I want to learn to sing, can you send some knowledge about scales?

Do you know the 12 average rate?

We all know that sound is produced by vibration. Then the frequency of the vibration (i.e. how many vibrations per second) determines the pitch. For example, if the vibration reaches 254 seconds, then it is just the standard pitch of the do on the piano.

And there is also a wonderful phenomenon of sound, that is, every time the vibration frequency rises by a certain height, it resonates with the previous height (here I am referring to the octave). ).If it is pronounced at the same time, it is an overtone.

Then divide the pitch between these two notes into 12 parts. Each one becomes half a tone. c #c d #d e f #f g #g a #a b

Taller than b becomes an octave higher c

Then the notes that resonate in these 12 tones become the scale.

Common ones are CEG, ace, CFA, etc.

Well, that's just my understanding, not necessarily right, I hope the friend who posted back can point out my mistake. Thank you.

It's too much

In the major and minor key system, there are three natural, harmonic, and melodic major keys, which are multiplied by 12 (notes within an octave) to ......

There are also three minor keys, ditto, also multiply 12, that is ......

In addition to the ecclesiastical tonality, not to mention the large and small tones, there are 5 kinds of Lydia, mixed Lydia, Doria, Phrygia, and Roquelia, multiply by 12, and it is ......

There are also self-created scales such as Bartók, and impressionist diatonic scales.

and the Chinese national scales and so on, ......

I didn't count ......

Admire the second floor: Nyakira Kitten Cat is amazing! But I don't think you should multiply 12, if you want to, multiply 15

First of all, 12345671 this pros and cons, and then the junior 135··· 461··· 572··· After that, there is the junior . After , then the quadruplet.

Then there is the pentatonic ......And so on.

Generally, the vibration frequency of the speaking vocal cords is relatively low, and the frequency of the vibration of the singing vocal cords is very high, but singing without opening the voice is likely to cause damage to the vocal cords, and the voice cannot be opened. There are two ways to open your voice: one is to sing a less difficult song first, and then let your voice enter the state one by one.

The second is to soar the treble at the beginning, and the effect is very significant, but it is easier to hurt the throat.

Before singing, relax your shoulders and open your mouth wide to help you open your voice quicklyWe want to make some strange sounds, and you can do stretches that bend your body forward. Remember to relax your shoulders, breathe deeply, move forward, open your mouth wide, stick out your tongue, pronounce a sound, and touch your teeth with your hand to see if it's open. Useful for quick throat opening.

Vocal music refers to the ** form of singing with human voices. Vocal music is a pleasant, continuous, and rhythmic sound that is mainly based on the human vocal cords, and acts on the breath with the mouth, tongue, and nasal cavity. According to the difference in the pitch of the vocal range and timbre, it can be divided into soprano, mezzo-soprano, contralto and tenor, baritone, and bass.

The vocal range of each voice is about two octaves.

Vowel practice is the hardest. 1. The basic practice of "hum". Generally speaking, it is beneficial to practice (Hai's Dantian vocalization) "m" when starting to practice the sound (Hai's brother Yuan Dantian vocalization), because it is easy to achieve the effect of high position, high leading edge, high brightness, and high attention when speaking this sound.

When practicing (Hai's dantian vocalization), the upper and lower lips are naturally closed, the inside of the mouth opens, and it feels like a closed yawn, feeling that the sound is spreading to the heights, frontal sinuses, and paranasal sinuses, but do not dismantle the dust to block the sound in the nasal cavity, otherwise it will produce a nasal sound.

2. Vowel practice (Hai's dantian vocalization) In addition to singing practice (Hai's dantian vocalization), more vowel practice (Hai's dantian vocalization) will also be carried out in Lusen, such as a, i, o, u, e and other unit sound exercises (Hai's dantian vocalization), mixed vowel practice (Hai's dantian vocalization), such as horse, me, rice, Mo, Mu, etc. can also be used.

3. Continuous tone practice (Hai's dantian vocalization) People often say: "If you don't have continuity, you can't sing". The main expressiveness of the singing voice lies in the coherent and beautiful voice, and only a coherent voice can sing a moving melodic line.

