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It's not that you're not suitable for playing the piano, it's that you're already in your 20s, and the development of your bones at this age is basically set, and you haven't been professionally trained in your fingers before that, so it's normal for your fingers to be stiff. But don't worry, this is just a small problem, playing the piano does not have to be soft fingers to be suitable, because the piano style is different, and your fingers can still become soft, just practice diligently, pay more attention to it when you usually practice. I started learning piano at the age of 19, and I believe you can do it!
Once you've finished playing the Hanon Etudes, you'll find that all the problems with your fingers will disappear and will be replaced by the next technical problem!
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It takes a lot of practice, and you can do it. Is that uncomfortable feeling a bit similar to your cramps? Is it due to prolonged tension?
Adults are bound to be harder for children, that is because the bones have been fully opened, but it will not affect your flexion and extension, if there is pain, go to the hospital immediately.
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It shouldn't be unsuitable for playing the piano, how can there be this I think you should practice less, you are not suitable for playing at the beginning, and if you want to learn well, 1 hour is not enough, you have to practice more, and if you don't play for a week, you have to be familiar with the fingers, not to mention that you haven't played for 20 years, I believe you will be able to play well. Come on!!
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Well, I used to do this (when I was 6 years old), I'm 13 now, I rely on a pen to put two or four fingers on the top, and three or five fingers on the bottom, and then change (three or five up, two or four down), often nothing to do and that's it, slowly it's fine.
I didn't have to stop practicing, my little thumb was congenitally crooked, and it wasn't corrected, but I still played the piano.
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This situation is common to every beginner piano, normal, the ring finger is not good by nature, so we need to practice the day after tomorrow, there are several methods:
1. When practicing fingering or talking about other songs, you should deliberately push your ring finger and raise it as high as possible.
2 Put the five fingers on the plane and lift them one by one when you are usually fine, you can practice the ring finger more, and soon you will have a new discovery, the ring finger can be raised independently.
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The strength of the little finger is generally weak, and it is difficult to stand up if the finger length of the little finger is lower than the first joint line. However, it cannot be left alone. The fingers must be actively erected. Practice Hanon more, most of them are finger exercises, and the hand shape will be fixed.
In the process of finger practice, the most difficult thing to master is to just start playing 2 fingers, the first joint is either collapsed or drummed, or the key is pressed, and the first joint is like dancing and collapses on the key.
Don't play the keys first, only play on the keys; After a little proficiency, you can play the next half of the key, that is, not completely press, only halfway; Try playing the whole tone until you can hold your fingers. Do not collapse your palms. If the palm collapses, the finger shape may also be wrong.
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Formal does not require the first joint of the little finger to bulge, because the little finger does not require one joint perpendicular to the keyboard like the other three fingers. It is best to bend the little finger slightly, but if it is straight, it is okay to relax it. The position of the touch key must not be the belly, but the fingertip is a little bit on the outside, which may occupy about one-third of the side of the nail cover, whether you can bulge a joint or not, the little finger must not lie on the keyboard, and still use the fingertip.
As long as your little finger is relaxed, strong and not stiff, then it doesn't matter if one of its joints is bulging. I'm very strange myself.,My left hand,Little finger is very easy to bend slightly.,And then the action is pretty standard = =.,But the right hand is a cup.。。。 It's all straight.,It's like the bones are a little skimmed or what.。。。
Since childhood, the two hands are different, embarrassed. But it didn't have any effect on the performance, and it didn't matter later.
The second floor is just nonsense! I don't know if it's playing the electronic piano or whatever, it's definitely not learning the piano, the piano requires a very strict way of hand-type keying, whether it's a piano professional or not, the foundation is the foundation, finger belly? If you finger the belly, the little finger is not only lying on the keyboard, but also a joint is skimmed into an angle of nearly 90 degrees!
Why don't you say that the other fingers are also pressed with the belly of the fingers? What a bad habit, I'm afraid that my teeth will laugh when I see someone playing the piano like that = =. What is needed is ** sound effect, there is a problem with the listening and speaking method, don't you know that the sound quality will change if the key is not right or the hand shape is not suitable?
