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Wang Xizhi's "Orchid Pavilion Preface": The first book in the world.
Yan Zhenqing's "Manuscript for the Sacrifice of Nephews": The second book in the world.
Su Shi's "Cold Food Post": The third book in the world.
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The ancients must not have to say, after all, it has been precipitated for thousands of years, and now, you can take a look at Yin He's book, and I personally feel good.
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The brush line is still written by the ancients, such as Wang Xizhi, Wang Xianzhi, Zhiyong, Lu Cambodia, Zhao Mengfu, Wen Zhengming. as well as Tang Yin, Prince Cheng, Liang Shizheng, etc.
Hard pen lines such as Wu Yusheng, Qian Peiyun, Tian Yingzhang, Lu Zhongnan, Chen Weixun, etc.
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Hello kiss, Wang Xizhi, Wang Xianzhi, Zhiyong, Lu Cambodia, Zhao Mengfu, Wen Zhengming. as well as Tang Yin, Prince Cheng, Liang Shizheng, etc.
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There is no comparison. The line of writing is divided into two categories, in the process of writing the line of the pen, the regular method is more than the cursive method is called the line of the law, and the grass method is more than the regular method is called the line grass. Relatively speaking, the line is more practical than the line grass, and the line grass is more casual than the line line.
Xingkai is a kind of Xingshu, which is subordinate to Xingshu; Xingshu is developed from regular script, which is a font between regular script and grass.
The lines are relatively clear, and the strokes are neat. The line of calligraphy is mostly grassy, relatively smooth, and the strokes are arbitrary.
The line is more practical and artistic. Xingshu pays more attention to artistry and is less practical.
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The line of the book is elegant and free, and the line is between the line and the line, there is the freedom of the line, and there is also the regularity of the line. As for which one is good-looking, there is no conclusion on this, each has its own beauty. Personally, I prefer to write books.
Xingshu contains two types of line Kai and line grass, so there is no question of which font is good-looking, and the good-looking Xingshu calligraphy has Wang Xizhi's "Lanting Preface", Yan Zhenqing's "Sacrifice Nephew Manuscript", Su Shi's "Huangzhou Cold Food Post" and so on.
Line to line is a process, and the concept of line grass does not have a correct definition, so it is not right to say that line book includes line and line grass, for the question raised by the subject, hard pen calligraphy, should start from the regular script, after the line of the book, and then the line of the book, if the beginner directly chooses the line of the book, then there will be no deep attainments, must first lay the foundation, the style of the regular script and the style of the line of the book is different, therefore, simply to evaluate who is more beautiful between the two, is not right, should have their own style, each has its own beauty, Hard pen calligraphy is still relatively simple, do not want to be ancient, you can choose the hard pen calligraphy of today's people, and the brush can never choose the calligraphy of today's people, regular script, Yan Zhenqing Duobao Pagoda Tablet Yan Qinli Tablet Ouyang Xun Jiucheng Palace Liu Gongquan Mysterious Tower Tablet, common line books, the world's three major books (soft pen) refers to Wang Xizhi's "Orchid Pavilion Preface", Yan Zhenqing's "Sacrifice Nephew Manuscript", Su Shi's "Huangzhou Cold Food Post".
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The book should be the best in the Eastern Jin Dynasty Wang Xizhi's "Orchid Pavilion Preface". Wang Xizhi's book was called "the first book in the world" by Emperor Qianlong.
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The best looking line calligraphy:
1, "Orchid Pavilion Preface". The preface of the Lanting Collection is the Jin Dynasty of China (353 AD), the book sage Wang Xizhi met friends at the foot of Lanzhu Mountain in Shaoxing, Zhejiang, and wrote "the first line of books in the world", also known as "Lanting Preface", "Linhe Preface", "Yu Ti", "March 3rd Lanting Poem Preface" and so on.
2, "Manuscript of the Sacrifice of Nephews". "Manuscript for the Sacrifice of Nephews" is a draft of the posthumous sacrifice of Yan Jiming. A total of 23 lines, where 234 words.
This manuscript recounts the fact that Changshan Taishou Yan Gaoqing's father and son stood up and resolutely resisted when An Lushan rebelled, so that "the father trapped the son and died, and the nest overturned". The love between the pen is like a tide, the calligraphy is magnificent, the vertical pen is bold, and it is done in one go.
3, "Cold Food Post". This post is Su Shi's masterpiece. This is a poem that is rejoicing, and it is the sigh of life of Su Shi during the cold food festival in the third year of his demotion to Huangzhou.
The poem is written in a desolate and affectionate manner, expressing Su Shi's melancholy and lonely mood at this time. The calligraphy of this poem is also inspired by this mood and situation. The whole calligraphy is ups and downs, brilliant, unrestrained, and unrestrained.
4, "Yan Shan Ming". "Yan Shan Ming" is the Northern Song Dynasty Mi Fu created Cheng Xin Tang paper hand-written scroll, now in the Palace Museum in Beijing. "Yan Shan Ming" is divided into three paragraphs:
The first paragraph is Mi Fu with the South Tang Dynasty Chengxin Hall paper written 39 lines of large characters; the second paragraph is the drawing of the "Research Mountain Map"; The third paragraph is the inscription of Mi Fu's son Mi Youren, Mi Fu's nephew Jin Dynasty Wang Tingyun and Qing Dynasty calligrapher and painter Chen Hao. "Yan Shan Ming" is heavy and majestic, ups and downs, and the words are free and free, not subject to the constraints of the laws of the predecessors, and expresses the joy of nature.
5, "Sacrifice to Huang Daowen". "Sacrifice to Huang Daowen" is the Northern Song Dynasty calligrapher Su Shi created calligraphy works, "Sacrifice Huang Daowen" is Su Shi and his brother Su Zhe jointly hung the sacrifice of Huang Haoqian (a few words), written by Su Shi. This volume of calligraphy is fine, in and out of the Jin and Tang Dynasties, the pen is strong, the knot is strict, the ink is condensed, the spirit is radiant and the meaning is gentle, strict and lively, it is one of the fine works of Su Shi's calligraphy.
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According to the size of each calligrapher's work, each person's preferences and what the market is now are not the same pricing, Mr. Song Yunfeng's calligraphy I have not learned too much, but the calligraphy is not the same, some time ago due to the need to find Mr. Fu Jianzeng inscription, ** in about 5000 square feet, this gentleman's calligraphy art style is very distinctive, good at cursive, especially left-handed calligraphy. He is the current vice president of the Chinese Calligraphers and Painters Association, and you can check the information for other details.