The development of Peking Opera and cross talk is not easy, why is it for tat now?

The development of Peking Opera and cross talk is very difficult, and the gentlemen are obviously promoting the quintessence of the country, but they are said by the world to disrespect traditional culture.

Peking Opera, cross talk, Huangmei Opera, etc. are all traditional cultures left by our ancestors, and there are fewer and fewer people studying these traditional crafts, and they are not far from disappearing completely. How disappointing it is for them to be discouraged by some inactive people who are now spreading the word for them, only to be suppressed by some inactive people with the big hat of disrespecting culture.

One sentence is bigger than the sky, how much did they carry alone, you disrespect the culture and let Brother Braids fall into Pingchuan, and one sentence scolds the audience and makes Xianxiang and the two stop the performance for 21 days. When they began to talk about traditional cross talk, they said that people were rotten and did not innovate. Now people are slowly playing on the basis of traditional cross talk, gradually adding new things, and finally bringing this almost lost cross talk art back to the stage, and they began to say that people do not respect traditional art.

Zhang Yunlei can be said to have played a great role in the cross talk industry, he himself is also very fond of cross talk and Peking Opera, and he has been working hard to carry forward this traditional culture. If there is no Zhang Yunlei, how many people know about Peking Opera. Zhang Yunlei sang Suolin Bag, Spring and Autumn Pavilion, exploring the Qingshui River, and letting many audiences sing together on the stage of cross talk with light sticks, this is a picture that no one can imagine.

On the stage of cross talk, Yue Yunpeng's father passed away, but he still wanted to finish on stage. Zhang Yunlei was moved to tears because fans sang to him to explore the Qingshui River. There are too many touching moments in Deyun Club, it is said that it exploded overnight, but no one really said what night it was, but this group of people has been working hard and struggling, but it happened to shine that day.

Originally, the well water did not interfere with the river water, but the cross talk actors ridiculed the deceased Peking Opera artists when they talked about cross talk, so they would fight-for-tat.

Peking Opera is the quintessence of our country, but the rapid rise of cross talk later, it is more acceptable and understandable for modern people.

Maybe they think that the other party has touched their bottom line, which is why they are in the current situation.

It is precisely because the development is not good, so I want to fight for a high and low, so this is the case.

If you talk about cross talk, Guo Degang may indeed have moved some people's cheese at the beginning. As for Peking Opera, strictly speaking, he really didn't do anything special, it was just that someone wanted to rub off on his popularity. In terms of cross talk, as we all know, Taoer did humiliate enough of the "mainstream" cross talk actors at the beginning.

Of course, this so-called "humiliation" is not Tao'er's original intention, but his appearance, the audience can't help but compare Tao'er with those "mainstream". Isn't it said as the old saying goes: people have to die more than people, and goods have to be thrown away.

When the audience makes such a comparison, they will naturally praise the peaches and demean the boring works of the "mainstream" by the way. From this point of view, Tao'er promoted cross talk at the beginning, but it harmed the interests of some guys.

There are many popular people, and Guo Degang is especially not exempt from vulgarity. In the past, Guo Degang was often complained about by people in the cross talk industry, which is already a cliché. Later, as Guo Degang began to enter the field of Peking Opera, he was also complained by some people in the Peking Opera industry, which is interesting.

There are many people who believe that Guo Degang has been repeatedly complained about by the cross talk industry and the Peking Opera industry because he moved other people's cheese and robbed other people's business. The author believes that this statement is not reasonable, the reason is that Guo Degang really hasn't robbed much of the business of cross talk peers, especially the cross talk actors in the system group, the performance channels and income of the two sides are completely different, how can Guo Degang rob other people's business? Not to mention the Peking Opera industry, the audience who praises Guo Degang and the audience who praise other famous actors in the Peking Opera industry are not a group of people at all, Guo Degang can't grab other people's customers at all, he can only do Peking Opera business in his own fan group.

