Is there the ugliest calligraphy? The ugliest calligraphic font

Let's just take that as you ask""Ugly" refers to deviating from the aesthetic requirements of the public, so Xu Wei is a typical example, and his books are sloppy, twisted and implicated, and covered throughout, which really cannot be called beautiful. However, exploring the spiritual world of the writer, Xu Wei went crazy after the death of his wife, in addition to the sorrow of his life experience expressed in "Grape Picture", which is also an expression of his true temperament. Therefore, his works that are out of ordinary people certainly have their own spiritual world.

Leaving aside the in-depth exploration, the most evil calligraphy of the viewer can be said to be the ugliest, such as the forced paper ghost drawing of the paper ghost who does not understand calligraphy is ugly, at least the contemptible people think so. Thank you.

No! All living beings are equal, not to mention the calligraphy of all living beings.

Please define technical art: everything is art, and art is nothing.

Calligraphy has a law. It's not that the messier the better, and the uglier the better. Calligraphy is an art.

Due to the overall quality, artistic accomplishment and preference of the creators, the works written are also in different forms. Isn't there a saying that ugliness to the extreme is also a kind of beauty? It is up to the reader to figure it out for himself.

There is no ugliest, only uglier.

If it has become calligraphy, then there is no question of beauty and ugliness, in general, each has its own merits, it depends on your aesthetic angle.

It cannot be said that painting is an expression ...... of people's subjective consciousnessIt's the beauty of people! ......

There is u, written by a child under the age of 5.

In the past, calligraphers were admired by tens of thousands of people, but after the Internet began to be profitable, many ** calligraphers appeared in everyone's field of vision, and refreshed everyone's view of calligraphers.

Zeng Xiang, this person is a celebrity in the calligraphy world, and is also the tutor of the Master of Chinese Art Studies, with a variety of identities, but on the ** of the Internet, this gentleman will write after yelling twice every time, and there is no artistic atmosphere between the lines, and some people compare it with Wang Dongling, which has caused netizens to shout angrily**.

Wang Yong, who also had a good track record in art education in China, began to work on new calligraphy and promote weird calligraphy in his later years, causing his evaluation to plummet.

Wo Xinghua, who has some connections with the previous one, after he evaluated Wang Yong's works as "ugly books", he began to become the same handwriting as Wang Yong, and it is also very abstract and not favored by the industry.

Liu Yanhu, who is a professor at the School of Chinese Painting in CAFA, added his own personality to his later creations, resulting in his works being abused by the industry and on the Internet, all of which accused him of destroying calligraphy.

Yu Mingquan, netizens commented on him, saying that the font is more abstract, which cannot be called Chinese painting, and it damages the artistry of Chinese painting.

Wang Dongsong, who is well-known for copying the "Orchid Pavilion Collection Preface" in his thirties, but the writing behind is more and more like a child, and the whole calligraphy looks immature and messy.

Bai To, who is also a well-known figure in the industry, and has held many art exhibitions, was still very popular at the beginning, but later the works were not too experienced, and the quality was very low, so that no one wanted to see it and was abused.

Shi Kai's works are also relatively abstract, which cannot meet the aesthetics of modern people, and the overall mess is not as good as the children who learned calligraphy in the early days.

Cheng Fengzi has a certain status and fame in the industry, but calligraphy did not shock people, causing netizens not to buy it.

He Yinghui, like the previous one, became famous at a young age, but his works were still not bought by the public, resulting in a decline in his reputation.

The ugliest calligraphy font is: ugly book.

"Ugly book" means that the words that are written, the glyph is very ugly, the form is very ugly, and there is no artistic expression of public aesthetics. "Ugly books" have existed since ancient times.

If the oracle bone inscription is compared with the modern regular script, the oracle bone inscription has large and small, positive and side, not as regular as the regular script, and the feeling is written by hand, and there are some works of the later Jianshu, the Northern Wei Dynasty and other periods, are all "ugly books", these works do not have the requirements of the glyphs, and there are no rules and regulations on the form, giving people the feeling that they are written casually and at will. "Ugly books" do not belong to the category of popular aesthetics.