In order to make the sound more coherent, the range of exercise can be relatively expanded, and it will be more difficult to exercise.

The treble depends on talent, but it can be practiced the day after tomorrow. But it's not something that can be solved with a few words.

It will take a year for those who are talented to have a beautiful high voice, and it will take n years for those with thick vocal cords The key is to see if you have the heart to live.

The landlord may not be able to keep up, but the throat is directly squeezed, that is, the throat is too strong to make the Adam's apple rise, and then there is a gas outlet on it that is blocked, of course, it can't go up. You can rely on continuous practice to impact and relax that position, do a good job of the channel, that is, Lin Zhixuan or directly practice closing, the landlord touches his Adam's apple, and then the throat position takes the initiative to press the Adam's apple down, and experience this force, this is to rely on the pharyngeal muscles to compress the vocal cords, which is the so-called closing, on this basis, let your breath lean towards one end of the vocal cords, one end is closed and one end occurs, and it is good to keep the upper channel unblocked.

Of course, it may also be a breath problem, the so-called abdominal breathing is to inhale the breath to the bottom, the so-called dantian qi or something is actually impossible, that is just a statement to assist your breathing, the real situation is that when singing, the breath of the person breathes to the stomach at most, you go to touch your stomach up, the chest cavity down the position, that is, the abdomen, there are many experts will mention the diaphragm, and then inhale to that position, and then the abdomen is tense, there must be such an idea: do not let the breath just inhaled come up, creating a confrontation, this is abdominal breathing. Of course, you can also sit up straight and stick your back on the back of a straight chair, and when you inhale in and sing, you feel that the back of your waist and eyes have an outward force against the back of the chair, which is basically correct.

Having said so much, in fact, the most important thing is to practice, and you can find n many methods on the Internet are basically useless, why? Without that patience, without that perseverance, of course, it may also be that you can't understand.

Unless you want to find a teacher, you can practice as above. Don't be afraid of breaking, not afraid of being embarrassed, the treble is a thing that relies on day after day, generally speaking, the vocal range will grow after it is broken, of course, it must be broken scientifically.

In the end, it's okay to imitate things. Anyway, it's hard to imitate when you sing in the high register, and it's not a bad thing to imitate at first.

When that day your passage is clear, your pharyngeal muscles are strong, and your abdominal muscles come out, you will be invincible.

If you have a musical instrument at home, preferably a keyboard instrument,; For example: piano, electronic organ and the like, you can follow the pitch of the instrument, slowly try to sing up, if it really doesn't work, you can use falsetto, you can also listen to the high note, I have been learning sight-singing for 1 year, it is with this method, you can also go to consult the ** teacher or instructor, there are many ways.

Ear training is an important basic course in the first major, and its content is usually divided into: auditory training, dictation, and sight-singing. The main tasks are:

Develop the sense of hearing, enhance memory, and develop the correct sense of intonation and rhythm; In this way, students will acquire proficient reading skills and a rich vocabulary to actively use their sense of hearing in practical activities.

In solfège, the most important thing is to address the accuracy of both pitch and rhythm. And I think the establishment of the concept of interval is the best way to solve the intonation. So I use the following steps in my pitch training:

I. Scale Practice:

The use of various major and small scale exercises, for the stability of the sense of debugging, to cultivate a stable sense of debugging, because each work has a certain tonality, singing a good scale has a certain concept of debugging the tonal structure, for the sight-singing of a good melody and the cultivation of musicality, is of great significance.

2. Interval Modeling and Composition:

To start with a variety of intervals, start with a pure one-degree, a pure octave, and then do a pure four, a pure five, and an increase of four and a decrease of five, including 4. Drop 7. Then do the exercises of the third and sixth degrees, and finally the second and seventh degrees.

Composition is to find the exact position of the crown or root note of the given interval when there is only a standard note, and then sing the specified interval as required, and it must be corrected on the piano at any time until the singing is accurate.