The Chinese have an old saying, called "the tree attracts the wind", not that Guo Degang did something wrong, but that his tree is getting bigger and bigger, looking at it that makes people look disgusted, it will naturally attract all kinds of evil winds and jealous winds, which is originally human nature, human nature! We contemporary young people basically don't listen to Peking Opera much, brush up on Douyin, watch live broadcasts, and chase idols. But it is because sometimes we still listen to Guo Degang's cross talk, and we hear some fragments and knowledge of Peking Opera from Guo Degang's cross talk, that we have a certain understanding of Peking Opera.

is not only Peking Opera, Guo Degang has also grafted literary and artistic forms such as storytelling and local songs into cross talk many times, and it has played a good role, which has also greatly increased the audience of his audience, men, women and children, celebrities and businessmen are willing to listen to Guo Degang's cross talk as an appreciation and enjoyment.

This is because he is not particularly influential, and his master is not particularly certain, plus his current popularity is relatively high, so he has been targeted by many people.

He didn't actually do anything wrong, it's just that because there are many people who are popular, many people will make some malicious comments when others are popular, so there have always been people targeting her.

In fact, he didn't do anything wrong, it's just that he created a new era in the cross talk industry, and he was jealous of some people, so someone has been targeting him.

Because the people who like Peking Opera are more single-minded, they feel that a person can't be half-hearted, if the three calendars are half-hearted, they don't really like it enough, so they can't tolerate people who like both.

It's because people who like Peking Opera feel that they are very noble, and they feel that Peking Opera is the most authentic opera, so they don't like cross talk.

It's because people who like Peking Opera feel that Peking Opera and cross talk are two categories, so they especially don't like such people.

Because people who like cross talk like Peking Opera learned in cross talk. People who like Peking Opera are of course not all the way with them.

It's not that I can't tolerate it, but I take this opportunity to make a name for myself!

This one is not very clear. Maybe they think that Peking Opera is the quintessence of the country and has more taste than cross talk, so they can't tolerate people who like both.

Who is so lacking in virtue to come up with this debate topic! Peking Opera is the quintessence of the country, an art with a history of more than 200 years, and one of the representatives of our traditional Chinese culture and art??? From the reform and opening up to the present, the continuous influx of foreign culture has led to the decline of many traditional cultures and arts, including opera, but this does not mean that these things left by our ancestors are not good.

On the contrary, a nation is an independent nation only if it maintains its cultural uniqueness! If we have lost all the traditional things, our Chinese nation will never become an excellent nation!!

I really know what the person who came up with this topic thinks, what harm can Peking Opera have? What harm can an art have??? Whoever gets in its way should fend for itself??? You are willing to see if this Peking Opera is destroyed???

I am very serious and solemn to say that Peking Opera is an excellent art, it is harmless, no matter how bad you practice it, it will not perish!!

The above rhetoric is more intense, not aimed at the questioner, but only at the grandson who came up with the debate.

Damn, who came up with the title, what about those little Peking Opera actors?

Die? Ignorance, first optimistic about the current situation in the market.

I am not afraid of jokes, the Chinese themselves look down on their own national essence, and foreigners are very fascinated.

It's ridiculous, how can there be such scum in China?

Didn't ask out? I didn't ask for it! This kind of indiscriminate question is up to you!

Cross talk and Peking Opera are very important cultural heritage in our country, and they are also the entertainment forms formed by the broad masses of people in their long-term lives. But in today's life, the audience of cross talk is far greater than that of Peking Opera, and I think there are mainly the following reasons:

First of all, the threshold of cross talk is lower, although it is difficult to master the "talking, learning and singing" of cross talk to the point of perfection, but the relatively simple burden on the stage, after the accumulation of life and continuous reading, there is still a certain amount of progress in the dust. But Peking Opera is completely different, his singing, steps, etc. are more difficult to learn, basically after many years of study to make progress, as the so-called "one minute on stage, ten years off the stage".