Don't you know that Chopin's pieces require different ways of touching the keys than others? You don't know what brings about the change in sound quality on the piano? Is it pressed with your fingers?
Or please don't mislead people's children = =.
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It doesn't have to be bulging, the fingers are weak, you really have to practice, if it's a non-professional performance, try to play it with the fingers of the little thumb For us, we must first ensure good sound quality when playing the piano After all, what we need first is** is the sound effect rather than what hand shape.
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When I play the piano, my little finger is weak, and naturally it can't be raised, so I just started to learn, and it looks like this, I don't have the strength, I can't bulge, but, to be honest, it's like this at the beginning, and when the time comes, it's good to practice.
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Because the little finger needs to be forced, its bones are relatively light, and if it is not forced, it will sink down as soon as it is forced, which is very normal. It can properly exercise the strength and flexibility of the fingers.
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Finger weakness, if the little finger is shorter than the ring finger, the first joint cannot be lifted.
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The little finger has no strength, try to train the little finger first.
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This is normal, the hand shape cannot be perfect from the beginning, and it needs to be practiced regularly.
1. One-handed practice:
Practice with one hand first, relax your fingers, and put your palms lightly on the piano for the basic movements, and then drive your wrists to practice with your fingers on the keyboard one by one, and be sure to master the correct movements:
The wrist must be higher than the piano, the knuckles can not be concave inward, the whole palm should be arched, the thumb is inward, especially pay attention to the little finger can not collapse when touching the keys, every time you play a Jian, you must raise your fingers high and then fall on the keyboard forcefully and accurately.
2. Finger independent exercises:
Mastering this technique requires a certain understanding of piano playing. The Shmidt Piano Tutorial is a difficult piano fingering exercise, but after playing it, you will find that the original unsolvable technical problems are no longer difficult. Liszt's Nightingale is a very nice piece of music, but many people always play the cord, that is, the problem of finger independence has not been fundamentally solved.
3. Master finger independent exercises, and you can do finger gymnastics
Finger gymnastics is an exercise that uses various movements of the fingers, including fingers, palms, and wrist joints to complete the work of various parts of the arm. It is like other physical gymnastics, according to a certain pattern, to complete each movement. Finger gymnastics can improve cognition, numeracy and reading skills.
Finger gymnastics can exercise the independence and flexibility of the fingers, and can make the palms of the hands more coordinated with the elbow and wrist joints. The philosopher Immanuel Kant once said that the hand is the external brain. People's hands are full of sensory and motor nerves, and training the flexibility of the hands is equivalent to a kind of mental training.
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If you want to talk about the shape of your hands, you clench your hands into fists. You'll see each joint on the back of the hand standing protruding. When playing the piano, the joints in that place should not collapse, if the joints of the thumb collapse, when playing the piano, it will be limping, which is very unsightly.
With a good hand shape, your wrist should be equal to Bai Jian's. The palms of the hands are arched, and the wrists hang down naturally. If that doesn't work, you can use your other hand to help shape it, and then raise your finger to play.
It's best to correct it in time at the beginning. Your fingers will slip, probably because your fingernails are naturally long. If you practice well, don't have straight fingers, but a little crooked, and try to let the flesh touch the keys, not the nails.
Practice together with Hanon and Schmidt, remember, when practicing basic exercises, you must be relaxed, your wrists should not be stiff, your arms should not be tight, the strength is given by your fingers, and you should pay attention to the strength of your waist when you are playing chords. If the hand shape is wrong, you should slow down the practice and deliberately correct it. Come on!!
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Hello landlord If you want to talk about the shape of your hands, you clench your hands into fists. You'll see each joint on the back of the hand standing protruding. When you play the piano, the joints in that place must not sink in; I used to have the knuckle of my thumb sinking, and when I played the piano, I was limping and it was ugly.
But now I've changed it for the better (the process is so tiring!). If you want to have a good hand shape, your wrist should be on par with Bai Jian. The palms of the hands are arched, and the wrists naturally droop, so there is no need to raise them deliberately.
If that doesn't work, you can use your other hand to help shape it, and then raise your finger to play. Hurry up and change it now, you can't change it if you change it late. Your fingers will slip, probably because your fingernails are naturally long.
