As a master of calligraphy, what are his masterpieces?

His credit is not limited to this, but to open up the road of the Erwang calligraphy style, and to impress the development of calligraphy in later generations, we will first analyze the art of calligraphy itself. The wonder of Wang Xizhi's calligraphy lies in the fact that his brushstrokes are exquisite, and the movements of the pen are delicate and complex, but they give people a sense of peace and nature, euphemism and subtlety, and beauty and beauty. It has become a glorious page in the history of the development of Chinese calligraphy.

There is no need to delve into Wang Xizhi himself, he has become a household name.

Chunhua Pavilion Post" is referred to as "Pavilion Post". For more than 2,000 years since the Qin and Han dynasties, most of the authentic works of the law have been lost and extinct. "Pavilion Post" preserves the famous family law books that have been extinct for future generations.

There are historical records: "Wang Xizhi's authentic works in the Tang Taizong (Li Shimin) period, there are still thousands of papers." By the time Song Taizong (Zhao Guangyi) published the "Pavilion Post".There are only one hundred and fifty or sixty pieces, including a large number of facsimiles.

Wang Xizhi's Lanting preface was publicly recommended as the world's first line of books in history, first of all, because it was really well written, and secondly, Lanting Book is still a representative work of mature calligraphy, and Wang Xizhi is completely mature in this line, this status is supreme, and even if it is written well, I'm sorry, I'm the founder, you learned me.

First of all, we must exclude some popular so-called "No. 1 in the world" such as Ouyang Xun, Ouyang Tong father and son; Mi Fu, Mi Youren father and son; Zhao Mengfu, Zhao Yong father and son; Wen Zhengming, Wen Peng father and son, etc. Historical comments are that the son is not as good as the father a lot, and I have not heard of such comparisons as Erou, Ermi, Erzhao, Erwen, etc. Known as the "two kings", there are only Wang Xizhi and Wang Xian's father and son in the history of books.

The interference of tunnel sounds that cannot be verified by anyone's mouth and does not conform to the laws of art, as well as the exaggerated rhetoric deliberately advocated by the imperial power out of ideological considerations.

Wang Xizhi's calligraphy is much more sought after than Wang Xianzhi. I'm one of them. Wang Xizhi's calligraphy is not exciting, peaceful and hearty.

If you like Wang Xian's style, there's nothing wrong with that. Ranking calligraphy is a pointless task. Even the current mobile phones have hard indicators, and they can't be ranked as a whole recognized.

What's more, calligraphy is completely the subjective feeling of the benevolent and the wise.

Wang Xizhi is a famous calligrapher and has many hand-me-down works. I listed the main "Lanting Collection Preface", "Peace Post", "He Ru Post", "Feng Tangerine Post", "Fast Snow Time Eye Post", "Gain and Loss Post", "Funeral Post", "Two Xie Post", "Xing Sui Post", "Frequent Sorrow Post", "Confucius Waiter Post", "Aunt Post" and ......

Orchid Pavilion Preface, Peace Post, Aunt Post, Confucius Post, Deshi Post, etc. have all been made into divine products by later generations.

Wang Xizhi's calligraphy works include: "Sunny Post in the Fast Snow", "Cao E Tablet", "Huang Ting Jing", "Seventeen Posts", "Confucian Servant Post", "Le Yi Treatise", "He Ru Post", "Peace Post", "Buddha's Relic Sutra", "Post After the Rain", "Le Yi Treatise", "Lanting Collection Preface", "Xing Sui Post" and so on.

Orchid Pavilion Preface", "Holy Religious Order", and "Sunny Post When the Snow is Fast" are all precious works left by Wang Xizhi, and the handwriting inside is clear and very neat.

The characteristics and characteristics of Wang Xizhi's calligraphy are that he has the habit of holding a pen in block letters, and pays attention to the colorful, exquisite and guaranteed position of the pen and the pen technique; It has the characteristics of the seal and the rhyme; sluggish pen rate; In the disposal of horizontal folds, calligrapher Zhao Mengfu applied twisting techniques more than turning point techniques; The pen is delicate, colorful, and varied.

