Xia sense appreciation sentences, sentences about Xia excerpts and appreciation?

1. Change the word to taste. Example: "But I want to shout praises about this ** summer between spring and autumn."

**Is it good to change to "golden"? "**" not only writes color, but more importantly, writes Xia's "precious". Teacher Zhao changed like this, and this change, the children not only "tasted" the sentence, but also "tasted" the "summer".

2. Look at the beauty of rhetoric. Example: "It's as if a pot of water on a stove is gradually bubbling and bubbling until it finally boils."

It has a visual effect and should be closed in the first sentence of the opening chapter to highlight the "intense, warm, and urgent" characteristics of summer. Originally, these "characteristics" were abstract, but here we use metaphors to turn abstraction into concreteness.

3. Look at the sentence structure. "The color of spring is cold green, like blue waves, like tender bamboo, full of hope; The color of autumn is hot red, like the sunset, like red leaves, marking the ultimate of things. These two sentences describing spring and autumn are highly generalized and vivid.

They have the same sentence structure, the same number of words, and the sentences are staggered and catchy.

4. Look at the keywords. "The fine grass on the hillside gradually grew into a dense thick hair, and the faint green smoke on the forest belt also condensed into a long wall of dark colors. There are two verbs here, "nourishment" and "condensation", both of which are written as "grass" and "green" in summer, one is like "thick hair" grass, and the other is like green smoke on a long wall.

The two verbs write the process of change from spring to summer, "nourishment" contains the meaning of prosperity and growth, and "condensation" means condensation. Another example: "The fiery red sun bakes a golden earth, and the waves of wheat roll, beating the mountains in the distance, the clouds in the sky, and the cars on the road, like the waves of the sea surging ships one after another."

The words "baking", "fluttering" and "gushing" can still be playful.

1. The grandeur of winter is restrained, and only summer gives it all.

Appreciation: Here is a contrasting technique, through the winter snow, thousands of miles of ice, thousands of miles of snow drifting, the earth is vast, and the mountains and rivers are majestic. But everything is silent, to set off the heat of summer.

Cicadas chirp, frogs chirp, unknown bugs. All of them are a better way to describe summer. The heat of the sun.

The cicada's exertion, the frog's tirelessness.

2. The midsummer evening breeze, the beer spilling over the rim of the glass, and you. Appreciation: Imagine it in your mind.

A midsummer evening breeze, a hustle and bustle of a barbecue stand, a fiery beer, and a loved one. What a beautiful picture. There are no more techniques here, using the most simple words, to paint a beautiful picture.

In the writings of poets and writers, summer is not a season of favor. Perhaps, the germination of spring flowers can give people a kind of pleasure of regeneration, and the harmony of spring can make people's feelings be released; Perhaps, autumn's'Harvest can give people a kind of mature satisfaction, and the loneliness of autumn can make people's hearts be vividly vented; Therefore, chanting spring and autumn, ancient and modern dances and ink makers, almost like carp crossing the river. And what about Summer?

Maybe it's too hot, too dense, too "too thick to melt", so it always gives people a sense of disharmony and overload.

Appreciation of "Summer Sense".

Summer is not a favored season in the writer's writing. Perhaps, the germination of spring flowers can give people a kind of pleasure of regeneration, and the harmony of spring can make people's feelings be released; Perhaps, the harvest of autumn can give people a kind of mature satisfaction, and the loneliness of autumn can make people's hearts get a dripping catharsis; And what about Summer? Maybe it's too hot, too dense, too "too thick to melt", so it always gives people a sense of disharmony and overload.

Therefore, chanting spring and autumn, ancient and modern dances and ink makers, almost like carp crossing the river. And what about Summer? Either the face is hideous and disgusting, or it is written as "ruthless thoughts when you sleep every day" and "tired hands throw away books and long dreams in the afternoon", revealing a helpless sense of loss in a relaxed and leisurely way.

However, the article "Summer Feeling" is full of enthusiasm and "loudly praises this ** summer between spring and autumn." Summer is the season of accumulation and precipitation to create a majestic trend, and it is the season of connecting the past and the next; Xia is holding up the arms of golden autumn; Summer is indispensable in the changing of the seasons. Without summer, the germination of spring falls into nothingness; There is no envy stool next summer, and the joy of autumn will be the water and the moon.

Embrace and love summer, embrace summer, love summer is to embrace our life, love our life, and open our eyes. In addition, part of the content of the article is used to describe the working people, which reflects the author's love and respect for the working people.

Although the poem is written in the hot summer, it shows a cool, quiet, quiet and hazy atmosphere, showing the poet's leisurely and open state of mind.

