The clouds are dark and I don t know whether the sky is morning or night, and the snow is deep and i

Let's draw lots. In two ways, 1To do and not to do. The words and sentences are to the effect that due to the limited conditions, the situation is not very clear about all aspects of career and feelings.

If there is something important at this time, it is difficult to judge whether to take the initiative or wait for the opportunity due to the complexity of the situation.

I don't know the depth, but the degree, I don't know how many risk factors there are in the decision-making. It is difficult to implement it correctly.

At this time, the situation is not clear, and it is easy to go to the two extremes of arbitrariness and hesitation. Preparations should be made so that it is safest to wait for the time to be clear. But if the time has come and you are waiting, I am afraid it will be too late.

It's an awkward situation, the timing is unclear, the risk factors are unclear, and the opportunity is hard to pass up. For or not, there are pros and cons, to prevent failure is to standby, to win must be a good judgment. Listen to my next part.

2.Know and don't know. The clouds are dark, the snow is deep, although it is complicated, but there is always morning and evening in the sky, and there is always depth in the road.

For things, it is recommended that you make more relevant friends, do not offend people, treat others generously, show your sincerity, and maybe someone will break the sky to help you.

In short, before acting, plan for the worst of things, measure whether there is a possibility of gains outweighing losses, try to prepare actively, do a good job in interpersonal relationships, and listen to ****. Don't be impulsive. Because the timing of the first half of the sentence is not a big deal, the second half of the sentence is "deep and shallow", and there are some potential hints of heeling.

When the clouds are dark, it is difficult to tell the difference between morning and evening; When the snow is deep; It's hard to tell the depth of the road.

The eighty-sixth chapter of "The Three Treasures and Eunuchs of the West".

Heavenly Bliss Paradise There are many monuments in the temple of worship.

I worked hard and walked for more than a month. I saw the outpost ship crashing under a yellow grass cliff. The blue flag officer reported to the Chinese military tent, and the marshal said:

If there is a steep cliff, it must be a land. and dismount the boat, and then make a district. "Real-time order, big and small treasure ships are closed together.

At this time, it is exactly: the clouds are dark and I don't know how long or late it is, and the snow is deep and difficult to distinguish the height of the road. After a while, the dark clouds were steeply dark, and there was no one on the other side, and I couldn't see my palm, thinking that it was night.

This kind of problem can be corrected under either baidu or google, and "Five Lantern Huiyuan" is the source.

When used in personal career, it is the words of *** grandfather Feeling the stones to cross the river, the future of the career is very uncertain, and the clouds are dark and I don't know sooner or later.

The road ahead is also very rough, the snow is deep and it is difficult to tell the height of the road.

It means that the future is unknown, and the road is so difficult and dangerous.

From Five Lantern Huiyuan.

Dark clouds obscured the sky, it was impossible to distinguish between morning and evening, and the snow was so deep that it was difficult to distinguish the height and depth of the road.

This is what you want, not bad :

"Sanniang Godson" comes from the legend of "Broken Machine", the legendary book of Chen Erbai in the Ming Dynasty "Shuangguan Hui", the traditional Peking Opera of the same name and the old drama "Godson" of Jin Opera, all tell this story. Fifty years ago, there was also a Yu Opera Troupe that staged this play, but it has not been performed again for many years.

Shi Lei rewrote after reading many scripts, deleted the complicated and simplified, and abbreviated the original more than 20 scenes into 6 scenes. With a unique perspective, incisive and vivid language, and a twists and turns of the plot, it portrays an artistic model of Wang Chun'e, an ancient woman who is virtuous and kind, hard-working, sacrificing herself, fulfilling others, and enduring humiliation, and another upright, enthusiastic, and trustworthy servant Lao Xue Bao.

The leading actor Wei Junying is an all-round actor on the stage, whether it is the protagonist, supporting role or even the "drama patch", he can perform "color". She has won the first prize in the first China Arts Festival and the first Henan Drama Competition. Her singing is beautiful and euphemistic, melodious and sweet, and a combination of rigidity and softness; Her performance is steady and subtle, elegant and elegant.

"Red Lady", "Carrying the Flower Sedan Chair" (Hua Dan), "The Great Sacrifice Pile" (Boudoir Dan), "Qingfeng Pavilion" (Lao Dan), as well as Mu Guiying played in "The Fifth World", and Fan Lihua (Dao Ma Dan) played in "Fan Lihua", etc., all left a deep impression on the audience.

Wei Junying's rehearsal of "The Godson of the Three Niangs" this time, did not reach out to the relevant departments at the higher level to ask for funds, in the spirit of "spending a small amount of money to rehearse a big play" and "rehearsing a play without spending money", and strive to discharge a "market-oriented" and "audience-oriented" troupe to "watch family plays" and "eat plays", not to take the old road of "losing money to rehearse plays", and to create a new idea of "rehearsing plays to make money for the troupe".

It should be surnamed Yang, Yang Shicheng Men Lixue....

Then I think the jade and ring downstairs are very good, the jade word goes to the water as the king, and the left and right are quite symmetrical .........

It should be Yang Yuhuan.

Support downstairs!!