What is the next sentence in the empty mountain and no one?

There is no one in the empty mountain, and the next sentence is but I hear people's voices. This poem is from "Lu Chai" and is the work of the Tang Dynasty poet Wang Wei.

Original poem: I don't see people in the empty mountains, but I hear people's voices. Return to the deep forest, and revisit the moss.

Translation: In the quiet valley, you can't see people, you can only hear the voice. The shadow of the setting sun reflected in the deep forest, and shone on the moss in the darkness.

Tired officials to give things. An Lushan rebels were appointed when they fell into Chang'an, and after the chaos was pacified, he was demoted to the crown prince Zhongyun.

There is no one in the empty mountain, but there is a sound of people's voices. This sentence comes from Wang Wei's "Lu Chai" in the Tang Dynasty.

Original text: I don't see people in the empty mountain, but I hear people's voices. Return to the deep forest, and revisit the moss.

Translation: In the quiet valley, you can't see people, you can only hear the voice. The shadow of the setting sun is reflected in the deep forest, and the scenery is pleasant on the moss.

This poem is about an empty mountain that is inaccessible to people, a forest of ancient trees and towering trees, with the intention of creating an empty and deep realm. The first sentence first describes the empty mountain head-on, focusing on the emptiness and coldness of the mountain. Immediately after that, the second sentence of the realm suddenly appeared, and the local, temporary "sound" contrasted with the global and long-term emptiness.

2. Original text: Lu Chai

Don Wangwei. There was no one in the empty mountain, but I heard the sound of people's words. Return to the deep forest, and revisit the moss.

3. Translation: There is no one to be seen in the quiet valley next to the ghost, only the voice of the voice can be heard. The shadow of the setting sun is reflected in the deep forest, and it shines on the moss Qiyou, and the scenery is pleasant.

But I heard the sound of people. Lu Chai: Wang Wei (Tang) doesn't see anyone in the empty mountain, but he hears people's voices.

Return to the deep forest, and bring filial piety to touch the moss. Translation: In the quiet valley, you can't see people, you can only hear the voice.

The shadow of the setting sun is reflected in the deep forest, and the scenery is pleasant on the moss. <

But I heard the sound of people. Lu Chai: Wang Wei (Tang) doesn't see anyone in the empty mountain, but he hears people's voices.

Return to the deep forest, and revisit the moss. "Lu Chai" is an important representative work of Wang Wei's landscape poems, which expresses the poet's pursuit and love for the ethereal realm in nature, which is also one of the fun of foolish talk in the secluded Rim River. The main feature of the poem is that it is full of the realm of painting.

Volume 19 of "Tang Poetry Tailoring" plays Liu Zhi's saying, saying: "The best thing is not in the language, but in Tao Gong."'Picking chrysanthemums under the east fence, leisurely see the South Mountain'Same. It can be seen that Wang Wei's poem is similar to Tao Yuanming's ethereal and secluded realm.

This poem is the fifth of them, and the silence of the empty mountain is contrasted with the silence of the empty mountain with no human figure and clear and audible human language. This is the artistic method that is often praised for Wang Weishi's combination of movement and static. "Wang Meng's Poetry Commentary" cloud:

wordless but picturesque". "A Brief Record of Poetry" "Human speech is sound, and it is sound; The back-to-back photo is colored. Writing about empty mountains is not written from a silent and colorless place, but from a sound and colored place, and the more empty it is.

Yan Canglang so-called'Exquisitely clear'should be pushed to this effect. ”

Translation: In the quiet valley, you can't see people, only the voice of the voice. The shadow of the setting sun is reflected in the deep forest, and the scenery is pleasant on the moss.

Wang Wei (701 761), whose name is Maha, was originally from Qi County, Taiyuan (now Shanxi), and his father moved to Puzhou (now Yongji, Shanxi). Jin Shi and the first, the official to the book of the right Cheng, known as the king of the right Cheng. Wang Wei's poems are clear and fresh, exquisite and elegant, and Li Shen accompanies Du in addition to becoming a family of his own.