The first three lines of the poem focus on depicting a quiet world in the hot summer to set off the comfort of a nap.

The first sentence writes about the place of napping, "deep" indicates that the courtyard is deep and quiet, because of the silence, and feel "clear", reflecting the synaesthesia between the object and the self, so that people intuitively feel the pleasantness of taking a nap here.

The second sentence writes about the environment outside the hospital. The courtyard is cool, the pomegranate flowers are blooming outside the window, and you can still feel its bright colors through the curtains. As you can imagine, the poet is lying on a mat, and the pomegranate flowers reflect the interior of the room, the colors are soft and hypnotic.

The third sentence synthesizes what the previous two sentences have said, pointing out the time of noon, saying that the courtyard is deep, and the noon is also green and shaded, and it is refreshing. Through the above three sentences, all the conditions for a nap have been met, and you can take over writing a nap, but the poem jumps away and wakes up directly from a dream, using the pen flexibly. After waking up from the dream, it was quiet, and it was contrasted by the intermittent warbler sound from time to time.

After waking up, it is quiet and comfortable, and it is conceivable that it is quiet and comfortable when sleeping, which is the "summer meaning" that the poet wants to express.

The poem is written in four verses around a nap. The first three sentences are before the nap, and the last sentence is after the nap, and the nap is not written directly, but the nap has been included in it, and the pen is lively and jumpy. The poems are also in line with the summer, constantly using color to express the scenery and express the poet's satisfied mood, which is in stark contrast to the heat and depression that the summer afternoon should give people.

There are three points to note about the expression of the poem:

The pen is light and ethereal: write the courtyard, and the ink falls in the deep courtyard; When writing pomegranate flowers, a curtain is applied; Write about green trees, which can be seen from the clear yin; Writing the yellow warbler, you can hear it from the cry, and the sentences are written from the void, so it constitutes a bright and ethereal artistic conception corresponding to the day and night.

The structure is natural and ingenious: the poem is written about daytime sleep, and the first three sentences are actually the scene before falling asleep, but it is not until the last sentence that the word "dream" is used to identify it, and the scene after sleep is continued. It seems that it is not continuous, in fact, the first three sentences of the quiet and hazy atmosphere are all foreshadowing, and the phrase "day at noon" first buries the line of day and sleep, and when the last sentence is clear, I feel quietly falling asleep, waking up suddenly, the wind is lively and gratifying, and the disease of quality is avoided.

The style is clear but not weak. In the Tang Dynasty, Chang Jian's "Title Poshan Temple Backyard" cloud: "The winding path leads to the secluded place, and the flowers and trees in the Zen room are deep", the image is similar to one or two sentences of this poem, but Chang poem writes the thought of the world, the sense of annihilation, this poem is free and uninhibited.

Ouyang Xiu called Shun Qin "heroic and presumptuous" ((sacrifice Su Zi Meiwen), so although the same writing Qingjing, but can be beautiful and handsome in the clear and remote in the clear and remote, clear but not weak, easy air circulation, in the Wang, Meng family outside the tree of a style.

The excerpts of Xia Gan's good words and sentences are as follows:

1. There are many Dutch chrysanthemums, with small leaves and shaped like copper coins, which are specially opened when the weather is cold. Now is also their festival, hugging together, raising their little faces and smiling. Bees and butterflies kiss their faces.

2. In summer, when the spring blossoms and autumn fruits, it is natural to respond to the neutral yellow harvest and hope is not over, it is a peak season for the past and the future, and the alternation of life.

3. Gold dominates everything in the world, and the hot wind floats, drifting across the fields, blowing the fragrance of ripe wheat.

4. At this time, they are no longer in the spring breeze and light rain, but under the steaming of the summer, they are vigorous and vigorous, making the final sprint to the end of autumn.

5. The petals layer by layer, forming a small group, fluffy, even one, and thousands of flowers, woven into a flower garden in the shape of a strip of pei, around the middle of the building, along the road, quietly shining with their brilliance.

6. In summer, in the hot sun, I look at the dense hawthorn trees, and I feel much cooler. The little green fruit showed its little face under the leaves, as if it was playing hide and seek with me.

7. The spring rain is continuous, the autumn rain is dashing, and the winter rain is miserable. The sound of the rain in these three seasons always feels cold and gloomy, and it is easy to arouse people's sorrows, and the wanderers in other places and the long-term patients are even more unbearable. Only the scorching summer rain came generously and vigorously, like a roaring symphony, which sounded different.

8. Probably, the spring dissolves, and the autumn waves are surging; And the summer is always soaked in bitter sweat.

9. I want to praise loudly this ** summer between spring and autumn.