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Huizhou three carvings refer to the abbreviation of three folk carving crafts of brick carving, stone carving and wood carving in the style of the Huizhou school. Hui School"Three carvings"She County, Yi County and Wuyuan County are the most typical, and the preservation is relatively good. It is mainly used for the decoration of residential houses, ancestral halls, temples, gardens and other buildings, as well as the craft carving of ancient furniture, screen couplets, pen holders, fruit plates, etc.
Three carvings"The history originated in the Song Dynasty and reached its peak in the Ming and Qing dynasties. The carvings of the Ming Dynasty are rough and simple, generally only flat carvings and bas-reliefs, with the help of line modeling, and lack of perspective changes, but emphasizing symmetry and rich in decorative interest. Qing Dynasty carving delicate and complex, composition, layout to absorb the Xin'an school of expression, pay attention to artistic beauty, use more deep relief and round carving, advocate hollow effect, some hollow level up to more than ten layers, pavilions and buildings, trees and landscapes, people and animals, flowers, birds, insects and fish set in the same picture, clear and clear, staggered, distinct, lifelike, show the superb artistic ability of the carving craftsman.
Brick carving is the architectural decoration formed by delicate carving on the blue gray bricks with fine texture in Huizhou, which is widely used in the gatehouse, door cover, lintel, eaves, roof, roof and other places in the Huizhou style, so that the building appears elegant and solemn. It is an important part of the architectural art of the Hui school that has emerged since the Ming and Qing dynasties. Brick carving has flat carving, relief carving, three-dimensional carving, the theme includes feather flowers, dragon, tiger and lion elephants, forest garden landscapes, drama characters, etc., with a strong folk color.
The materials and production of Huizhou brick carving are extremely exquisite. She County Museum has a brick carving of the Stove Temple, on the brick surface of only a square foot, carved with a golden helmet, wearing armor, holding a steel shovel of the round carving Bodhisattva, according to the research, this exquisite brick carving cost 1200 craftsmen, can be called the classic work of Huizhou brick carving art.
Stone carving in Huizhou city and countryside cloth is very wide, there are many categories, mainly used for the decoration of the temple pillars, door walls, archways, tombs, etc., belong to the art of relief and round carving, enjoy a very high reputation. The subject matter of Huizhou stone carving is limited by the carving material itself, and is not as complex as wood carving and brick carving, mainly animal and plant images, Bogu patterns and calligraphy, as for the character stories and landscapes are relatively rare. In terms of carving style, the relief carving is mainly based on shallow openwork and plane carving, the integration trend of round carving is obvious, and the knife technique is exquisite in the simple and generous, and there is no delicate and cumbersome wood carving and brick carving in the Qing Dynasty.
Wood carving is mainly used to decorate old buildings and household utensils, and it is widely distributed in both urban and rural areas, and its wide distribution is one of the few in the country. The screens, window lintels, railings, beds, tables, chairs, desks and study utensils used in daily use can all be seen on the style of wood carving, which is almost uncommon in the village. Huizhou wood carving has a wide range of themes, including figures, landscapes, flowers, birds and beasts, insects and fish, cloud heads, back lines, eight treasures and ancient treasures, text tin couplets, and a variety of auspicious patterns.
Huizhou wood carving is based on the needs and possibilities of the components of the building, using round carving, relief, openwork and other expressions. The early years of the Ming Dynasty. Hui style wood carving has begun.
The answer is supplemented.
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Brick carving, wood carving, and stone carving are known as the three carvings of Huizhou. Walking into the ancient mansion of Wuyuan, you are often shocked by the exquisite carvings that leap into your eyes: in every possible place is just right full of amazing carvings, they are peerless and profound.
The ornate decorations of these sunset mansions or commercial residences are still preserved in the homes of ordinary people, and they still tell beautiful stories to the world. Wuyuan wood carving of the Qing Dynasty, especially delicate and complex, mostly with deep relief and round carving, advocating the hollow effect, some of the hollow layers up to more than ten layers, exquisitely clear, staggered, distinctly layered, lifelike, showing the superb artistic level of the carving craftsman.