Wang Xizhi's greatest achievement lies in changing the simple calligraphy style of the Han and Wei dynasties into a delicate and beautiful calligraphy style, creating a precedent for Yanmei and smooth line and cursive calligraphy. In particular, the book "Orchid Pavilion Preface" is like flowing water, chic and elegant, delicate bones, beautiful dot painting, sparse and dense, and ingenious white cloth, which contains a very rich artistic beauty within the size. Regardless of horizontal, vertical, point, apostrophe, hook, fold, pinch, it can really be said that the pen is extremely wonderful.

A calligrapher known as the "Saint of Calligraphy".Wang XizhiAbsorb the essence of the art of calligraphy of the ancestors, originality of a family, good at block letters, official calligraphy and cursive style, his words are beautiful and refreshing, "floating like a flowing cloud, like a dragon". Comprehensive Douban book reviews of all generations, calligrapher Zhao Mengfu's calligraphy is unique, varied, self-contained, and superb, that is, the regular letters, the official script and the grass style (today's grass).

Wang Xizhi's masterpiece

The regular script or the true script is a kind of script produced in the whole process of the evolution of the seal script. In Han Jian, the development process has been seen. In the Han Dynasty, when seal scripts were popular, the block letters were only fashionable in folk customs.

At the end of the Han Dynasty, the Three Kingdoms, and the Western Jin Dynasty, because of the production, processing and refining of literati and scholars, a posture different from that of seal script was produced, and it became a fashionable book style.

Wang Xizhi's regular script "has changed into an ancient form" and has made a positive contribution to the stereotype of modern regular script. During the Eastern Jin Dynasty, Wang Xizhi sprung up, and the small regular script written by him has been cherished by the people of the time. His representative works include "Le Yi Theory", "Huang Tingjing", "Oriental Shuo Painting Praise", "Taishi Zhen", "Luo Shen Fu", "Persuasion Table" and so on.

At the beginning of the Tang Dynasty, when Taizong of the Tang Dynasty collected the king's book, he included "Le Yi", "Huang Ting", "Painting Praise", "Lanting" and other posts into the inner house.

His calligraphy is mainly characterized by being very elegant, feeling very agile and powerful, with the rhyme of the seal; Its representative works mainly include the preface of the Lanting Collection, the Theory of Le Yi, the Funeral Post, the Early Moon Post, and the Huang Tingjing.

I think the characteristics of Wang Xizhi's calligraphy are peaceful and natural, the gestures are euphemistic and subtle, beautiful and beautiful, and he has created a precedent for beautiful and smooth cursive calligraphy; I think his representative works include the Preface to the Lanting Collection, the Huang Tingjing, the Le Yi Treatise, the Seventeen Posts, the First Moon Post, etc.

His calligraphy pen is strong and strong, the speed is even, the starting and closing movements are very delicate, the form is moderately rich, natural and subtle; Representative works include Huang Tingjing, Lanting Collection Preface, Early Moon Post, and Holy Religious Preface.

Very chic, particularly smooth, round, such as, different postures, the representative work has an orchid pavilion preface, is a very famous work.

His calligraphy is characterized by euphemism and subtlety, and the brushstrokes are very peaceful and natural, which makes people look very comfortable.

Wang Xizhi's calligraphy is peaceful and natural, and the written test is more tactful and subtle, and it feels very fit.

Chic and elegant, the achievement of calligraphy characteristics. Writer Yang Daxia Yang Ke revealed.

Wang Xizhi, the word Yi Shao, Langya Linyi (now Linyi, Shandong), a famous calligrapher in the Eastern Jin Dynasty, known as the "sage of calligraphy", and his son Wang Xianzhi together called the "two kings". [1]

Wang Xizhi once served as secretary of the army, general Ning Yuan, Jiangzhou assassin and other positions. Its calligraphy is good at both li, grass, Kai, and line, carefully studying the posture, absorbing the strengths of others, getting rid of the Han and Wei pen styles, becoming a family of its own, far-reaching influence, and the representative work "Lanting Collection Preface" is known as "the first line of books in the world".

