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Selected Works of Ancient Chinese Literature
Volume 2) (Qin, Han, Wei, Jin, Southern and Northern Dynasties).
Editor: Yu Xianhao, Lu Tongqun, Gu Fusheng.
Higher Education Press.
Selected Works of Ancient Chinese Literature (Wei, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties) Editor: Wang Zhaopeng, Shang Yongliang, Liu Zunming.
Wuhan Publishing House.
Literature of the Wei, Jin, Southern and Northern Dynasties
All three volumes) Editor: Zhao Dongshuo.
Jilin Literature and History Publishing House.
Appreciation of Literary Masterpieces of the Wei, Jin, Southern and Northern Dynasties".
Authors: Shi Yucun, Wu Xiaoru, etc.
Peking University Press.
Jian'an Wind Bone "Super Value Gold Edition)
Editor: Arthur Zhoudong.
New World Press.
Tsinghua University Press.
It's all mine, as well as the "Zhaoming Anthology" compiled by the prince of the Liang Dynasty
It should be the first to be included.,Now there are quite a lot of versions.。
In fact, this article is so famous, basically there will be an anthology of ancient literature. In the Wei and Jin dynasties, you can always find it in the literary metaphysics, or what ancient prose and rhetoric appreciation and the like.
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Luo Shen Fu is a Fu created by the Han Dynasty writer Sima Xiangru, which is included in the "Sima Xiangru Collection".
In the bookstore, you can find "Luo Shen Fu" in the category of literary works or in the category of classical literature. In addition, since "Luo Shen Fu" is a literary classic, it can also be found in the classification of literary classics or classical literature classics.
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Selected Works of Ancient Chinese Literature
Selected Works of Ancient Chinese Literature is a book published by Science Press in February 2010, in which most of the selected writers are influential figures in the history of literature, and most of the selected works are representative works of writers. The subject matter is poetry, literature, fu, words, opera, **, etc., from the pre-Qin period to the end of the Qing Dynasty.
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Fluttering like a frightening Hong, graceful like a dragon, Rong Yao autumn chrysanthemum, Huamao green pine.
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Thinking and increasing admiration, the night is lingering and sleepless, and the frost comes to the dawn.
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It seems to be like a light cloud covering the moon, fluttering like the snow of the wind.
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The hair is like the moon covered by light clouds, and the fluttering is like the snow of the flowing wind.
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Well... It should be (as if it is like a light cloud covering the moon, fluttering like the snow of the wind).
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Han and Wei writer Cao Zhi's "Luo Shen Fu" describes the story of his encounter and love with the goddess on the shore of Luoshui in the first person, and finally separated by man and god. The confusing plot, the tactful and melancholy mood, and the beautiful and gorgeous prose touched many readers.
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Luo Shen is a peerless beauty, it is said that Cao Zhi suddenly saw a peerless beauty on the river when passing by a certain body of water, so he wrote "Luo Shen Fu" to describe the beauty of this woman and his own admiration.
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Luo Shen Fu was written by Cao Zhi in the fourth year of the Huang dynasty (223) of Emperor Wen of Wei. It was first seen in Xiao Tong's "Zhaoming Anthology", which said that when Cao Zhi returned to his fiefdom from the capital, he passed through Luoshui, and suddenly felt a feeling, and made this endowment. Luo Shen is the daughter of Fu Xi (Mi Xi) in Chinese mythology, who became the god of Luo Shui because of her drowning in Luoshui, that is, Luo Shen.
This fu is one of the more famous articles written by Cao Zhi.
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Mi mi four sounds, meaning quiet.
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Strange clothes: Qili's clothes are unparalleled in the world.
Bone image should be pictured: refers to the peculiar bone appearance of Luoshen, which is in line with the posture of the gods on the picture.
Reference from Mr. Zhu Dongrun's "Selected Literary Works of Chinese Dynasties", a compulsory textbook of the Department of Chinese at the university.
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Strange costumes, bone portraits: Strange clothes are rare in the world, and the bones look like fairies in paintings.
The exaggerated words express the poet's intoxication with the beauty of the goddess's appearance and clothing.