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Classical poetry is divided into ancient style poems and near-style poems, and near-style poems include quatrains: five quatrains, seven quatrains, and rhythmic poems (five rules and seven rules, and row rhythm (more than ten sentences)).
1. Ancient style poetry refers to the poetry form before the Tang Dynasty rhythmic poetry was produced, and ancient style poetry is also known as ancient poetry or ancient style, and the main forms are "Book of Poetry", "Chu Ci", "Han Yuefu", "Northern and Southern Dynasties Yuefu", etc., that is, the poems we learned in the previous unit.
Ancient style poetry is not bound by the rhythm of near-style poetry, the form is relatively free, there are three words, four words, five words, seven words, etc., even in the Tang Dynasty, there are many poets who like to write poems in ancient style, such as Chen Ziang's "Dengyouzhou Taiwan Song", Bai Juyi's "Pipa Xing", Li Bai's "Sleepwalking in the Sky and Leaving Farewell", Li He's "Li Pinggong Hou Citation" in the "song", "line", "yin" and "citation" is a form of ancient poetry.
2.Near-style poetry, also known as modern poetry, is a metrical poem relative to ancient poetry. Near-style poetry began in the Qi Liang period of the Northern and Southern Dynasties and matured in the early Tang Dynasty.
There are four quatrains, each sentence is called five uniques, each sentence is called seven uniques, two or four sentences rhyme, the first sentence can rhyme, or not, there is no requirement for battle.
There are eight sentences in the poem, each sentence with five words is called five rhythms, each sentence with seven words is called seven rhythms, even sentences rhyme, and the first sentence can rhyme or not. Every two sentences of the poem are a couplet, which are called the first couplet, the jaw couplet, the neck couplet, and the tail couplet, and the jaw couplet and the neck couplet must be opposed.
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Near-style poems or modern poems are what we often call rhythmic poems, including rhythmic poems and quatrains. Near is relative, we just follow the ancients as they were called. According to expert research, near-style poetry originated in the Qi Liang period of the Northern and Southern Dynasties and matured in the early Tang Dynasty.
Poems that do not conform to the physical rhythm before and after the Tang Dynasty are generally referred to as ancient styles.
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Near-style poetry, also known as modern style poetry and rhythmic poetry, is a kind of Han poetry genre that emphasizes leveling, confrontation and rhyme. In order to distinguish it from the ancient style of poetry, it has the name of close body. It refers to another poetry genre formed after the early Tang Dynasty.
In the close poems, there are strict requirements for the number of sentences, words, and rhymes, and they pay attention to the battle of equals. Famous representative poets are: Li Bai, Du Fu, Li Shangyin, Lu You, etc. It has an important position in the history of the development of Chinese poetry, and has also made outstanding contributions to the study of history and culture.
Category. Viewpoint 1: There are three kinds of quatrains (five words and four sentences, six words and four sentences, and seven words and four sentences), rhythmic poems (five words and eight sentences, seven words and eight sentences), and rhythm (more than ten sentences), which are based on the rhythm of the rhythmic poem.
The metrical of the quatrain is a half-rhyme poem. The rhythm is the extension of the rhythm).
Viewpoint 2: Quatrains include quatrains (four sentences each, the abbreviation of five words is five quatrains, and the abbreviation of seven words is seven quatrains. ), rhythmic poems (generally each poem has eight sentences, the five words are referred to as five rules, the seven words are referred to as seven laws, and those with more than eight sentences are called long laws or row rhythms. )。
Peculiarity. The most basic rules include: the number of words, the number of sentences, the number of words, the rhyme, and the battle (the quatrain does not require the battle), and there are three main points:
1. Each sentence must be evenly intertwined, the two sentences of the same couplet must be flat and opposite, and the couplet must be flat and sticky to each other, that is, "the sentence is intertwined, the coupling is relative, and the coupling is sticky";
2. In addition to the first and last two couplets, the middle couplets must be opposed;
3. Generally speaking, poetry rhyme must rhyme with a flat rhyme that is synchronized to the end.
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Near-style poetry, which is a poetic genre in contrast to "ancient style"; It is also known as modern poetry. It refers to the metrical poetry style formed and fixed in the Tang Dynasty. It was developed from the new style poems of Shen Yue and others in the Southern Dynasty Qi Yongming period, which emphasized the rhythm of the four tones and eight diseases, and the duality, and was finalized in the early Tang Dynasty and the Song Dynasty, and was commonly used by people after the Tang Dynasty.
There are strict rules on the number of words, sentences, evens, battles, and rhymes, and the main categories are rhythmic poems and quatrains, among which there are five, six, and seven words (six words are rare). quatrains, four sentences each; Each poem has eight verses, and more than ten sentences are called row or long rhyme, and occasionally six three-rhyme verses are called three-rhyme poems.
The poetic style of ancient style poetry and the relative style of modern style poetry. Before the formation of near-style poetry, various Han poetry genres except Chu Ci. It is also known as ancient poetry and ancient style.
The ancient style poems are free in rhythm, informal, even, rhyme wider, and the length is not limited. In addition, ancient quatrains also had authors in the Tang Dynasty; All belong to the scope of ancient style poetry. In the process of development, there was an interactive relationship between ancient style poetry and near-style poetry, and in the later period of the Northern and Southern Dynasties, there was a new style of poetry that emphasized sound rhythm and duality, but had not yet formed a complete rhythm, and was between ancient style and near-style.
Some ancient poems of the Tang Dynasty tended to be regularized, and even ancient style works often incorporated near-style sentence patterns. However, some ancient poets consciously distinguish themselves from the near-body, and often use awkward sentences and occasionally scattered culture to avoid the law.
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Near-style poetry, also known as modern style poetry, is a rhythmic poetry style formed after the Tang Dynasty.
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[Near-style poems] is also known as "modern poems". The name of the poem. The general name for the lyric poems and quatrains formed in the Tang Dynasty is relative to the ancient style poems.
There are strict regulations on the number of sentences, the number of words, and the rhyme. The name of near-style poetry has been very popular in the Ming Dynasty in China, and near-style poetry includes quatrains (five words and four sentences, seven words and four sentences), legal poems (five words and eight sentences, seven words and eight sentences), and row rhythm (more than ten sentences), which are based on the rhythm of legal poetry. The metrical of the quatrain is a half-rhyme poem.
The rhythm is the extension of the rhythm).
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Near-style poetry, also known as "modern style poetry", refers to a kind of rhythmic poetry formed in the early Tang Dynasty, which is characterized by focusing on peace and confrontation. Near-style poetry is formed on the basis of "Yongming-style" poetry, which is the true style of Chinese poetry. Near-body poetry first appeared in the early Tang Dynasty.
Near-style poetry is more difficult because it has a flat rhythm.
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Near-style poetry, also known as modern style poetry, rhythmic poetry, is a Han poetry genre that pays attention to plainness, battle and rhyme, and was formed in the early Tang Dynasty. It is not easy to create, mainly depends on personal ability, and if you have strong language or creative ability, it is relatively easy to create.
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