Chinese name.

Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty, is known as the "Saint of Calligraphy". For thousands of years, Wang Xizhi's calligraphy has been based on the calligraphy as the mainstream of Chinese calligraphy, so what are the characteristics of Wang Xizhi's calligraphy? Let's explain the characteristics of Wang Xizhi's calligraphy.

Characteristics of regular script: Wang Xizhi's outstanding achievement in regular script is "changing the ancient form", which has made a positive contribution to the stereotype of modern regular script. His 'ancient form' in regular script should be relative to Zhong Xuan's regular script style.

Zhong Xuan's regular script authenticity, Wang Xizhi should have seen a lot at that time, and there is indeed a record of the "Declaration Table". In Wang Xizhi's regular script, Zhong Xuan's flipping and flying gestures are gone, and they are replaced by the regular and well-proportioned gestures of returning to the front. Wang Xizhi extended the vertical strokes downwards to make them straight, and the other dot strokes were symmetrical, so there was a tendency to spread vertically.

Wang Xizhi's pen, a change of Zhong Shu's subordinate pen start and end, in the beginning of the pen there is a frustration of the pen action, mostly with a square pen into the paper; The pen is not concerned with folding the pen and pressing it again, but lightly lifting the belt; In terms of pen speed, it is slow and urgent; In the shape of the strokes, it is even and tight, and it is like a array. After such a transformation, the regular script font in the hands of Wang Xizhi, the configuration relationship between the strokes is basically established, the knot body becomes horizontal to vertical, regular and vigorous, graceful and elegant, and generous. This is a huge change.

After this revolution, Wang Xizhi introduced the regular script into the dignified and vivid stage of "modern style". And the final completion of this change was in the Tang Dynasty, where the law was strict.

The characteristics of calligraphy: his "Lanting Post", the penmanship is rich in variety, the pen is strong, the speed is smooth, the form is colorful, natural and subtle, and the knot is flushed and peaceful, not excited. "Funeral Post" is fast, jumping and closing, with grass in the line, single words are connected, emotions are agitated, and the strokes are vigorous.

These two posts are the representative works of Wang Xizhi's new style of calligraphy, and have become the "legal code" of the calligraphy, which will be followed by future generations. As soon as Wang Xizhi's new style book came out, Zhong Xuan's book seemed ancient and old. The people of the Eastern Jin Dynasty admired beauty, and the trend of the times tended to be new and tired of the old, and Wang Xizhi's writing became a model for high-ranking officials and nobles, scholars and literati to imitate, thus ending the era when Zhong Xian's books dominated the book world.

After that, the development of Xingshu basically did not deviate from Wang Xizhi's rules and style.

Wang Xizhi's calligraphy has influenced generations of scholars. Ouyang Xun, Yu Shinan, Zhu Suiliang, Xue Ji, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, Yang Ningshi of the Five Dynasties, Su Shi, Huang Tingjian, Mi Fu, Cai Xiang of the Song Dynasty, Zhao Mengfu of the Yuan Dynasty, Dong Qichang of the Ming Dynasty, these famous calligraphers of the past dynasties were convinced by Wang Xi's heart, so he enjoyed the reputation of "Calligraphy Saint".

Are you still satisfied, dear?

Wang Xizhi's calligraphy works have been copied by many people, which shows his high calligraphy attainments.

His works are mainly pressed, the lines are occasionally twisted, the pen is clean and neat, without the slightest delay, the whole text is fluid, and the lines are full and thick.

Therefore, looking at Wang Xizhi's characters, I really appreciate the charm of calligraphy.

Main features of Wang Xizhi's calligraphy:

1. The penmanship is exquisite, the pen is chic and elegant, and the gesture is euphemistic and subtle, like flowing water.

