Which dynasty is Liu Gongquan the calligrapher Liu Gongquan from

Liu Gongquan (778-865), the name Chenghang, Han nationality, Jingzhaohuayuan (now Yaozhou District, Tongchuan City, Shaanxi) people. A famous calligrapher and poet in the Tang Dynasty, and the younger brother of Liu Gongxuan, the secretary of the military department.

At the age of twenty-nine, Liu Gongquan was a scholar and a scholar, and in his early years, he served as a secretary and a provincial school secretary, and was incorporated into the Li Ting shogunate. Yu Muzong, Jingzong, Wenzong three dynasties official residence servant, long in the court. A total of seven dynasties, the official to the prince of the young master, the seal of the east of the county, to the prince of the prince to the office, so the world called "Liu Shaoshi".

In the sixth year of Xiantong (865), Liu Gongquan died at the age of eighty-eight, and was posthumously presented to the crown prince and prince.

Liu Gongquan's calligraphy is famous for regular script, Wang Xizhi learned at the beginning, and later looked at the calligraphy of famous masters in the Tang Dynasty, absorbed the strengths of Yan Zhenqing and Ouyang Xun, dissolved new ideas, and created a unique "willow body", which is known for its strength and strength, and has the reputation of "Yan muscle and willow bones" in later generations. With Yan Zhenqing, he is known as "Yan Liu", and is also known as the "Four Masters of Regular Script" with Ouyang Xun, Yan Zhenqing, and Zhao Mengfu. The stele is engraved with "Diamond Sutra Carved Stone", "Mysterious Tower Stele", "Feng Su Stele", etc., and the cursive script has "Fu Trial", "Sixteen Days", "Humiliation to the Post", etc., and there is also ink "Mengzhao Post", "Wang Xianzhi Sends Pear Tiba".

Liu Gongquan also works poems, "All Tang Poems" saves five of his poems, and "All Tang Poems External Edition" saves one poem.

Liu Gongquan - Liu Gongquan (778865), a calligrapher of the Tang Dynasty in China. The word is sincere. A native of Jingzhaohuayuan (now Yaoxian, Shaanxi).

Liu Gongquan's representative calligraphy works include "Mysterious Tower Tablet", "Shence Army Tablet", "Diamond Sutra" and so on.

Liu Gongquan's regular script is known for its "thinness", and its regular script strokes are strong and powerful, especially its bone-like starting pen and the closing pen of the big blade-like stroke, which makes people feel hard and sharp when they look at it. The structure of its regular script is also very rigorous, and the main feature of the structure is the "tightening of the middle palace and diverging all around", and the font structure is tight and integrated.

Liu Gongquan calligraphy features:

1. The traces of pen movement are obvious.

Willow calligraphy, every stroke, the traces of the pen, have been reflected in every stroke.

2. The details are handled cleanly.

Writing willow characters, I am most afraid that the details will not be clean. Every stroke, will not drag mud and water, willow characters are categorical, clean and neat, close the pen, start the pen, no burrs, no smearing, all in one go.

Liu Gongquan's representative works of calligraphy are "Diamond Sutra Tablet" and "Mysterious Tower Tablet".

Liu Gongquan's calligraphy is famous for regular script, and Yan Zhenqing is equally famous, known as "Yan Liu", and Ouyang Xun, Yan Zhenqing, Zhao Mengfu and called "the four masters of regular script". His calligraphy beginner Wang Xizhi, later all over the Tang Dynasty famous calligraphy, absorbing Yan Zhenqing, Ouyang Xun's strengths, dissolving new ideas, creating a unique "willow body", with bone strength and strength, later generations have the reputation of "Yan muscles and willow bones". The stele is engraved with "Diamond Sutra Carved Stone" and "Mysterious Tower Stele".

The Diamond Sutra Tablet is the main book of Liu Gongquan, engraved as a horizontal stone, a total of 12 pieces, 11 characters per line, the original stone was destroyed in the Song Dynasty. The only Tang rubbing book was found in the Dunhuang Grottoes, which are now in the Paris Museum. This is Liushu's early masterpiece.

The advent of Liu Gongquan's "Mysterious Tower" marked the birth of a more refined "willow style", and in the following five or six years, it became a canon of the millennium regular script.

