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Wang Xianzhi. The regular calligraphy and painting are charming, with the pen strength and thinness, the gesture is extended, the demeanor is sparse, and there is no tackyness.
Wang Xianzhi's calligraphy and cursive writing, the first father, and the later law Zhang Zhi.
He is not only compatible with the heads of the two families, but also relies on his own talent and knowledge to create a unique combination in line and cursive. This style of writing is as simple as cursive writing, and as twisted and abrupt as a line script, which is what is called cursive writing today.
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Wang Xianzhi. The characteristics of calligraphy can be summarized in sixteen words: Danxue Phoenix Dance, Qingquan Dragon Leap. Sophisticated, ingenious, out of sanity.
Wang Xianzhi's calligraphy art is mainly inherited from the family law, but it does not conform to the rules, but breaks through other things. In his hand-me-down calligraphy works, it is easy to see his inheritance of family learning and his own unique path. Wang Xianzhi is famous for his calligraphy and cursive script, but his official script and regular script are also quite skillful.
Wang Xianzhi's masterpieces include "Luo Shen Fu Thirteen Lines".
It is also known as the "Thirteen Lines of the Jade Edition"; "Duck Head Pill Post"; "Mid-Autumn Festival".
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Wang Xianzhi's experience:
Wang Xianzhi has been with his father Wang Xizhi since he was a child.
Learn calligraphy, and later take Zhang Zhi, don't be one. Wang Xianzhi is gifted and intelligent, ambitious, hard-working, good at understanding, and has the spirit of creation, he created a "one-stroke book", changing his father's upper and lower disconnected grass into connected grass, often a coherent multiple words, these are the most prominent in his "Mid-Autumn Festival".
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Wang Xianzhi's calligraphy works are as follows:Mid-Autumn Festival", "Goose Post", "Twenty-Nine Day Post", "Dongshan Post", "Duck Head Pill Post", "Rehmannia Soup Post", "Welcome Post", "Zhushe Post", "Yongjia Post", "Goose Return Post", "Zhunu Post", "Clothes Post", "Anhe Post", "Think of the Post".
Related details. Wang Xianzhi (344 386), the name Zijing, a nickname official slave, was a native of Linyi (now Linyi City, Shandong Province). Eastern Jin Dynasty **, Suizhong calligrapher, painter, poet, the seventh son of the right army general Wang Xizhi, the son-in-law of Emperor Sima Yu of Jin Jianwen, and the father-in-law of Emperor Sima Dezong of Jin'an.
Wang Xianzhi studied calligraphy intensively, and was famous for his calligraphy and cursive script, and had a deep foundation in regular script and official script. In the history of calligraphy, he is known as the "two kings" together with Wang Xizhi, and is known as the "little saint" of the pants. Together with Zhang Zhi, Zhong Xuan, and Wang Xizhi, he is known as the "Four Sages in the Book".
The Tang dynasty Zhang Huaijun's "Book Evaluation" commented that his book was "first-class". At the same time, Wang Xianzhi is also good at painting, and the Tang Dynasty Zhang Yanyuan's "Famous Paintings of the Past Dynasties" sees his paintings as "middle grade".
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Wang Xianzhi. Calligraphy works include: "Mid-Autumn Festival", "Goose Post", "Twenty-Nine Day Post", "Dongshan Post", "Duck Head Pill Post", "Dihuang Soup Post".
Welcome Post", "Zhushe Post", "Yongjia Post", "Goose Return Post", "Ladies Post", "Clothes Post", "Anhe Post" want to be the other post".
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Major works. Wang Xianzhi has 10 volumes of anthologies, which were first recorded in the annotation of the Book of Sui and the Chronicles, but the annotation says that he has died. The New Tang Dynasty Book and Art Chronicles is no longer available.
Zhang Pu compiled "The Collection of Wang Xian" in the "Collection of One Hundred and Three Famous Families of the Six Dynasties of the Han and Wei Dynasties", included his text in "Quanjin Wen", and recorded his poems in "Quanjin Poems".
He also created the "one-stroke calligraphy", which changed the unconnected grass of his father into a connected grass, often a coherent number, because of his calligraphy heroic and magnificent, so it was valued by the world.
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Wang Xizhi had seven sons and one daughter. The seven sons are all good at calligraphy, among them, the youngest son Wang Xianzhi is the most prominent.
Wang Xianzhi learned calligraphy from his father since he was a child, and he had great ambitions to study hard like his father and become a great calligrapher. Every time he saw the calligraphy of the ancients, he always had to keep his hands on the scroll, be careful, and wait until he had a comprehensive consideration of its font characteristics, stroke form and structural layout, etc., and then start to write, write dozens of hundreds of times, until he understands it. Thus, by the age of fourteen or five, his calligraphy was already very interesting.
However, after studying for a while, he expressed his fear of hardship and tiredness, and hoped for a shortcut to the success of calligraphy.
One day, Wang Xianzhi walked into his father's study and asked Wang Xizhi, hoping that Wang Xizhi could tell him the secret of writing. When Wang Xizhi heard this, he led Wang Xianzhi to the backyard, pointed to the eighteen vats and said to his son: The secret of writing is in these eighteen jars of water, as long as you finish writing the water in these eighteen jars, you will naturally know.
After Wang Xianzhi listened to his father's teachings, he no longer dared to be lazy and greedy for shortcuts, but practiced day and night, down-to-earth.
In order to try his son's skills, Wang Xizhi unexpectedly pulled out his pen from behind, but he didn't pull it, so he sighed and said: This child has a bright future! Under Wang Xizhi's earnest teachings, Wang Xianzhi really finished writing eighteen jars of water, which further changed the ancient style of calligraphy at that time and had a great impact on later generations.
His calligraphy is both proficient in all aspects of calligraphy, especially his reputation for being good at grass. He is handsome and heroic, imposing, in the history of calligraphy and his father Wang Xizhi is equally famous, and called the two kings.
His famous calligraphy work "Luo Shen Fu", which was passed down to the Song Dynasty, only survived 13 lines, and there was a jade engraving book, known as "Thirteen Lines of the Jade Version". In addition, works such as "Duck Head Pill Post", "Mid-Autumn Festival Post" and "Dongshan Post" are also treasures of calligraphy art.
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Wang Xianzhi. Good at cursive and linear.
Wang Xianzhi's cursive "Mid-Autumn Festival" part.
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Wang Xianzhi's most famous calligraphy works include Xiaokai "Luo Shen Fu Thirteen Lines", cursive "Duck Head Pill Post" and "Mid-Autumn Festival".
Wang Xianzhi, the word Zijing, nickname official slave, Han nationality, ancestral home of Langyu Linyi (now Lanshan District, Linyi City, Shandong Province), was born in Huiji Shanyin. He was a famous calligrapher, poet and painter in the Eastern Jin Dynasty, the seventh son of Wang Xi, the "sage of calligraphy", and the son-in-law of Sima Yu, Emperor Jianwen of the Jin Dynasty. Wang Xianzhi practiced calligraphy with his father when he was young, and was famous for his calligraphy and cursive script, but he also had a deep foundation in regular script and official script.
Together with his father Wang Xizhi, he is called the "two kings". And it is known as the "little saint". He is also known as the "Four Sages in the Book" with Zhang Zhi, Zhong Xuan, and Wang Xizhi.
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