Secondly, in modern society, everyone's pressure is relatively great, and the psychological pressure can be relieved by relaxing cross talk, such as the now very famous Deyun Club, cross talk new forces and other cross talk groups, many of their burdens are ** in real life, which makes people very happy and relaxed, with the development of many cross talk teahouses, young people have slowly walked into the cross talk hall and enjoy the leisurely life of eating fruit and drinking tea while listening to cross talk. Peking Opera is different, many of the content of Peking Opera is adapted on the basis of ancient anecdotes, which has a certain educational significance, plus the singing babbles, which does not conform to the aesthetics of young people, so young people are not very willing to watch it.

In the end, the development history of the two is different, cross talk is more down-to-earth, he is the best in our usual life, and the cross talk actor transforms and recreates the joy in life, which itself is the best for the masses. The opera is completely different, the audience of the empty brother Chi Jie is the high-ranking officials and nobles, and their wives and wives have nothing to do, making tea, eating snacks and listening to the opera, which is very much in need of material accumulation and leisure to fight Li.

So I think it's normal for cross talk to be stronger than Peking Opera, and Peking Opera and other operas still need a lot of way to go if they want to really develop.

Because the threshold of Peking Opera is much higher than that of cross talk, and the requirements for practitioners in Jingxiaoyun Fuju Opera are very high, and the requirements for the skillful quality of the audience are also very high.

Because folk cross talk is more down-to-earth and very popular with the people, while Peking Opera is rarely understood by many people, so it will be like this.

As long as it is because the audience base of cross talk is large and there are many people who like it, mainly because few people like Peking Opera.

If I had to choose only one between cross talk and going into the performance, then I would definitely choose Peking Opera. Because I think that Peking Opera is actually more representative of traditional culture, and in the process of listening to and watching, it can actually play a role in cultivating sentiment, and cross talk is mainly a thing that can bring happiness to people, but if you want to learn something or improve your literacy, then you still have to rely on Peking Opera. <>

As a traditional culture in China, Peking Opera has a very long history of development, and everyone will also mention Peking Opera when watching some costume dramas. So Peking Opera not only has a long history of development, but also has a very rich content. Many people may think that the economy is relatively boring, and it is not as fun as cross talk, but in fact, Peking Opera is very interesting.

A lot of Peking Opera is based on the story and then changed on it, so in the process of listening to Peking Opera, you are actually listening to the story, but it is just a different form of telling. Peking Opera combines the story with words, actions and expressions, and has a deeper understanding with the audience. Good Peking Opera performers are able to let the audience see a different story scene, in fact, when I watch Peking Opera or listen to Peking Opera, it is easier to enter this kind of Peking Opera scene, and the scene it presents is very impressive.

In fact, many times when listening to cross talk, it will feel a little boring, and the boredom here refers to some cross talk, which actually does not meet everyone's taste, and even in the process of listening to cross talk, you will have a feeling that this cross talk is not funny at all. If some cross talk fails to grasp the points that the people like to see, it is actually difficult to create excellent works, but Peking Opera has gone through many years of cultural precipitation and edification, so the works it presents are very good.

If Guo Degang sings Peking Opera, I still choose to listen to Wang Peiyu talk about cross talk, because the phenomenon of the three vulgarities cannot exist

I will choose to perform cross talk, because the cross talk performance uses the vernacular, and we can all understand it, but Peking Opera does not have a certain historical foundation, so it cannot be understood.

I will choose the cross talk performance, because I feel that the cross talk performance is more interesting, one is funny, the other is funny, they are wearing coats, and they can make the audience laugh with one mouth. Learning cross talk comes from life, and there are some truths in it.

Peking Opera performance. Because I like to listen to Peking Opera very much, and I am also very interested in some of the costumes and props in it.

Pseudo-topics, the literary and artistic stage is all-encompassing, and there are all kinds of things, why choose one? This will never happen.

Cross talk depends on who says it. Peking Opera depends on what kind of opera is sung.