What is the difference between the bronze ware of the imitation war Han and the bronze ware of the w

Influenced by the rise of gold and stone science, the Song Dynasty was ancient, antique and antique, and some antique mirrors appeared in the casting of copper, such as imitation Han mirrors.

Compared with the real Han Dynasty copper, the imitation Han has the following characteristics:

First, copper is different.

Since the Song Dynasty was a period of important changes in the composition of copper alloys in China, the tin content decreased significantly, the lead content increased, and the proportion of zinc also increased. Therefore, the copper quality and color have changed. This should be an important aspect of distinguishing imitation Chinese mirrors from real mirrors.

Song imitation mirrors are generally soft, brass, yellow and red.

Second, the quality is different.

The change of alloy composition, the difference in texture and color, will inevitably affect the quality of the copper mirror. The Song imitation mirror is rough in copper, the ornamentation is blurred, the lines are rough, and it appears to be sluggish.

Third, the shape is different.

Although the bronze mirror is generally not large, the back area of the mirror is small, but in this small piece of world, the craftsmen of various eras have renovated and changed their patterns in various aspects such as ornamentation, inscriptions, shapes, rings, edges, buttons, and button bases. Comparing the characteristics of each part of the world in different eras and grasping even small changes is an important aspect of distinguishing a true mirror from an imitation mirror.

Fourth, add content.

When using the original mirror facsimile to imitate the mold, the craftsmen at that time added some ornaments and inscriptions. Generally speaking, the added patterns and inscriptions in the content and form, although the arbitrariness is very strong, there is no very clear law, but from the content of many imitation mirrors, the increase in inscriptions accounts for the vast majority, and these inscriptions added later, the most are the names of those mirror casting workshops, shops and craftsmen, and a very small number should be the names of the users of the bronze mirrors. Some of these additions are extremely obvious, while others are more subtle and require careful observation.

Compared with the imitation bronzes of the Song Dynasty, the bronzes of the Warring States period have the following differences: 1: the age and historical background are different; 2：

The production process is different; 3: The means of artistic processing and copper smelting are different; 4: The value of historical relics is different.

I hope mine is helpful to you, I hope you can be timely, thanks!

There are mainly Ding furnaces, pots and bottles, Yaojue, bells, etc.

The antique containers mainly made of metal and porcelain, especially the bronze ware, which are mainly made of metal ware from the Xin'an shipwreck, provide a valuable reference sample for us to understand the production of bronze ware in the Song Dynasty.

In the early years of the Song Dynasty Huizong Daguan (1107 AD), the Council of Rites was set up to "edict the ancient artifacts of the world, and to make more respect, jue, ding, and yi".

To be precise, this bronze should be a bronze pot with a frustrated gold belly, a short neck, a wide ring foot under the lower bearing, and a head ring on both shoulders. But judging from the integrity of the slurry of your thing, as well as the patina, it should be a modern imitation, and you can judge it yourself in the market!

The traces of rust are too obvious, it is a modern imitation, I hope you need to be cautious in the future collection!

Your one of the Zhan Han bronze file gold general jars, the thing is indeed the style of the Zhan Han Dynasty, and it is real copper, that is, it is not high, and the market is generally about 1000 yuan!

Today, what we call bronze is called wrong gold and wrong silver, and in ancient times it was called gold wrong and silver wrong wrong. As recorded in Huankuan's "Salt and Iron Treatise: Insufficient Dispersion" of the Western Han Dynasty: "The golden wrong Shu cup."

Another example is recorded in "Hanshu Food and Goods": "The wrong knife is the wrong text." "Zhang Heng of the Western Han Dynasty "Four Sorrowful Poems":

The beauty gave me a golden knife, how can I repay Ying Qiongyao.

This should be divided specifically.

The bronzes of the Western Zhou Dynasty and the Warring and Han dynasties can be auctioned.

The circulation is orderly, that is, the unearthed bronzes from the original collection of others can also be auctioned (this concept is a bit vague) o( o haha

It cannot be auctioned in China, it is a cultural relic.

Look at the condition and trading channels.

There is a risk of unstable private sales, and there is a tap if you shoot.

Tens of thousands of inferior products, hundreds of thousands of good products, and millions of high-quality products.

You say it's the Warring States period.

It depends on the situation, the general bronze is used as a ritual vessel or **, if there is a word on the ritual vessel, it is a heirloom, the more valuable. **It's almost meaningful, but it's also very valuable, if it indicates the owner or the famous blade, it's expensive.

Lacquerware was a luxury ware at the time, and its historical value was not as good as that of bronze, but lacquerware was extremely difficult to preserve, and if there was really a Warring States lacquerware, it would be very valuable.

Conclusion, there are words for bronzes "bronzes = good lacquerware" for incomplete products.

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Domestic bronzes are not in circulation and are rarely auctioned, and there is no auction transaction price reference.