2. The body is beautiful, the bones are delicate, and the dot paintings are sparse and dense.

3. The chapter is ingenious, and there is abundant artistic beauty within the size. Regardless of horizontal, vertical, point, apostrophe, hook, fold, pinch, it can really be said that the pen is extremely wonderful.

Wang Xizhi's calligraphy is divided into three points, the strokes are smooth, and each stroke has a very tasteful taste, and is now used by many people as a model for copying.

Wang Xizhi's calligraphy works are peerless.

Chinese calligraphy is an ancient art of writing Chinese characters. Chinese calligraphy has evolved from oracle bone inscriptions, stone drum scripts, and Jin scripts (Zhongding scripts), to large seals, small seals, and official scripts, and then to cursive, regular script, and line scripts adopted in the Eastern Han Dynasty, Wei and Jin dynasties, and calligraphy has always exuded the charm of art. Chinese calligraphy is a very unique visual art.

Chinese characters are an important factor in Chinese calligraphy, because Chinese calligraphy was born and developed in Chinese culture, and Chinese characters are one of the basic elements of Chinese culture. Chinese calligraphy, which is based on Chinese characters, is the main mark that distinguishes it from other calligraphy. He is, of course, the first of the four greatest calligraphers in Chinese history!

Wang Xizhi (303-361, 321-379), a famous calligrapher in the Eastern Jin Dynasty, was known as the "calligrapher". A native of Langya (now Linyi, Shandong), he later moved to Jishan Yin (now Shaoxing, Zhejiang), and lived in seclusion in Jinting County in his later years. His work "Orchid Pavilion Preface" is the most famous.

"Orchid Pavilion Preface" is worthy of a classic of beauty, reading its text, appreciating its books, and tasting its interest is an extraordinary artistic enjoyment. Lanting calligraphy, in line with the most basic aesthetic aesthetics of traditional calligraphy, "literary but not flashy, quality but not wild, not aggressive, gentle and elegant." "As a master of calligraphy, Wang Xizhi is the first.

Yan Zhenqing (709-785) was an outstanding calligrapher and great patriot of the Tang Dynasty. Han nationality, the word Qingchen, Langya younger brother (Zhuren Village, Fei County, Linyi City) people. His great-grandparents, grandfather, and father all wrote seals, and his mother, Yin, was also good at calligraphy.

Together with Zhao Meng, Liu Gongquan, Ouyang Xun and others, he founded the "Yanti" regular script, and said that "everyone in the four regular scripts".

<> Ouyang Xun (557-641), although many works have survived to this day, only a few ink copies exist, and most of them are inscriptions and rubbings. The famous calligrapher Ouyang Xun of the Tang Dynasty wrote "Zhongni Dream Stacking", which is centimeters long and centimeters wide on paper. This is one of his four extant ink paintings.

It is now in the collection of Liaoning Provincial Museum. The so-called association is the form of combining the strokes of the word into a whole, also known as "structure". Since Chinese characters are composed of dots and dots, when writing, the arrangement of dots and strokes should take into account the density of the relationship between them, and blank spaces must be checked at the upper ink, so it is also called "cloth white".

According to legend, "Ouyang Xun's Thirty-six Laws" was written by Ouyang Xun, a great calligrapher in the Tang Dynasty. Because there are words such as "Gaozong calligraphy book" and "Mr. Dongpo Yun" on the text, the house of the descendants must have been written by the Song and Yuan people.

Wang Xizhi's calligraphy is recognized as one of the best in the world, and the calligraphy he left behind is the standard imitated by countless descendants, and this artistic achievement can be said to be quite high.

Wang Xizhi's calligraphy achievements lie not only in his ability to prepare all kinds of calligraphy and collect the masterpieces of calligraphy at that time, but also in the fact that he was able to become a family of his own and create a unique style of calligraphy of the Wang School. During the Han and Wei dynasties, the art of Chinese calligraphy developed to a glorious stage. In addition to the two types of calligraphy of Han Li and Zhangcao, people also innovated Xingshu and regular script.