Who knows what are the representatives of Beizong landscape painting in modern times?

I know only one Sun Tianmu, who once systematically summarized this painting technique.

Wang wei. Wang Wei (701-761), a famous poet and painter of the Tang Dynasty, was known as Maha, and was known as Maha. He is a native of Puzhou, Hedong, and his ancestral home is Qi County, Shanxi.

Wang Wei Shen Zen enlightenment, learn Zhuang Xindao, proficient in poetry, calligraphy, painting, **, etc., with the name of poetry in Kaiyuan, Tianbao, especially long five words, many landscapes and pastorals, and Meng Haoran together called "Wang Meng", known as "Poetry Buddha". Wang Wei's calligraphy and painting are particularly exquisite, and later generations recommend him as the ancestor of Nanzong's landscape painting.

Talent early Wang Wei was born in the first year of Wu Zetian's Chang'an, his talent was early and he was very smart. At the age of fifteen, he went to the capital to take the exam, because he could write good poems, work in calligraphy and painting, and also had the best talent, so the young Wang Wei became the darling of the princes and nobles as soon as he arrived in the capital.

In the nineteenth year of Xuanzong of the Tang Dynasty, Wang Wei was the champion and the first, Ren Taile Cheng, who was affected by the yellow lion dance of the servants, was demoted to Jeju Sicang to join the army. In the twenty-third year of Kaiyuan, Zhang Jiuling was in power, and Wang Wei was promoted to the right. In the twenty-fourth year of Kaiyuan, he was transferred to supervise the imperial history, and was later ordered to go out of the fortress and serve as the judge of the Liangzhou Hexi Festival.

After leaving the office, Wang Wei used his spare time to build a villa in the foothills of Nanlantian Mountain in the capital to cultivate his body and mind. Wang Wei and his bosom friends live a leisurely, half-official and half-hidden life.

Wang Wei is the founder of the Nanzong School of Painting, Wang Wei's poems are picturesque, and his paintings have poetry, reaching the artistic conception of painting in poetry and poetry in painting.

Wang Wei, he belongs to the all-round artist, whether it is poetry, **, or calligraphy and painting are very powerful, so he has such an honorific title.

Wang Wei is revered as the ancestor of the Southern Sect, Wang Wei's landscape paintings are particularly beautiful, very meaningful, and seeing such paintings can make people's hearts very calm.

There are several main differences between traditional Beizong landscape painting and modern Beizong landscape painting:

Different materials and techniques: Traditional Beizong landscape paintings mainly use traditional Chinese painting materials such as rice paper and silk, while modern Beizong landscape paintings are more diversified and use various materials.

Different subject matter and expression techniques: the traditional Beizong landscape painting mainly expresses the natural scenery of mountains and rivers, and pays attention to the expression of momentum and artistic conception, while the modern Beizong landscape painting pays more attention to the expression of real life, as well as the attention and reflection of the model source on the natural environment.

The style of traditional Beizong landscape painting is simple, elegant, and rich in cultural heritage, while the modern Beizong landscape painting is more modern, personalized, and has the characteristics of contemporary culture.

In general, the traditional landscape painting of Beizong pays attention to the expression of the natural scenery of mountains and rivers, pursues the expression of momentum and artistic conception, and the style is simple and elegant; On the other hand, modern Beizong landscape painting pays more attention to the expression of real life, as well as the attention and reflection on the natural environment, and the expression techniques are more diversified and modern, and the style is more personalized and contemporary.

North-South Sectarianism. Introduction: In the history of Chinese painting, literati painters and professional painters have two different style systems.

It was proposed by Dong Qichang in the book "Painting Purpose" in the Ming Dynasty. He believes that the Northern Sect is Li Sixun's father and son coloring landscapes, and it is passed down to Zhao Jie, Zhao Boju, Zhao Boqi and Ma (Yuan) Xia (Gui) generations of the Song Dynasty. Nanzong Wang Maha (Wang Wei) began to use shade, a change of the method of collusion, which is passed down to Zhang Qi, Jing (Hao), Guan (Tong), Dong (Yuan), Ju (Ran), Guo Zhongshu, Mi family father and son, and even the four families of the Yuan.

Original source: "Essays on Painting Zen Rooms" Volume 2: "The Zen family has two sects in the north and south, and the beginning of the Tang Dynasty.

The painting of the north and south of the two sects, also in the Tang Dynasty. The first hall type, but its people are not north and south ears. Beizong Li Sixun father and son coloring landscapes, and it was spread to Zhao Gan, Zhao Boju, Bo Qi of the Song Dynasty, as well as horses and Xia generations.

Nanzong Wang Maha began to use shade, a change of hook (a study, is a mistake) of the method, which is passed on to Zhang Yan, Jing, Guan, Dong, Ju, Guo Zhongshu, Mi family father and son, and even the four families of the Yuan, just like the six ancestors after the foal (Matsu Daoyi), Yunmen, Linji, the prosperity of children and grandchildren, and the northern sect is slight. To be, the so-called cloud peak stone traces of the Maha are out of the sky, the brushwork is vertical and horizontal, and it is related to the creator, and the east slope praises Wu Daozi and Wang Wei to paint the wall, and Yiyun: I am also inseparable from the hail (Wang) Wei.

Those who know what to say guess. ”

See Encyclopedia.

Summary. In the history of Chinese landscape painting, the ancestor of Nanzong is the Tang Dynasty poet Wang Wei. Wang Wei, born in 701 A.D., died in 761), the word Maha, is a rare all-round artist in the Tang Dynasty, poetry, calligraphy and painting are all fine.

