-
How much hatred, in the soul of last night's dream. It is also like the old tour of the garden, the car is like flowing water and the horse is like a dragon, and the flower moon is in the spring breeze.
Hatred is the sudden rush after waking up, the bone-chilling pain that gushes out of the trapped soil, and it is the origin of last night's old dream. A little sorrow.
Old tours, ever. The car is like flowing water, and the horse is like a dragon. The more beautiful it is, the more sad it is, just because it has passed. It's just because it's a dream.
The flower moon, as far as the eye can see, spreads full of flowers.
The spring breeze finally woke up.
First great sorrow, then great joy.
Mourn with music, and write music with mourning.
I wrote it) first resentment, then joy, and then a dynamic spiritual process of sorrowful singing and twisting. Thus, it is inexhaustible and emotional. (except for this sentence).
-
Write a dream to relive the sadness and hatred of the old entertainment life.
-
The ancient poems of Li Yu of the Tang Dynasty in the south of the Yangtze River are as follows:
Original text of the work: Part 1.
Looking south of the river. How many tears, broken faces. Don't talk about things and tears, Feng Shengxiu blows to tears. Intestinal rupture is even more undoubted.
How much hatred, in the soul of last night's dream. It is also like the old time to travel to the dust, and the car is like flowing water and the horse is like a dragon. The flower moon is in the spring breeze.
Second. Looking south of the river.
Idle dreams are far away, the south is in the autumn: thousands of miles of rivers and mountains are cold and twilight, the reeds are deep in the lonely boat, and the flute is in the moonlight building.
Idle dreams are far away, and the south is spring. The orchestra on the ship is on the river, and the city is full of light dust. Busy killing flower watchers.
Li Yu's work "Looking at the South of the Yangtze River: How Much Hate" after his death in the Song Dynasty uses the artistic technique of writing the positive in reverse, and uses music to contrast the bitterness, and the brushwork has a sense of curvature. But this poem is different, it is an artistic technique of writing straightforwardly, expressing one's heart and expressing one's heart, and confessing one's sorrow, so it has a sense of more and more pain.
About the Author:
Li Yu, the monarch of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms, reigned from 961 to 975, the word Chongguang, the first name Congjia, the number Zhong Yin, and the Lianfeng layman. Han nationality, a native of Pengcheng (now Xuzhou, Jiangsu). The sixth son of Li Jing of Yuanzong of the Southern Tang Dynasty, succeeded to the throne in the second year of Song Jianlong (961), and was known as the queen of Li in history.
In the eighth year of Kaibao, the Song army broke the capital of the Southern Tang Dynasty, Li Yu surrendered to the Song Dynasty, was captured to Bianjing, and was named the general of the right Qianniu Wei and the marquis of disobedience. Later, he was poisoned by Song Taizong because of his nostalgic nostalgic noun "Poppy Beauty Drawback". Although Li Yu is not politically ill, his artistic talent is extraordinary.
Fine calligraphy, good at painting, tonal rhythm, poetry and writing have a certain attainment, especially the highest achievement of words. Masterpieces through the ages, such as "Poppy Beauty", "Waves and Sands", "Crying in the Dark Night" and so on. Li Yu, who failed politically, left an immortal chapter in the world of words, called"Emperor of the Ages"。
-
Looking at Wen Tingyun in the south of the river.
Freshen up, leaning on the river tower alone.
Thousands of sails are not, and the slanting light veins (mò) are long.
The intestine is broken on the white apple island.
The infatuated woman's thoughts about her lover in the words are sincere and touching. Wangjiang upstairs quietly independent, just to find the trace of his sweetheart. As the sun sets, the boat sails by, but there is still no lover.
I saw the flowing water, slowly flowing eastward. Love and hate, lovesickness and disappointment in the heart are intertwined, and it is not sad!
-
"Wangjiangnan" depicts the scene of the upper garden in the middle of the dream, expressing the grief of the lyricist when he was imprisoned in Bianjing.
The contrasting technique of writing sadness with music expresses the sadness and hatred of the lyricist revisiting the dream of the emperor in the old days, and at the same time gives the reader a strong artistic infection. This kind of sad and indignant emotion is summarized by the lyricist as a word "hate", which shows the strong emotion of the lyricist who holds hatred for life.
-
This poem is written about nostalgia for the prosperity of the past, but it is actually an expression of the infinite desolation of his situation after waking up from a dream. The author does not give a positive description of the current situation throughout the book, but uses this dream of prosperous life to provide a powerful contrast. The more prosperous and lively the dream, the more sorrowful it is after waking up; The deeper the nostalgia for the prosperity of the past, the bleaker the situation today.
Write "hate", this is "virtual". Hate what? Hate last night's dream.
Dream about what? What is there to hate when you dream of the beautiful scenery of Shangyuan? As a result, a blank space is left behind, causing the reader to imagine from the dream, to ponder the extreme sorrow and hatred hidden behind the old pomp and circumstance.
The language of the poem is very "jumpy", and there are often interruptions between sentences, and this discontinuity is the space left for the reader's imagination to maneuver. This white space is called "structural whitespace".
-
Li Yu is a great lyricist, but not a good monarch. He was powerless to make his country strong, so he used words to describe his feelings. "Idle dreams are far away, and the south is in autumn.
Because you are in a foreign country, you can only return to your home in a dream. "Thousands of miles of rivers and mountains are cold and far away, and there is a lonely boat in the depths of the reeds. The flute is in the Bright Moon Building.
Far away hometown, autumn is strong, autumn is already making people feel bleak, not to mention that there is a lonely boat moored in the depths of the reed? In the distance, the sound of the flute came from the Mingyue Tower, and such a scene made people feel even more lonely and sad.
-
Deserted, desolate, lonely, lonely.
-
Idle dreams are far away. Autumn is in the south of the country.
Thousands of shouts of cherry blossoms are far away.
A lonely boat is anchored in the depths of the reeds.
Flute in the Yueming Building.
With the thousands of miles of rivers and mountains under the moonlit night of the song group as the backdrop, a lake of reed flowers, accompanied by a leaf of Zheng Shen's lonely boat, listen to the melodious flute together.
It expresses the author's exposure of the cruel side of the enemy at that time, and the positive and optimistic face of the enemy's tenacious survival and yearning for a better future. >>>More
Translation: On the Qixi Festival on the seventh day of the seventh lunar month, looking up at the sky, it seems that there are cowherds and weaver girls meeting at the magpie bridge. >>>More
Target. This poem expresses the poet's thoughts and feelings of homesickness. >>>More
First of all, the author expresses his political ambitions and feelings of unfairness in life. "It is difficult to cross the mountain, who is sad and lost? When they meet in Pingshui, they are all guests from other places. >>>More
"The Difficulty of Shu Road" is a famous article by Li Bai, a poet of the Tang Dynasty in China, and the content is based on the danger of mountains and rivers to talk about the difficulty of Shu Road. The poems fully show the poet's romantic temperament and love for the rivers and mountains of the motherland. "The Difficulty of Shu Road" depicts the thrill and grandeur of nature, giving people a sense of reverberation. >>>More