Calligraphy is a unique form of artistic expression of the beauty of words in China and the surrounding countries and regions that have been deeply influenced by Chinese culture. Including trembling ruler Chinese calligraphy, Mongolian calligraphy, Arabic calligraphy and English calligraphy. Its "Chinese calligraphy" is a traditional cave-only art unique to Chinese characters.

Broadly speaking, calligraphy refers to the rules of writing text symbols. In other words, calligraphy refers to the writing of words in accordance with their characteristics and meanings, in their style, structure and chapters, so as to make them aesthetically pleasing works of art. Chinese calligraphy is an original expressive art of the Han nationality and is known as:

Poetry without words, dance without lines; Painting without pictures, music without sound, etc.

The precision of the penmanship is the key to testing the skills of a work and a calligrapher. Wang Shengqian said that "the slight back, no death", which shows how important it is to be precise in penmanship.

The layman looks at the bustle, and the insider looks at the doorway.

Look at the lively, generally look at the surface, the surface looks pleasing to the eye, comfortable feel good; Look at the doorway, look at the knot, rhyme, penmanship, chapter, ink, personality, inheritance, innovation, etc.

To put it simply, the layman pursues personal and simple preferences; Insiders appreciate the degree of artistry and professionalism (more appeals, richer connotations), which is like the same driver, layman: driving, as long as the road is smooth, you can reach the destination smoothly; Insider: Self-driving travel, in order to enjoy the beautiful scenery, food, good air, good weather, scenic spots and attractions along the way.

The same driver, the two have different demands, and the natural results are different.

"Calligraphy" is an art, art is higher than life. It requires a certain level of appreciation and artistic accomplishment to understand, and there is a threshold. For ordinary people who are accustomed to reading "characters", looking at "calligraphy" often feels that the words written by many calligraphers are different, and even feel ugly.

Because it does not meet its own inertial aesthetic needs, it will be repulsed, and "ugly" is a high probability thing.

With the development of the times, the rise of computers and mobile Internet, the thumb has replaced many writing needs, and even hard pen writing has been greatly impacted, and brush writing has become history. The popularization of calligraphy has become difficult, and there are many people. Losing the soil and cultural atmosphere for the cultivation of calligraphy art will naturally weaken the ability to appreciate calligraphy art, and it will inevitably fall into clichés.

The art of calligraphy is broad and profound, passed down from generation to generation, after thousands of tempers and years of baptism, the artistry has developed to a very high level, I hope not to give up its artistic essence and professional training because ordinary people feel "ugly".

Chinese brush calligraphy, each has its own strengths, collectors have their own strengths, that is to say, "there is no best, only better".

This is the work of Mr. Sun Boxiang, a modern calligrapher who is currently a director of the Chinese Calligraphy Association, a member of the Creation Review Committee of the China Calligraphy Association, a professor of the China Calligraphy Institute, a member of the Tianjin Federation of Literary and Art Circles, and the vice chairman of the Tianjin Calligraphy Association. Sun Boxiang's calligraphy is not exactly Weibei calligraphy in the pure sense, but an artistic masterpiece that is strong and elegant, and dangerous and upright, is the unity of inheritance and innovation, and is the crystallization of skill and temperament. Can it be considered an "ugly book"?!

Ugly books are a cultural cancer! The normal traditional style of modern brush calligraphy should also be the mainstream of calligraphy. Contemporary calligraphy is represented by:

Shen Yinmo, Qi Gong, Shu Tong, Li Duo, Lu Zhongnan, Liu Bingsen, Shen Peng, Dong Shouping, Shen Honggen, Ren Zheng, Huang Ruozhou, Tian Yingzhang, Tian Yunzhang, Sun Xiaoyun, Su Shi, Ouyang Zhongshi.

