How to raise the treble, how to tune the treble too high

Updated on amusement 2024-04-16
8 answers
  1. Anonymous users2024-02-07

    1 minute to solve the treble technique.

  2. Anonymous users2024-02-06

    I'll tell you something simple and easy to understand: it's not difficult to practice high notes, but you have to have enough confidence, and raise the upper jaw (you can look in the mirror to observe) the inside of the mouth to form a circle. Repronounce it and you'll feel like your voice is back and there's a bit of a professional bel canto flavor.

    The specific connection with confidence requires your diligence, and there will be many ways for you to quickly realize in the practice, so that you can walk in faster. Try blowing up the balloon, and that way of exerting force is the way you use your breath when you sing. Regular haha will help you find the feeling of ventilation and will also strengthen your confidence.

  3. Anonymous users2024-02-05

    Practice pronunciation Every morning you can learn to crow a rooster This is of course to amuse you to practice slowly with the scale Practice for a long time It's good.

  4. Anonymous users2024-02-04

    Sing every morning Mouse Loves Rice is guaranteed to get up.

  5. Anonymous users2024-02-03

    Treble too high adjustment method: 1On each input channel of the mixer there is a set of EQ sail smiling knobs:

    high--high frequency; mid--MF; low--low frequency; 2.They are all called shelved equalization, i.e. the frequency is fixed. More upscale mixers will have frequency-selective knobs; 3.

    When the high, medium and low frequency knobs are turned to the left (clockwise), the corresponding frequency band will be increased, and vice versa; 4.Under normal circumstances, the frequency knob should be in the middle position, and then adjust the state when it is really necessary to adjust, and the principle is not to blindly adjust it. 5.

    The interior of the car is very different from the room, and the interior of the car is actually similar to a reverberation room with loudspeakers. So generally speaking, it is okay to play all the middle, and you can turn up the treble a little higher, and then change it slightly according to your habits. 6.

    It should be noted that the treble should not be tuned too high, which will harm the ear, because the part of the ear that receives the treble is easily damaged, and it is irreversible damage.

  6. Anonymous users2024-02-02

    1. Easy to use dantian. Easy use of the dantian and the sound cavity (chest, nasal cavity, laryngeal cavity and head cavity). If it's too tight, you won't be able to sing the high notes because you're locked in your throat. Singing with dantian can also soar up some high-pitched notes that can't be sung, and the singing voice won't hurt.

    2. Proper breathing and posture. Maintain a shouting posture and sing a high note, first insert your hands into your waist (you don't need to pay attention to your abdominal muscles at this time, it will work naturally when you inhale), inhale the air around your waist, feel the front and back waist swell, and then close your breath (open your mouth wide), and force your waist and ribs inward, and push your chest upwards before you can sing.

  7. Anonymous users2024-02-01

    1. Promote the closure of the vocal cords through the breath, so the first step in the treble is to learn to relax;

    2. There is no relationship between pitch and volume, the physical units are different, one is decibels and the other is hertz, so reduce the volume to the normal speaking size, don't shout;

    3. Produce high pitch through the breath push, increase the flow rate, pay attention to the smooth flow of the breath, and do not hold the breath;

    4. Find a feeling before vomiting, and then push it out with breath;

    5. Practice lip tremor more and exercise the vocal cord closure ability, the better the closure ability, the stronger the treble.

  8. Anonymous users2024-01-31

    The practice method of raising the tone is described below:

    Learn to use the qi of the dantian, and the sound produced by using the dantian to boost the strength will be thicker and fuller, which is because of the factor of the deeper source of the sound. The dantian is like an engine, which needs to send energy through the vocal cords to the resonance point. The treble can naturally be raised.

    Practice the posture of breathing, the posture of breathing is also important. If someone has the opportunity to scream at something very surprising, the singer needs to remember the shouting posture and use it to sing the high notes, which can be greatly improved. Learn to use the fulcrum and confrontation.

    If we lift a stone burden with both hands, our feet are stepping downward, and the earth is lifted upwards for fun, and our hands are pushing upwards and the stone burden is pressed downward. As a result, there is a force in four directions, a confrontation between the feet and the ground, and a confrontation between the hands and the stones. Our human body is sold in the air column, and the lower abdomen and vocal cords are the two fulcrums of the breath, so the rational use of the confrontation between the lower abdomen and the vocal cords can effectively improve the tone.

Related questions
10 answers2024-04-16

The parameters of the horn are fixed, and each horn has its own fixed frequency characteristics. I know that the crossover point of the general bass is generally set to about 120Hz, but how to set the crossover point of the middle and high tones? The power amplifier only amplifies the audio power, and to put it simply, it is the power to push the speaker, which has nothing to do with the parameters of the speaker. >>>More

3 answers2024-04-16

Teach you a trick, and the high notes can be hummed.

11 answers2024-04-16

The treble must sink the breath down first, and use the dantian to exert force, otherwise it will be very pale, and it will become the usual shout. >>>More

8 answers2024-04-16

Breath If you can't feel it, you will go back.

3 answers2024-04-16

I don't know if you're referring to vocal or instrumental practice.