestrained, there are sparse and dense, all sides are prepared, the eight sides are exquisite, the rhyme is vivid, just right.
The dot painting is coordinated, the structure is arranged, it is flat and steep, and most of the fonts are expanded to the right, but the center of gravity is still very stable, and there is no sense of oblique tilting, and the fun of the danger is positive.
Yan Zhenqing (Tang Dynasty) first learned Chu Suiliang, and later studied under Zhang Xu, and absorbed the characteristics of the four families of the early Tang Dynasty, combined with the seal and the Northern Wei Dynasty brushwork, self-contained, contrary to the early Tang Dynasty calligraphy style, turned thin and hard into plump and majestic, the body is broad and magnificent, the bone strength is strong and awe-inspiring.
Zhao Mengfu (Yuan Dynasty) is very neat and stable, whether it is regular script or line script. Gentleness and elegance are his main characteristics.
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