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Wuyuan three carvings refer to: brick carving, stone carving, wood carving.
Wuyuan three carvings refer to the brick carving, stone carving and wood carving in the ancient buildings of the Ming and Qing dynasties in Wuyuan County, Jiangxi Province, it belongs to the branch of Hui school architectural art, and the products are mostly used as decorative parts on the buildings such as houses, official residences, ancestral halls, temples, covered bridges and archways. The origin of Wuyuan three carvings can be traced back to the Tang Dynasty, starting from Liu Sanyuan, who was nicknamed "carving three carvings", and its skills became a pedigree. A variety of knife techniques are the key to the three carvings of Wuyuan, which is characterized by eclecticism, mixing and using, so that the works achieve an ethereal and transparent effect, so the round carving, relief carving, shallow carving, deep carving and openwork carving are more common.
On May 20, 2006, the three eagles of Huizhou (Wuyuan three eagles) were included in the first batch of national intangible cultural heritage list.
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Huizhou Three Sculptures (Wuyuan Three Sculptures), a traditional art of Wuyuan County, Jiangxi Province, is one of the national intangible cultural heritages.
Wuyuan three carvings refer to the brick carving, stone carving and wood carving in the ancient buildings of the Ming and Qing dynasties in Wuyuan County, Jiangxi Province, it belongs to the branch of Hui school architectural art, and the products are mostly used as decorative parts on the buildings such as houses, official residences, ancestral halls, temples, covered bridges and archways. The origin of Wuyuan three carvings can be traced back to the Tang Dynasty, from Liu Sanyuan, who was nicknamed "carving three carvings" Liang Zhi, and its skills became a pedigree. All kinds of knife techniques are the key to the three carvings of Wuyuan, which is characterized by eclectic methods, mixed and used, so that the works achieve an ethereal and transparent effect, so the round carving, relief, shallow carving, deep carving and openwork are more common.
On May 20, 2006, Huizhou Three Eagles (Wuyuan Three Eagles) were approved by the People's Republic of China to be included in the first batch of national intangible cultural heritage list, heritage number: -37.
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Hui architecture is an important part of Hui culture, and Wuyuan three carvings are the main content of Hui architecture, it integrates aesthetics, mechanics, mathematics, history, ecology in a furnace, great artistic value vertically, more profound cultural connotation, has a huge impact on contemporary architectural art and or Qiao ecological environment. Wuyuan three carvings is the artistic masterpiece of Chinese civilization, and has become the most wonderful artistic highlight of Hui architecture, it has academic research and historical investigation value, has ornamental, aesthetic spiritual value, but also provides contemporary architecture with non-replaceable physical research and reference value.
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Its origin can be traced back to the Tang Dynasty, the rise of Hui merchants in the Ming and Qing dynasties, Wuyuan three carvings relying on Hui school architecture to reach its peak, related skills are mainly distributed in Jiangwan Town, Sikou Town, Longshan Township, Tuochuan Township, Zheyuan Township, Tsinghua Town, Duanxin Township, Zhentou Town and other towns and villages.
In the twenty-fourth year of Wanli in the Ming Dynasty, Yu Maoxue, the head of the household department and the secretary of the Ministry of Industry, built in Wuyuan County, Tuochuan Likeng, the decoration on the Shangshu building can be regarded as an example of the initial shouting of the three carvings of Wuyuan, and then, the Ming Dynasty official department Shangshu Yu Maoheng also built Shangguanqing in the sixth year of the Apocalypse. In the sixteenth year of Shunzhi in the Qing Dynasty, Yu Weishu built the construction of Zheng Xian Mo Madi, marking that Wuyuan Sandiao entered a new stage of development. In the 20th year of Kangxi in the Qing Dynasty, Huang Village, Gutanbukuan Township, in the north of Wuyuan County, built a hundred pillars ancestral hall, and in the first year of Qianlong in the Qing Dynasty, Sixi and Yan Village in Wuyuan County built a group of merchant houses, and the decorations of these buildings presented the atmosphere when the three carvings of Wuyuan were extremely prosperous.
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