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It is said that there was an emotional entanglement between Cao Zhi and Zhen, but it is not recorded in the official history, but in fact, the "Zhen" in "Feeling Zhen Fu" does not refer to Zhen, but to Juancheng's "Juan", because Cao Zhi became the king of Juancheng a year before he wrote this fu.
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Luo Shen Fu is a famous romantic story by Cao Zhi, a famous writer in the Three Kingdoms period, originally known as "Feeling Fu". said that there was an emotional entanglement between Cao Zhi and Zhen, not only is it not recorded in the official history, but it is also not mentioned in ** "Romance of the Three Kingdoms". In fact, the "Zhen" in "Feeling Zhen Fu" does not refer to Zhen's, but to the "Juan" of Juancheng.
The year before Cao Zhi wrote this fu, he became the king of Juancheng.
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said that Cao Zhi wrote about his sister-in-law, this is one way of saying, of course, there is another way of saying that it is to mourn his deceased wife, Cao Zhi has been excluded by Cao Pi and depressed, which is also a kind of venting.
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There are several conjectures, one is written to mourn his deceased wife Cui, one is written for Zhen Mi, and the other is to imitate Song Yu's "Goddess Fu" and show loyalty to his brother.
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According to Cao Zhi himself in the preface, when he returned to the fiefdom from the capital in the fourth year of the early Huang dynasty (223 AD), he passed through Luoshui and suddenly felt a feeling and made this endowment. It's not about my sister-in-law.
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Luo Shen Fu is a famous romantic article by Cao Zhi, a famous writer in the Three Kingdoms period, and the content is said to be related to his sister-in-law, which is only the speculation of later generations, and there is no exact record in history.
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According to legend, "Luo Shen Fu" was written by Cao Zhi about his sister-in-law Zhen. However, this argument has historically been rejected by scholars. In fact, "Luo Shen Fu" has nothing to do with love.
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1. "Luo Shen Fu" is a famous poem written by Cao Zhi, a writer of Cao Wei during the Three Kingdoms period of China.
2. This fu fictionalizes the author's own encounter with Luo Shen and the longing and love between each other, the image of Luo Shen is beautiful, and the love of man and god is ethereal and mysterious, but it cannot be combined due to the difference between man and God, and finally expresses infinite sadness and melancholy. The whole article can be roughly divided into six paragraphs: in the first paragraph, when the writer returned to the fiefdom from Luoyang, he saw Luo Shen standing on the cliff in a trance; The second paragraph writes about the beauty of Roselle's costumes; In the third paragraph, the writer loves Luo Shen who knows both etiquette and good words, and although he gives and answers to each other, he is worried that the meeting will be blocked; In the fourth paragraph, Roselle is inspired by the sincerity of the "king" and the circumstances and actions that have not yet arrived; In the fifth paragraph, it is written that Luo Shen came and followed many people, and finally left with hatred; The sixth paragraph writes about the author's deep affection for Gu Wang's longing and longing for him after he left.
The full endowment is gorgeous, the description is delicate, the imagination is rich, the feelings are delicate, and if there is sustenance.
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Luo Shenfu described Cao Zhi's sister-in-law, that is, her former original woman, Zhen S, fake Toluo Shen, and the pain of not being able to communicate with the monarch's private placement reaction.
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What Cao Zhi's "Luo Shen Fu" wrote.
Cao Zhi is one of the "Three Caos of Jian'an" and has a huge influence in the history of Chinese literature. He wrote many popular poems and songs in his life, among which "Luo Shen Fu" is the most famous.
Luo Shen Fu" was originally known as "Feeling Zhen Fu", which is generally believed to be created by Cao Zhi when he sealed Juancheng. The Tang Dynasty scholar Li Shan believed that this article was written specifically for Empress Zhen, and this view was also shared by many later scholars.
This article uses an illusory form to write about the love between man and god, and in the end, because of the difference between man and god, I have to helplessly watch each other leave. Some people also believe that this fu was not made for Empress Zhen, but was the hand of Cao Zhi's fake Toluo God, showing his fierce loyalty to Emperor Wen, hoping to be understood and reused. But in the end, due to various reasons, Cao Zhi and Emperor Wen have been unable to communicate, so that it fell into extreme political depression, this Fu from multiple angles, try to depict the beauty of Luoshen, vivid and expressive, such as "its shape also, fluttering like a frightening Hong, graceful like a dragon, Rong Yao Qiu Ju, Huamao Chun Song."
The hair is like the moon covered by light clouds, and the fluttering is like the snow ...... of the flowing wind"He has high artistic achievements in literary techniques, has a strong artistic appeal, and is deeply loved by future generations.
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1, "Luo Shen Fu" author: Cao Zhi (December 27, 192, 232), Zijian, a native of Peiguo County (now Bozhou, Anhui), is the third son born to Cao Cao and Empress Wuxuan Bian, who was King Chen before his death, and was nicknamed "Si" after his death, so he is also known as King Chen Si.
2. Cao Zhi was a famous writer in the Three Kingdoms period, as one of the representatives of Jian'an literature and the master of the collection, he was respected to the status of a model of articles during the period of the two Jin Dynasty and the Southern Annihilation of the Oak and Northern Dynasties. His representative works include "Luo Shen Fu", "White Horse Chapter", "Seven Mourning Poems" and so on. Because of his literary attainments, later generations called him and Cao Cao and Cao Pi "Three Cao".
His poems are known for their strong pen power and beautiful words, and there are 30 volumes of collections, which have been lost, and now the "Cao Zi Jian Ji" is compiled by the Song people. Cao Zhi's prose also has the characteristics of "affection and resentment, body and literary quality", coupled with the richness and variety of its variety, so that he has made outstanding achievements in this regard. Xie Lingyun, a writer in the Southern Song Dynasty, has the evaluation that "there is only one stone in the world, and Cao Zijian monopolizes eight buckets".
3. Zhong Rong, a critic next to the literary family, also praised Cao Zhi for "having a high backbone, colorful words, love and resentment, body and literary quality, overflowing with modern and ancient, and outstanding." And in the "Poems", he was listed as the poet with the highest quality. Wang Shizhen talked about the poets who can be called "immortals" in the 2,000 years since the Han and Wei dynasties, Cao Zhi, Li Bai, and Su Shi.
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