There is no way to change this, if you practice, the fingers should not be too straight, they should be a little crooked, and try to let the flesh touch the keys, not the nails. If you have any questions, please ask me, please adopt!! ~
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First of all, the palm of the hand is not in the state of holding the egg, which is usually wrong, so keep it relaxed! Second, starting from **"1", play note by note, the slower the better, a note 50 times, play to the treble "1", and then loop, 100 cycles a day, keep two hours of practice time, among them, if you want to have stable fingers, you must relax your palms, remember not to use your wrists, it is your fingers!
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Learn piano easily for a few minutes a day.
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Play Hanon more and practice independence.
Raise your fingers ......Jay Chou plays the piano player is warped
Hehe, Lang Lang sometimes warped.
It's okay hehe.
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Do you practice on the piano or the electronic keyboard? Maybe your fingers are stretched too straight for your hands to hurt.
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This situation is a problem of basic skills, you should not practice for too long, if you keep practicing like that, it is useless to practice no matter how much you practice, you have to let yourself practice the foundation again.
With slow tempo, when your fingers are playing each note, there is a problem with a certain detail, so there will be unevenness, segmentation, etc.
It's better to have a metronome. There are a lot to pay attention to in slow practice, hand shape, strength, finger raising, timbre, relaxation, all of which must be up to standard, and slow playing will find many problems.
There are tendons between the four fingers of the middle finger, and more practice will improve.
As for triplets, play them slowly, making sure that the dynamics and speed of each note are even. Find a tune with many triplets to practice, and there should be a few in Czerny 299.
Slow speed, divided into left and right hands, first raise your fingers and play it with full strength, after practicing once, use light and brisk jumps, all of which are very light, and the strength of each note should be even.
Finally, it is played under normal circumstances, so that the fingers move flexibly, will not stick, and the same effect after acceleration, and there is no need to raise the fingers too much when the speed is fast.
Finger function, more practice will be good, in the case of your finger skills are not up to the standard to play at too fast speed, there will be the opposite effect, the wrong method repeats a thousand poops, and the practice will get worse and worse. The right way, even if slow, unskilled, repeating a thousand poops, will improve a lot.
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This, I haven't practiced for a long time, it must be normal.
It is recommended that you practice with a metronome every day, or with a high finger raise. You can start by associating with some simple basic etudes, such as Hanon and Czerny (599,849), and wait until you have stabilized before playing other pieces ......You should be able to recover with more practice, come on!
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Have you ever practiced Hanon before?
Now start practicing from the first chapter and practice every day as required.
Can't be lazy.
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The human palm muscles are roughly divided into three parts in a horizontal arrangement, the front end of the first part is the thumb, the front end of the second part is the index finger, and the front end of the third part is the middle finger, ring finger, and little finger.
It can be simply understood that the middle finger, ring finger, and little finger are grown on the same muscle, especially the ring finger in the middle position, if you want to move, you will inevitably "pull" the upper middle finger or little finger to move together.
If you let the ring finger move alone without affecting the middle finger and the little finger, it is actually not the force of the palm muscle that connects the three fingers, but a very small muscle behind the ring finger that pulls the ring finger alone, and the strength of this muscle is very, very weak, and it is difficult for the nervous system of the brain to direct it alone. If you want to develop it, there is only one way - practice diligently, not only when practicing, but also on the table, which itself is a problem of motor nerves, and has nothing to do with **, similar to fancy pen turning.
There are always muscles in the human body that are not used in daily life, so they are not developed, and only professionals who have been engaged in some kind of training since childhood can use them freely.
But be careful: don't get hurt. People are not the same as their biological talents:
Some people are naturally flexible in some part of their functions; Some people, although they are inherently inflexible, can resist fatigue and wear and tear, so they can withstand high-intensity exercises without getting injured and can succeed in the end. Don't think that those awesome performers are just geniuses, they are actually sports geniuses, they just don't be athletes. If a person is a genius, but does not have extraordinary motor agility, then he (she) can compose, teach, theoretical, or even conduct.
But as a professional performer, the requirements for athletic agility are actually similar to those of athletes.
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