What are the aspects of formal beauty in Chinese landscape painting?

1.In the long-term development of traditional Chinese landscape painting, it has also created a formal beauty with distinctive national characteristics, and has formed a unique form of expression in the use of brush, ink, color, modeling, composition, and even inscriptions and seals.

2.From the following formal beauty to study: symmetry, equilibrium, simplicity.

1. Harmony and contrast, proportion, association and artistic conception, rhythm and unity of diversity.

3.It can also be analyzed from the four factors of image beauty, color beauty, chapter beauty, and brush and ink beauty.

4.Landscape painting is full of the use of beauty in forms such as "virtual and real", "sparse", "yin and yang", "high bottom" and so on. Among them, the most prominent is the superb treatment of "virtuality" and "reality" in the picture, in the form of painting, "virtual" and "real" are a pair of categories of formal beauty, how to deal with the virtual and real in the picture is an important way to distinguish the level of the painter, often it is easy to paint the real, but it is difficult to paint the virtual.

The treatment of the virtual and the real must be just right, otherwise, if the reality is too rigid, the breath will be sluggish, and if the void is too weak, it will lack bone strength.

Based on the above discussion, let's organize the language yourself.

1.Quiet and beautiful, quiet and far-reaching.

2.Dynamic beauty, for example, the geese in the mountains should be vivid, not just a flying action, there should be a sense of movement.

3.The ink is beautiful, the ink is actually the heavy when painting, the light is light, and the whole painting looks like a light and harmonious feeling, and the treatment is appropriate.

4.The landscape is beautiful, this is the problem of the painter, hehe.

After my summary, it's probably just these four articles, I don't know if you agree?

Landscape painting is an important branch of Chinese painting art in China, and has become an independent art carrier in the Sui and Tang dynasties of China. The development of landscape painting to modern times, has undergone major changes, both the interior of art and the exterior of art have undergone extraordinary changes, so the style of landscape painting has completely presented a new look, and many famous painters have emerged, especially Qi Baishi, Huang Binhong, Fu Baoshi, Li Keran, Lin Fengmian, Lu Yanshao, Zhang Daqian, Shi Lu, Shiju and so on. In terms of ideological content and artistic creation, Chinese painting reflects the social consciousness and aesthetic taste of the Chinese nation, and embodies the Chinese people's understanding of nature, society and related politics, philosophy, religion, morality, literature and art.

The genre is the discussion**.

The Artistic Conception of Landscape Painting" is an excerpt from the article "Talking about Landscape Painting" by the famous contemporary painter Mr. Li Keran. The article covers the history of landscape painting, the artistic conception and craftsmanship in the creation of landscape painting, and the text excerpts are the part of the author's artistic conception.

The characteristic of landscape painting is that it depicts the natural scenery of mountains and rivers. Full of interest, it expresses the idealized realm of Chinese literati, but also expresses the aesthetic taste of the ancients, and the landscape painting shows a relaxed and tranquil natural state, so that the reader feels immersed in the scene after reading it. Pay attention to the business position and the artistic conception of expression.

The traditional division has the forms of ink, green, gold, boneless, light silk, and light color.

It is the integration of poetry, calligraphy, painting, and printing in landscape painting that forms one of the characteristics that distinguishes landscape painting from Western landscape painting.

Whether in the West or the East, people are born with a love of nature and a concern for their surroundings. Landscape painting and Western landscape painting are both expressions of nature through painting.

For a long time, in the process of continuous development, Chinese landscape painting has formed a set of unique methods that are different from Western landscape painting, using the language of brush and ink to restore the unique feeling and aesthetic taste of nature.

While the viewer feels the beauty of the picture, he is also spiritually edified and enlightened.

Breath. Successive generations of Chinese landscape painters have regarded qi yun as the highest realm. Kaoru Kiyokata said in "Painting Theory of Mountain Retreat":

Vivid rhyme is the first meaning. But it will be based on qi. The vigor is swaying vertically and horizontally, the machine is not hindered, and the rhyme is vivid."

