Knowledge of Chinese culture is urgent!!! Introductory practice questions for Chinese culture, anxio

b is the exact answer.

Fly White Fly White"It refers to the creation of calligraphy, the middle of the strokes are mixed with the slightest white marks, and can give people the feeling of flying, so it is called"Fly white"。Also called Flying White Book. As recorded in Song Huang Bosi's "Dongguan Yu Treatise":

Take its silk hair and say that it is white, and its momentum will fly for it. "Generate strength in writing, so that dry pen is produced"Fly white", contrasting with thick ink and rising ink to enhance the sense of rhythm and rhythm of the work. Also available"Fly white"It makes the writing show a vigorous and simple artistic effect, increases the interest of the work, and enriches the visual effect of the picture.

Of course, the skill of calligraphy is there"Fly white"can also be fully reflected.

Traditional chinese painting. calligraphy"Fly white"It is a typical manifestation of the balance of virtual and real in the traditional Chinese art concept.

I think it should be d.

One of the rhetorical cases. 白, refers to "white characters", and "flying white" is to deliberately write white characters. It is a rhetorical method that is deliberately imitated knowing that it is wrong.

The rhetorical technique of knowing the mistake and deliberately imitating its mistake to achieve the purpose of being funny and interesting is called "flying white". Feibai can be a mistake in recording or quoting other people's language, or it can be a deliberate mistake or misstatement by the author or speaker himself in order to achieve a humorous effect. In terms of the language factors used, Feibai can be divided into phonetic, text, word, grammatical and logical.

Speech Feibai makes use of a variety of inaccurate voices, such as stuttering, tongue biting, and dialects.

31c spouse.

32a Exegesis is the pioneering work.

33.The Book of Soldiers belongs to the classics of the Soldier Family, and should be in Subsection C

Zhou Li 35d Three Kingdoms: The whole book only has Ji and Biography, but no Zhi and Table, which is a big shortcoming.

36b The canonical histories are twenty-four histories, all chronicles.

37 B38a The topic is unrelated. The following are all representatives of this view, excluding akissing, benevolence, and love of things.

Mencius: The old and the old, the young and the young.

University: self-cultivation, sincerity, righteousness, family, governance, and peace in the world.

39b Among the sons of the pre-Qin dynasty, Confucius was not interested in gods and ghosts; Zhuangzi emphasized the way of heaven, and people should follow the laws of nature and be at peace with what happens. Both Confucianism and Taoism adopt an attitude of downplaying and avoiding ghosts and gods, and only Mozi wrote "Heavenly Chronicles" and "Ming Ghosts", which talked about the existence of ghosts and gods, and admitted that the will of heaven was difficult to violate, and seemed to be an out-and-out ghost theist.

Hope it helps, good luck.

Mobilizing multiple angles, both pieces have vision, hearing, and smell. There is also a sense of touch in "Autumn in the Ancient Capital".

The scene is very layered.

Different: The emotional tone of "Moonlight on the Lotus Pond" is a faint joy in a faint sorrow, a temporary tranquility. A lot of rhetoric is used.

In particular, the use of synaesthesia. The scene depicted is a small lotus pond. The emotional tone of "Autumn in the Old Capital" is clear, quiet, sad, and has a nostalgia for the autumn of the old capital.

The rhetoric used is not as classic as "Moonlight on the Lotus Pond". The scenery depicted is unique to northern China, especially Beijing.