What is the genre of the Book of Poetry, and the Book of Poetry is the earliest collection of poems

The Book of Songs is a modern poem created in accordance with the format and characteristics of the Book of Songs. Its characteristics are similar to those of the Book of Songs, mainly based on four words, with miscellaneous words. In terms of structure, the form of repeated chapters and sentences is mostly used to enhance the lyrical effect.

"The Book of Songs" is divided into elegant songs from the content, and compared with the technique of the method, which is mainly based on four words, and repeated arias to achieve the effect of singing and sighing.

The expression techniques of the Book of Songs are divided into three types: endowment, comparison and xing. Among them, "Fu" is the technique of laying out the narrative directly, and "comparison" is the analogy, "metaphor"; "Xing" means to rise, "to foretell other things to cause chanting". Fu, Bi, Xing and wind, elegance and song are collectively called the "Six Meanings".

Lai Yan headlines.

The Book of Songs is the first collection of poetry in China, which is a visual reflection of the social life of China at that time.

The writing technique of describing and reflecting reality in the Book of Poetry has created a fine tradition of realism in poetry creation. The poetry creation of poets throughout the ages has been influenced by the Book of Songs to varying degrees.

It is the beginning of ancient Chinese poetry, and the Book of Songs is China's first collection of imitation poems in the style of realism.

The Book of Poetry is a folk song, which comes from the life of the people at the bottom of the most cultivation and fiber, like the original ecological song Zhenghu, straightforward, transparent, simple and harmonious.

The main form of the Book of Songs is ().

a .Five-word poem.

b .Seven-word poem.

c .Four-word poem.

d .Miscellaneous poems.

The answer is: CFour-word poem.

The Book of Songs is recorded as the lyrics that have been used in music. The style of the "Book of Songs" is divided according to the nature of ** and the difference of the group.

Divided into wind. There are three categories: Ya and Song. Wind. It's a different region of the place**. The poems of "Wind" are folk songs collected from 15 regions, including Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng.

Mostly folk songs.

Elegant. It is the ** of the region directly under the jurisdiction of the Zhou Dynasty.

That is, the so-called positive vocal music.

A total of 40 articles. From the point of view of ideological and artistic value, the three songs are not as good as the two elegances, and the two elegances are not as good as the fifteen national styles. The Book of Songs comprehensively presents the social life of China during the Zhou Dynasty and truly reflects the historical outlook of China's slave society from prosperity to decline.

Some of these poems, which record the birth of Houji to the defeat of King Wu, are historical narrative poems about the origin, development and establishment of the Zhou tribe. Some poems, in a cynical tone, vividly reveal the greedy and parasitic nature of slave owners, sing the people's cry of resistance and yearning for an ideal life, and show the awakening of slaves during the collapse of slavery. There are also many poems that depict the love lives of young men and women.

The so-called "Six Meanings" of the Book of Songs, among them, wind, elegance, and song, refer to the classification of styles; Fu, compare, and rejuvenate are in terms of expression. Regarding Fu, Bi, and Xing, Zhu Xi of the Song Dynasty made a more accurate explanation in the "Collected Poems": "The endowed person is perfunctory and straightforward; Compare with the other; Those who are excited, prophesy other things to cause the words to be sung.

The successful use of the techniques of endowment, comparison and rejuvenation is an important reason for the strong terroir of the folk songs of the Book of Songs. The Book of Songs is mainly composed of four words, with miscellaneous words. In terms of structure, the form of repeated chapters and sentences is mostly used to enhance the lyrical effect.

Each chapter only changes a few words, but it can be retracted to the artistic effect of whirling and twisting. In terms of language, it mostly uses double-tone overlapping rhyme, overlapping words and continuous words, knowing the brightness to the shape, onomatopoeia, and poor appearance. "Less is always more, and the situation is exhaustive".

Furthermore. The "Book of Songs" rhymes with some sentences, some rhymes with each other, some rhymes to the end, and some rhyme halfway, and the rhyme rules of modern poetry are almost all in the "Book of Songs".

The Book of Songs is a glorious starting point for Chinese realist literature. Because of its rich content and high intellectual and artistic achievements, it occupies an important position in the cultural history of China and the world. It inaugurated the excellent tradition of Chinese poetry and had an indelible influence on later generations of literature.