Its name is taken from the Vimalaya layman, whose heart is towards Buddhism. Although he is an official of the imperial court, he often lives in seclusion in Lantian and Rimchuan, and lives a life of a layman who is also an official and a recluse. Wang Wei is also an outstanding painter and a scholar, who is proficient in music theory, painting theory, and Zen theory into poetry creation.

Su Shi said that there are paintings in his poems and poems in his paintings, and he is a famous representative poet of the Tang Dynasty landscape idyllic poetry school.

The empty mountain is not seen by people, and the next sentence is yes, but I hear people's voices.

Data Extension:

There is no one in the empty mountain, but there is a sound of people's voices. From Wang Wei's "Lu Chai" in the Tang Dynasty. Wang Wei, the word Maha, the number Mahaju. He was born in Puzhou, Hedong (now Yongji, Shanxi), and his ancestral home was Qi County, Shanxi. Tang Dynasty poet and painter.

Wang Wei was born in the Taiyuan Wang family, and was a Jinshi in the Kaiyuan period of Xuanzong of the Tang Dynasty, and was Taile Cheng in the ninth year of Kaiyuan (721). The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival. During the Tianbao period, the worship of the Ministry of Langzhong and the matter were in the middle of the matter.

When An Lushan captured Chang'an, he was forced to accept a false position. After Chang'an was recovered, he was appointed as the crown prince. During the first year of Tang Su Zongqian, he was appointed as Shangshu Youcheng, known as "Wang Youcheng".

Wang Weishen Zen enlightenment, proficient in poetry, calligraphy, sound and painting, with the name of poetry in Kaiyuan, Tianbao, especially long five words, many songs of landscape and pastoral, and Meng Haoran together called "Wang Meng", because of the sincerity of the Buddha, there is a "poetry Buddha" said.

The calligraphy and painting acres are particularly wonderful, and later generations push it as the ancestor of Nanzong landscape painting. He is the author of "Wang Youcheng Collection", with about 400 poems. Su Shi of the Northern Song Dynasty commented on the clouds: "The poems of the taste of Maha, there are paintings in the poems; Looking at the painting, there is poetry in the painting. ”

Wang Wei's literary achievements are mainly reflected in the creation of poetry. Wang Wei's poems depicting natural landscapes such as landscapes and pastoral fields and singing about secluded life are painted with shadows and shapes, and there is a sense of freehand expressiveness, form and spirit, and the wonder of annihilation.

With a fresh and distant, natural and refined style, Wang Wei has created a kind of artistic conception of "painting in poetry, poetry in painting" ("Dongpo Inscription and Book Maha Lantian Smoke and Rain") and "Zen in poetry", and set up a banner in the poetry world.

Wang Wei's landscape idylls not only depict the natural beauty, but also reveal the leisure and sloppiness of idle life. Wang Wei became increasingly depressed from middle age onwards, seeking sustenance in Buddhism and landscapes, and he claimed that he quickly changed and sold "a moment of enlightenment and silence for pleasure, and there is more than enough leisure in this life" ("The Monk of Busan with Rice"). This sentiment is fully reflected in his poetry.

In the past, many people admired Wang Wei's poems, not only because of their high artistic skills, but also because they resonated with the leisure and negative thoughts embodied in them.

Deer Chai. Wang wei.

There is no one in the empty mountain, but there is a sound of people's voices.

Return to the deep forest, and revisit the moss.

Explanation of the poem] In the empty valley, you can't see the human figure, but you can hear the sound of the human voice. The afterglow of the setting sun reflects into the dark forest, and the dappled shadows of the trees are reflected in the moss.

Explanation of terms] Empty mountain: an empty mountain forest. But smell: only heard. But, only. Reflection: The light of the sunset. Jing, in ancient times, was the same as "shadow".

Poetry Appreciation] This is a representative work of landscape poetry in Wang Wei's later period. The fourth of the twenty poems in the Five Absolute Group "Rim River Collection". Luchai is the place name of the Rim River.

With a unique feeling, the poet depicts the quiet and dark scenery of the empty mountains and deep forests in the evening. This is a kind of silent silence with sound, a darkness with light, which is the result of the poet's careful observation and painstaking experience. This poem is a harmonious combination of poetry, painting, and **, and a manifestation of the deep realm.