Which painter is revered as the ancestor of the "Southern Sect" in the history of Chinese landscape painting?

Hello, it's the painter Wang Wei.

In the history of Chinese landscape painting, it is Wang Wei, a poet who destroys sedan chairs in the Tang Dynasty. Wang Wei, born in 701 A.D., died in 761), is a rare all-round artist in the Tang Dynasty, poetry, calligraphy and painting.

In the Tang Dynasty, Wang Wei was a great poet who stood with Li Bai, Du Fu and others in the high hall. Persuade the gentleman to drink a glass of wine, and go out of the west to think of Shouyangguan without a reason.

It has been praised to this day, and it has endured for a long time!

The landscape painting techniques of the Northern Sect are as follows:

1. Creation method.

The above mentioned issues such as pen and ink, chapter method, and sketching, all of which are prepared for creation, and creation is the comprehensive use of all techniques.

2. Landscape painting sketching techniques: the basic steps of composition.

The traditional "Six Methods" Sichuan brush talks about "business position", which is actually about the chapter of painting layout, that is, the composition of Min Tang.

3. Landscape painting sketching techniques: mountain and stone structure and method.

The bone method is one of the most basic techniques in the traditional "six methods" blind banquet, which is about the problem of painting brushes, and is also an important technique for using "line" to express the shape of the object.

4. Water painting sketching techniques: mountain and stone structure.

Painters of all generations have created expressive programs according to the geological structure and shape of the rocks, and with the changes in the natural world and the evolution of painting techniques, the traditional methods have developed to this day, which has become more realistic and modern.

5. Landscape Painting Sketching Techniques: Tree Sketching Techniques.

The ancients generally painted dead trees first, because the branches, intersperses, and organizational structure of dead trees were clear.

The Northern and Southern Sect is a theoretical theory in the history of Chinese painting and calligraphy. Created by the Ming Dynasty painter Dong Qichang. The theory of the division between the north and the south in landscape painting is one of the important ideas in the painting theory of the Ming and Qing dynasties, which profoundly influenced the creative activities of painters, their understanding of painting itself and their grasp of the history of Chinese landscape painting, and even affected the theoretical construction of calligraphy, poetry and other related art categories.

The theory of the North-South sect was first recognized in a small circle with Dong Qichang as the core, for example, his friends Mo Shilong and Chen Jiru's writings have the same content or are close to each other.

However, due to Dong Qichang's special status, he was faintly a leader in the art world in the southeast region, and there were many followers, and the invention right of this assertion was finally attributed to him, and the fate of the north-south sect was also closely linked to the evaluation of Dong and his people.

a Old. b Bai Xueshi, Bi Jianxun, Bai Bohua, Bai Gengyan, Baiyun Township.

c Cheng Shifa, Chen Baodi, Chen Tianran, Chen Peiqiu, Chen Yupu, Chen Jinyan, Cui Ruzhuo, Chang Zhaohui.

d. Dong Shouping, Du Ziling, Du Yingqiang, Dai Weitanna, Deng Lin, Dong Xiyuan.

f Fu Baoshi, Fan Zeng, Fang Zengxian, Fei Xinme, Feng Selling, Xiaoyuan, Feng Dazhong, Fu Yixin, and Mei Ying.

g Guan Shanyue Guo Yixiao.

h Huang Yongyu, Han Meilin, He Jiaying, Hua Qimin, Huo Chunyang, He Jialin, He Shuifa.

j Jia Youfu, Jia Guangjian, Jiang Wenzhan, Jiang Caiping, Ji Lianbin, Jiang Baolin, Jin Hongjun.

k Kong Zhongqi Kong Weik.

l Li Keran, Li Xiongcai, Long Rui, Li Baolin, Lin Yong, Liu Wenxi, Liu Dawei, Liu Boshu, Liu Bingsen, Liu Guohui, Liu Runshi, Lu Yushun, Lin Xiu, Lu Yifei.

m Ma Zhensheng, Mei Mosheng, Miao Chong'an.

n Neo Nima Zeren.

p Pan Tianshou, Peng Xiancheng, Pan Gongkai.

Q Qi Baishi, Qi Gong, Qi Xiang, Qin Tianzhu, Qian Laizhong.

r Ah Lao. S Shi Qi, Song Yugui, Su Baijun, Shi Guoliang, Sun Qifeng, Su Baozhen, Shen Peng, Shi Mengsheng, Song Yugui, Song Yulin, Shi Dawei, Shen Qipeng.

t Tang Wenxuan, Tang Hui, Tian Liming, Tang Yongli, Tang Xiaoming.

w Wu Guanzhong, Wu Zuoren, Wu Changshuo, Wei Zixi, Wang Xuetao, Wang Chengrang, Wang Mingming, Wang Yingchun, Wang Youzheng, Wang Weizheng, Wang Xijing, Wang Ziwu, Wu Shanming, Wu Dongkui.

x Xu Beihong, Xiao Lang, Xu Peichen, Xu Zhan.

y Yu Xining, Yang Xiaoyang, Yang Mingyi, Yu Youren, Yang Yanwen, Yang Lizhou, Yu Zhixue, Yan Jiyuan, Yu Jigao, Ye Yuzhong, Yuan Yunsheng, Yuan Wu.

z Zhang Daqian, Zhou Sicong, Zhang Ding, Zhang Renzhi, Zhou Huajun, Zhu Licun, Zhu Peier, Zhao Zhenchuan, Zhang Hai, Zhang Yong.