Its form is basically a neat four-word style, with a rhythm of two beats per phrase, which is obviously developed on the basis of the original ballad, adapted to the social life and linguistic development of the time. In the Western Han Dynasty, five-character poetry quietly emerged among the people, but literati poetry was still dominated by four-word poetry. After the Eastern Han Dynasty, five-character poems occupied the main position in the poetry world, and four-character poems gradually declined.

The only poems that can inherit the legacy of the "Book of Songs" and can be called four-word poems are only a few poems by Cao Cao, Ji Kang, Tao Yuanming, Han Yu, Liu Zongyuan and others.

The main forms of the Book of Poetry are endowment, comparison, and xing.

It mainly uses four-character poems and intervals to rhyme, but it is also rich in variations, including two or three words.

The sentence patterns of five words, six words, seven words, and eight words appear to be flexible and diverse, and the reading is staggered.

The Book of Poetry was written in the Spring and Autumn Period, and the Han Dynasty taught the Book of Poetry to Qi (Shen Pei), Lu (Mao Heng), Han (Han Ying), and Mao (Zhao Ren Mao Chang). After the Eastern Han Dynasty, the Qi, Lu, and Han families were lost successively, and only "Mao's Poems" remained.

Gaiden. Mao's poems prevailed after the Eastern Han Dynasty and have been passed down to this day.

Historical and folklore values

From the perspective of historical value, the Book of Songs actually comprehensively reflects the Western Zhou Dynasty.

The history of the Spring and Autumn Period records the historical development and current situation from the Western Zhou Dynasty to the Spring and Autumn Period in an all-round, multi-faceted and multi-angle manner, covering a wide range of aspects, including almost all aspects of society - politics, economy, military, folk customs, culture, literature, art, etc.

When the historical books of later historians describe the situation of this historical stage, a considerable part of it is based on the records of the Book of Songs. Such as "Daya".

The epics such as "Shengmin" were originally odes to the ancestors, which belonged to the ancestral poems, and recorded the matriarchal clan society of the Zhou Dynasty.

In the later period, the history of the founding of the Shang Dynasty in the Zhou Dynasty praised Houji.

The brilliant exploits of Gong Liu, King Tai, Wang Ji, King Wen, King Wu, etc.

The historical value of these poems is obvious, they record the emergence and development of the Zhou clan and the historical process of destroying the Shang and building the Zhou Dynasty to unify the world, record the important historical conditions such as the great migration and the great war in the process of this historical development, and reflect the political, economic, folklore, military and other aspects of the Zhou clan, leaving valuable historical materials for future generations. Although these historical materials are mixed with mythological content, there is no denying that there are historical facts.

The style of "Chu Ci" is poetry, the poem is full of the author's thoughts and feelings and rich imagination, the language is concise and vivid, with a distinct rhythm, harmonious rhyme, rich in beauty, sentences are generally arranged in lines, and the beauty of structural form is emphasized. It has the following four characteristics:

1. The content of poetry is a highly concentrated and generalized reflection of social life.

2. Poetry is lyrical and eloquent, with rich feelings and imagination.

3. The language of poetry has the characteristics of conciseness, image, harmonious tone, and distinct rhythm, and the language has the best beauty.

4. In terms of form, poetry is not based on sentences, but on actions, and the lines are mainly based on rhythm, rather than meaning.

Introduction to Chu Ci

Chu Ci, also known as "Chu Ci", is the only type of poetry created by Qu Yuan, a great poet of the Warring States Period. The work uses the literary style and dialect rhyme of Chu (now the first area of the two lakes) to describe the mountains and rivers of Chu and the historical customs, which has strong local characteristics. During the Han Dynasty, Liu Xiang compiled Qu Yuan's works and Song Yu's works "inherited from Qu Fu" into a collection called "Chu Ci".

And it has become a collection of poems that has a profound impact on Chinese literature after the Book of Songs. It is also the first collection of romantic poetry in China.

The expression techniques of the Book of Songs are divided into three types: endowment, comparison and xing. Among them, "Fu" is the technique of laying out the narrative directly, and "comparison" is the analogy, "metaphor"; "Xing" means to rise, "to foretell other things to cause chanting". Fu, Bi, Xing and wind, elegance and song are collectively called the "Six Meanings".