Mr. Huang Binhong in his book "Ancient Painting Micro" contains: "The original bone power of the air, the rhyme is in the connotation; The rhyme is vivid, and the pen and ink are all off. "Qi Yun is very important to the creation and appreciation of Chinese landscape painting.

Qi Yun truly embodies the aesthetic taste and artistic value of Chinese painting. In order for a painter to make his paintings reach the realm of vividness, it is not only about the work of pen and ink, but also about the management of the picture, but also about being able to work hard outside the painting. Mr. Huang Binhong also believes that in addition to "the rhyme comes from the pen and ink", the important thing is to "recite the ancient and modern books and see the traces of the ancients", but also to "the charm is vivid and based on nature."

There is a depth of learning ability from people, and the effect is high and low", "the physical appearance of those who have changed repeatedly, and the spirit of those who have not changed." The spirit arrives, the rhyme is born, in the rules and guidelines, beyond the shape of the signs, ""Fu Li legal person in the pen and ink, the rhyme out of the spirit". This shows the significance of Qi Yun to Chinese landscape painting.

Artistic conception. Chinese landscape painting pays attention to the artistic conception of scene blending. In artistic conception, "meaning" refers to the painter's thoughts and feelings, while "environment" refers to the painter's depiction of objects.

Only when "meaning" and "environment" achieve harmony and unity in the work can the effect of scene blending be achieved. Artistic conception is the soul of Chinese landscape painting, and the pursuit of artistic conception has been the tradition of painters since ancient times. The painter uses landscape painting to express his lyricism, integrating his thoughts and feelings into it, so as to achieve the height of spirit and the depth of art.

The artistic conception of Chinese landscape painting can make the viewer resonate and be infected through association. There is an old saying: There are three realms in life, one is to see the mountain is the mountain, the water is the water, the second is to see the mountain is not the mountain, the water is not the water, the third is to see the mountain is still the mountain, and the water is still water.

This sentence is the most appropriate way to describe the artistic conception of Chinese painting.

Characteristics of Chinese landscape painting: mainly focus on artistic conception.

The traditional landscape painting style is more elegant, more charming, in the square inch can show the spirit, with the artistic conception of the landscape painting is like an army has its own commander, if there is no artistic conception of the landscape painting, just like the army without a commander, is a rabble, naturally there is no sense of beauty. Another characteristic of landscape painting is that it is very pleasant, its color is very bright, and it brings a fresh and elegant effect, and the artistic conception is also very deep.

The characteristic of landscape painting is that it is full of interest, showing the idealized realm of Chinese literati, but also expressing the aesthetic taste of the ancients, and the landscape painting shows a relaxed and tranquil natural state, so that the viewer feels immersed in the scene after seeing it.

Landscape painting aesthetics

Landscape painting is from the scenery to the work, from the creation to the appreciation have the characteristics of fascinating and empathetic to the scene, there is no immersive experience of the author touching the first hidden scene, there is no reader immersive, taste and feel, as a landscape painter should have the spirit of a tour guide, leading the viewer to browse together, to observe it, to be pleasant, to cultivate it, to achieve emotional relaxation, the right fit of the soul.

In short: "refresh your mind". It is the landscape painter Zong Bing in the fifth century who said this, he was unable to move in his later years, and carried wax to the landscape painting all day long, "lying on the mind of the tour", indulging in the nature of the landscape, called "refreshing".

Landscape painting is the essence of loving nature, the beauty of heaven and earth, so yin and yang, obscure, sunny and rainy, cold and summer, morning and dusk, day and night have infinite fun. Although there are many landscape painters from the Six Dynasties to the Tang Dynasty, their brushwork and position are very clumsy.

The characteristics of the Chinese Rotten Landscape Painting are that the theme of natural landscapes is expressed, with the help of brushwork, color, composition and other means to express the aesthetic feelings and spiritual pursuit of natural scenes by the artists of Kongzheng.

1. Natural landscape is the main theme

1.The typicality of the landscape element

Chinese landscape painting has distinct natural landscape elements, often depicting majestic, dangerous and peculiar, beautiful and tranquil topographical landscapes. These landscape elements reflect the diversity of China's natural environment and the humanistic feelings of culture towards nature.