3. Chord Connection Exercises:

Several people can work together, one voice per person, to practice chord connections, you can do: i---iv---v---i major and minor chord connections. Practice in a fixed key on each tonal mode.

This kind of practice not only strengthens one's own pitch concept, but also cultivates one's own sense of interval, chord and key, which is also of great significance to the cultivation of ** feeling.

Fourth, two-part sight-singing practice:

Two-part sight-singing practice can not only correct and balance the acoustic relationship between the voices, understand and experience the harmony, which is conducive to the development of harmonic hearing, but also promote the accuracy of the tone in the monophonic market and enhance one's own expressiveness.

Hope it helps.

Breath, standing posture, etc.

As long as the technique is used correctly, the singing skills will be fast**.

The singing of the sail hunger spine, motivation and foundation. Someone said, "If you master the correct breathing method, you will basically master the correct vocal method."

Judging from my own learning experience and actual effect, I feel that the breath should be inhaled to the kidneys in the back of the waist (of course, this is just a thought and feeling). In this way, one is to suck deeply, and the other is that the upper chest is in a relaxed state, which is not easy to cause the problem of "end qi". When using qi, it is correct to say that the expansion of the waist circumference should be maintained, but many learners always do not grasp it well in the actual application process, and cannot achieve the effect of deep and smooth breathing, the key is not to understand the principle of waist expansion.

There is a problem of the harmonization of the "cause and effect" relationship. For example, if you put an inflated balloon between the upper and lower palms and put pressure on the balloon with both palms up and down, you will see that the balloon becomes flat due to the pressure on the upper and lower palms of the palms, and the balloon expands outwards around the balloon. The balloon itself does not expand, its expansion depends on the pressure up and down the palm.

Here, the pressure of the palm is the "cause", and the expansion of the balloon to the surrounding sides is the "effect". In the same way, when using qi, the expansion of the waist circumference depends on the pressure of the limbs that give the breath up and down. The pressure on the breath up and down is the "cause", and the state of the waistline expansion is the "effect".

Only by applying uniform and steady pressure to the breath will the waist circumference be maintained. Often before we use qi, we first make a state of waist expansion, which is a state of stiff expansion subjectively supported by muscles, "cause and effect" is not coordinated, not only can not use qi, but also easily cause problems to the upper end of the qi, naturally unable to achieve the result of unobstructed breath.

Adopt the method of "building a ladder" The so-called "building a ladder" is to use the scale to go up or down. For example, if you sing "1" and then sing "6". If you are not sure, you can sing the scale first, find the "6" note, and then omit the middle note.

If you want to sing "4" after "1", do the same thing and then remove the middle note. By using the "ladder" method, the relative pitch between the notes can be more accurately identified.

Popular singing is also pronounced with vocal cords.

The pronunciation should also be in tune.

Intonation is the height (frequency vibration) that matches each note.

Hanging your voice is a way to practice scales.

Along the syllable, or on the dance, or from high to low, all belong to the practice scale.

The pronunciation position is different.

Some are earlier, like ethnic local singing. Hong Kong singer Luo Wen used his cheeks to move forward.

Some are backward and a little nasal. Hong Kong singer Alan Tam has a nasal voice at the end.

Adopt the "ladder building" approach.

The so-called "ladder" is to go up or down with the help of musical scales. For example, if you sing "1" and then sing "6". If you can't get it right, you can sing the scale first, find the "6" note, and then omit the middle note.

If you want to sing "4" after "1", do the same thing and then remove the middle note. By using the "ladder" method, the relative pitch between the notes can be more accurately identified.

Build pitch with the help of musical instruments.

When using an instrument to find a sound, it is best to use a fixed pitch instrument such as a keyboard or harmonica. If you choose string music such as guitar and erhu, you are afraid that the strings are not tuned correctly, which will mislead your hearing. You can play it by yourself first, imitate it after finding the right note, or have others play it and sing along with it.

With the help of musical instruments, the concept of pitch is more straightforward and is a good way.

Lesson 24: Singing Scales Practice Try to sing each scale accurately Collision exercises.