Main Impacts:

Liu Gongquan is the summarizer and innovator of regular script calligraphy, on the basis of studying and inheriting the regular script style of Zhong Xuan, Wang Xizhi and others, he read modern calligraphy, learned Yan Zhenqing, dissolved his own new ideas, and created his own unique "willow style" regular script [19], which was a model for later generations and became one of the outstanding representatives of "Tang calligraphy and law".

Speaking of Liu Gongquan, everyone must have heard of it, after all, his calligraphy can be said to be now everyone learning regular script template, and many of his calligraphy works, such as "Mysterious Tower Tablet", also have a strong appreciation value and imitation value in the eyes of future generations, so now there is a question, that is, which dynasty is Liu Gongquan from?

Liu Gongquan was a famous calligrapher in the Tang Dynasty, and his calligraphy was mainly in regular script, which was known as Liuti. and Yan Zhenqing, another famous calligrapher in the Tang Dynasty, said that there is such a saying as "Yan muscles and willow bones". Moreover, Liu Gongquan's calligraphy works can also be regarded as modern Chinese italicic calligraphy templates, for later generations to learn, and his works have a great influence on later generations.

Liu Gongquan was admitted to the Jinshi at the age of twenty-nine, and then began his long road to becoming an official. During his tenure as an official, the Tang Dynasty changed a total of three emperors, and Liu Gongquan was also appreciated by three emperors for his calligraphy and his ability, and he had 30 years of official experience in the official position of three grades and above, and was widely praised during his official period.

Moreover, Tang Xuanzong was particularly partial to Liu Gongquan's Mobao, and it was precisely because of these emperors' preference for Liu Gongquan's Mobao that Liu Gongquan's reputation could spread overseas. Moreover, Liu Gongquan was behind him, and later generations also spoke highly of his calligraphy works, and Liu Gongquan's influence on later generations was affirmed and praised by everyone in later generations.

Liu Gongquan's calligraphy was called "willow style" by later generations, and his calligraphy silver ruler font was balanced and thin. Liu Gongquan is the summarizer of italic calligraphy, he inherited the calligraphy of Wang Xizhi and others, and at the same time integrated his own ideas on the basis of Yan Zhenqing's calligraphy, creating a unique calligraphy style "Liuti", which was extremely influential for later generations.

There are four figures in history who have had a great influence on italicic calligraphy, and it can be said that they are the representatives of italic calligraphy and the foundation of existing calligraphy, they are Ouyang Xun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu. They not only laid the foundation for later generations of Chinese calligraphy writing, but also had a profound impact on the culture of East Asia.

Liu Gongquan was a calligrapher in the middle of the Tang Dynasty, and his artistic achievements and influence made important contributions to the development of calligraphy in the Tang Dynasty.

Liu Gongquan was born during the mid-Tang period of the Tang Dynasty (778 AD - 849 AD), and he was born in Chang'an, Shaanxi. At the age of 15, he began to learn calligraphy, and under the guidance of Yang Ningshi and Huaisu, he became a famous calligrapher. His calligraphy creations were widely appreciated and praised during the Tang Dynasty.

Since the Sui and Tang dynasties, he has been one of the well-deserved masters of calligraphers in the Tang Dynasty, leaving behind many excellent works.

Liu Gongquan's calligraphy works are characterized by strong bones and unrestrained brushwork. His calligraphy style is "elegant and free, simple and concise", and at the same time rich in personalized style, often called "willow style". Liu Gongquan's calligraphy works occupy an important position in the history of calligraphy and have a profound impact on the development of Chinese calligraphy in later generations.

In addition to this leakage, Liu Gongquan also wrote a "Liu Gongquan Shu Tablet", which recorded the details of his handwritten inscriptions, and became one of the important reference books for the study of calligraphy and inscription culture in the Tang Dynasty.

In general, Liu Gongquan was a calligrapher in the middle of the Tang Dynasty, his art is unique, his calligraphy is rich and colorful, he has left many outstanding works to history, and has made outstanding contributions to the prosperity and development of Chinese calligraphy art.

Calligrapher Liu Gongquan was in which auspicious period of the Tang Dynasty? （）

a.Late Tangerine Tang.

b.Early Tang Dynasty. c.Zhongtang.

d.Tang Dynasty. Correct answer to the case of Wu Hail: a