2.The fusion of landscape and artistic conception

The landscape elements used in landscape painting are not only the images depicted by the artists, but also the symbols that express their inner emotions.

At the same time, landscape painting focuses on creating a variety of humanistic situations with natural scenes as the background in the picture, and through the exquisite combination of landscape elements, the viewer can appreciate the artistic conception and thoughts expressed by the artist in the creative process, and convey his personal understanding and pursuit of the world.

2. Brush and ink, color and composition are the key means

1.Line drawing and ink color application

Chinese landscape painting is good at using lines to depict, and the use of lightness, weight, thickness, and length can express the characteristics and momentum of the landscape. At the same time, the ink color of Chinese landscape painting is also unique. Techniques such as changing shades of dry and wet, clear and muddy stone bones, and rubbing and staggering give full play to the expressive power of brush and ink in the creation.

2.Color use and fitting

Chinese landscape painting pays attention to the harmonious matching and use of colors, usually with elegant and pure colors as the main tone, and soft colors penetrate into all corners of the picture, enhancing the three-dimensional sense and sense of detail of the picture, and also showing the cultural aesthetic conception expressed by the landscape.

3.Composition and the use of white space

Composition is one of the most important parts of landscape painting. This not only involves the arrangement and selection of objects, but also reflects the artist's ideological mentality. At the same time, Chinese landscape painting often uses the technique of blank space, which makes the picture more concise, bright and ancient through the wide opening and closing of the blank space.

Expand your knowledge:

1.Chinese landscape painting is one of the important types of traditional Chinese art, and after a long period of development, it has shown distinctive characteristics and unique aesthetic value.

2.As one of the cultural heritages, Chinese landscape painting is still of great significance in contemporary times. It is not only an important way for people to understand and appreciate nature, but also an important carrier to reflect the essence of Chinese culture and traditional culture.

Chinese landscape painting is characterized by the natural landscape of mountains and rivers.

Chinese landscape painting, referred to as "landscape painting", is a Chinese painting that mainly depicts the natural landscape of mountains and rivers. It was formed during the Wei, Jin, Southern and Northern Dynasties, but it has not yet been completely separated from figure painting. During the Sui and Tang dynasties, it was always independent, and it matured during the Five Dynasties and the Northern Song Dynasty, and became an important painting discipline of Chinese painting.

Chinese landscape painting is the thickest precipitation of Chinese sentiment. The mainland cultural consciousness of touring the mountains and rivers, the inner cultivation consciousness of taking the mountain as the virtue and the water as the nature, and the optical illusion consciousness of the end of the world have always become the main line of the central axis of the interpretation of landscape painting. From landscape painting, we can concentrate on the artistic conception, style, charm and tone of Chinese painting.

There is no painting discipline that can give more emotions to the Chinese people like landscape painting. If we talk about the scriptures and debates with others, landscape painting is the heritage of the nation, the confidence of the classics, the image of the country, and the temperament of the people.

The Origin of Chinese Landscape Painting

Compared with Western landscape painting, Chinese landscape painting is at least 1,000 years earlier. The picture it presents is actually a history of Chinese thought. More than 7,000 years ago, the awakening of the ancient hermit was recorded in a pictorial way.

The Neolithic Hemudu culture has expressed the connotation of conceptual culture with line carving, and the origin of settled agricultural civilization not only makes people recognize the beauty of tools, but also makes people recognize the metaphysical beauty of tools. Art is not only a kind of imagination to conquer nature, but also a symbol of the imagination of nature with the key to wisdom.

From the very beginning, the ancients and nature used art to live, and the discovery of logic and the appreciation of art deduced people's eyes, so that a Chinese schema of the unity of heaven and man from chaos to clarity. Since the Yangshao culture, the relationship between man and nature has been symbolic. In the technique of geometric decoration, the concepts of symmetry and motion have been clearly applied to the expression of time and space.

The relationship between man and nature, and between man and society, is constantly deepened and developed along with the view of art.

The above content reference: Encyclopedia - Chinese Landscape Painting.