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Cursive: A type of Chinese character that is characterized by a simple structure and continuous strokes. Formed in the Han Dynasty, it evolved on the basis of official scripts for the simplicity of writing.
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Cursive writing. Zhang Xu, Tang, "Belly Pain Post".
Zhang Xu, Tang, "Four Posts of Ancient Poems".
Huaisu Tang "Self-Narrative Post".
Sun Guoting, Tang, "Book Spectrum".
Huang Tingjian, Song, "Li Bai's Reminiscences of the Old Wandering Poems".
Mi Fu Song "On Cursive Writing".
Zhao Ji Song, "Cursive Thousand Character Text".
Xian Yu Shu Yuan's "Stone Drum Song".
Zhu Yunming Ming "Before and After Chibi Fu".
Wen Zhengming Ming "Cursive Poetry Scroll".
Xu Weiming, "White Yan Poems".
Wang Duoqing, Cursive Poetry Scroll
Xu Weiming, "White Yan Poems".
Wang Duoqing, Cursive Poetry Scroll
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1) [Yellow] Several ways to write cursive.
Yellow]. The square handwriting - Xing style cursive simplified Chinese writing.
The character "yellow] is written in the hard pen cursive style of Zhong Qi Liujiang.
Yellow] word of the book shop Mi Fu style writing.
The simplified Chinese writing of the square grass of the word yellow].
2) Basic characteristics of cursive writing.
The basic content of cursive writing includes the following three aspects:
First, cursive is a style of writing with omitted strokes and a simple structure.
Second, cursive script uses dot painting as the basic symbol to replace the side and a certain part of the character, which is the most symbolic style of calligraphy.
The third is that the strokes of cursive script echo each other with each other, which is convenient for quick writing and easy to express the emotions of the writer.
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The yellow word you are talking about should be Huang Tingjian.
Huang Tingjian's calligraphy was originally taught by Zhou Yue in the Song Dynasty, and later influenced by Yan Zhenqing, Huaisu, Yang Ningshi and others, and inspired by Jiao Shan's "Crane Ming" calligraphy, he formed his own style of cursive calligraphy. Huang Tingjian's large-character calligraphy is concise and powerful, with a peculiar structure, and almost every character has some exaggerated long paintings, and tries his best to send them out, forming a new method of knotting words in the middle palace and diverging from the four edges, which has a great impact on later generations. In terms of structure, it is obviously influenced by Huaisu, but the twists and turns of the line are completely different from the rhythm of Huaisu.
Before him, roundness and fluency were the keynote of cursive writing, and Huang Tingjian's cursive single word structure was dangerous, and the chapter method was creative, and he often used the method of displacement to break the boundaries between words, so that the lines formed a new combination, and the rhythm changed strongly, so it had a special charm, and became an outstanding representative of the Northern Song Dynasty calligraphy, and Su Shi became a pioneer of a generation of calligraphy.
Huang Tingjian once had a general confession of learning cursive: "Yu has been learning cursive for more than 30 years. At the beginning, he took Zhou Yue as his teacher, so he has been shaking the vulgar words for 20 years.
Late Su Cai Weng Zi beautiful book view, is the ancients penmanship; Later, Zhang Changshi, Monk Huaisu, and Gao Xian inkblot, which is a glimpse of the wonder of brushwork; In the boat of the road, watch the oars for many years, the group of Ding pulls out, is the feeling of less progress, happy to get, often have to use the pen. From Huang's self-teaching, it can be seen that his learning of grass is first of all learned by Zhou Yue. Zhou Yue's calligraphy is difficult to see now, but its approximate scale can still be imagined from some documents.
Su Shi took Zhou Yueshu as "sinister", and Mi Fu commented on Zhou Yueshu as "strong and sharp". Huang later expressed his views on Zhou Yue's calligraphy after his calligraphy and calligraphy matured in a treatise on calligraphy: "Wang Zhulin's "Lanting" and "Le Yi Treatise", and Zen Master Buyong and Zhou Sanqi's "Qianwen" are all wonderful, and at the same time they are very good at using the pen.
If there are thousands of books in the chest and do not follow the world, then the book will not rhyme, and it will win Li Xitai, Lin and Jing. The one who is beautiful and sick rhymes, written by the king; Those who are strong and sick, Zhou Yue - all the sins of Qu Nong's chest, and the non-scholars are not effective. ”
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The real masters of cursive writing are Zhang Zhi, Wang Xizhi, Wang Xianzhi, Zhang Xu, Huaisu, Huang Tingjian, Zhu Zhishan, Wang Duo, Fu Shan; In modern and contemporary times, it is Yu Youren, Li Zhimin, Lin Sanzhi, ***, Guo Moruo, Zhang Xin, Sun Xiaoyun, etc., and others are not famous for cursive.
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Turning over the history of calligraphy in the 20th century, it can be said that everyone gathers and meets. However, from the perspective of the history of calligraphy, there are not many who can really be called calligraphers. In the first half of the 20th century, the truly representative calligraphers should be "Shen Shen in the South and Yu in the North", that is, Shen Yinmo and Yu Youren; In the second half of the 20th century, it was the "South Lin and North Li", that is, Lin Sanzhi and Li Zhimin.
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There are too many master calligraphers, so I will list them briefly.
Ancient are: Zhang Zhi Zhang Xu, Wang Xizhi, Wang Xianzhi, Mi Fu, Huaisu, Zhang Xu, Su Dongpo, Huang Tingjian, Zhao Mengfu, Wang Duo, and so on.
Today, there are: Yu Youren, ***, Wang Yuchang, Lin Sanzhi, Shu Tong, Qi Gong, Shen Peng, etc.
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Ancient cursive masters include Zhang Zhi, Wang Xizhi, Wang Xianzhi, Zhang Xu, Huaisu, Huang Tingjian, Zhu Zhishan, Wang Duo, and Fu Shan. Modern and contemporary cursive masters include Yu Youren, Shen Yinmo, Li Zhimin, ***, Lin Sanzhi, Shu Tong, Qi Gong, Zhang Xin, Sun Xiaoyun.
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In ancient times, it was Zhang Zhi, Wang Xizhi, Wang Xianzhi, Zhang Xu, Huaisu, Huang Tingjian, Zhu Zhishan, Wang Duo, and Fu Shan. The contemporary is Yu Youren, Li Zhimin, Lin Sanzhi, ***.
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Huai Su, Zhang Xu, Zhiyong, Shen Peng.
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