Some people say that "ugly calligraphy" is a real calligraphy art, a kind of real calligraphy that will be considered beautiful by everyone after a hundred years, and some people say that "ugly calligraphy" is the charlatan trickery of Jianghu calligraphers, what do you think?

But I don't know what year it was, he began to take the unusual road, embarked on a special road, changed the usual calligraphy style, embarked on the road of "ugly book", maybe his "ugly book" is art in the real sense, because it is completely different from what people in the rivers and lakes wrote, it should be regarded as an alternative "ugly book", full of vigorous pen sense, everywhere reflects the strength, I think it is not accurate enough to call it "ugly book" in the book world, but no matter what, I just can't appreciate it.

Regarding the "ugly calligraphy style" that has emerged in the calligraphy world in recent years, the famous calligrapher Zhang Tongyan described it as "writing in the direction of not beauty, blindly pursuing novelty". "Some of you look like children write something. There are also some words that make you feel that the person who writes is like half-body, trembling.

In his opinion, even if it is cursive, it must be written according to its specifications, and he can't just run away without standing firm. According to him, the typo rate of some of the works in the calligraphy exhibition is as high as 60% or 70%, "most of which are 'new' characters created by the author." Zhang Tongyan analyzed that the endless calligraphy exhibitions made the words that originally belonged to the personal sentiment of the landscape also pursue visual impact, "In the process of 'articulation', some people even forgot the most basic rules of calligraphy 'write the words correctly'." ”

I don't agree, calligraphy is to be appreciated by everyone, most of the ugly books are unacceptable, and they are not beautiful.

I disagree. I think calligraphy is beautiful, even if there is some beauty that most people can't appreciate, but it should be beautiful. Wang Xizhi and Zhao Ji's words are very beautiful.

Disagree. Calligraphy includes many schools, cursive, official calligraphy, line calligraphy, etc. are a kind of calligraphy, not just ugly calligraphy is calligraphy.

Ouyang Xun, a calligrapher with ugly characters.

Ouyang Xun and his contemporaries Yu Shinan, Chu Suiliang, and Xue Ji are known as the four masters of the early Tang Dynasty. He is not only a master of calligraphy, but also a calligraphy theorist, who summed up the eight methods of practicing calligraphy and calligraphy in his long-term calligraphy practice. The New Tang Dynasty Book and the Biography of Confucianism records that Ouyang Xun was "beautiful and sensitive", which shows that Ouyang Xun was indeed an ugly and very intelligent man, and more importantly, his position in Chinese calligraphy is irreplaceable.

What is Calligraphy? Calligraphy is not only the art of writing Chinese characters, but also a unique plastic art ......

In fact, ugliness and non-ugliness are definitely relative. What is the standard of being ugly and not being ugly? Who sets the standards?

How exactly is it defined? As far as calligraphy is concerned, whether it is grass, Likai, Xing or oracle bone inscription, big seal, small seal, whether it is Zhong Zhang or Xi Xian, whether it is Tang and Song dynasties or Ming and Qing dynasties, the style development of calligraphy art is very rich and changeable, and every calligraphy change must be mixed. If everyone clings to tradition, will it still be so glamorous today?

If we simply and rudely regard things that do not conform to our aesthetic views (habits or preferences) as ugly at every turn, then for the party who is degraded as "ugly", how can the other party not be "ugly"?

Take painting as an example, our Chinese painting is divided into gongbi and freehand. As we all know, Gongbi is more neat, delicate and relatively realistic, while Freehand is more rough, generalized and even abstract. So can we simply and rudely define gongbi as beautiful and freehand as ugly?

If it's those beginners who have a very poor level, the brushwork is all beautiful? ......

If so, calligraphy itself is not a purely concrete carrier, and when you have to use the standard of figuration to qualify, it can only be based on who seems to be who is who (like Wang Xizhi's Orchid Pavilion Preface?). Looks like a grandson in court? Like Mi Fu ......Go measure! But don't forget that "death to those who resemble me"!

From a philosophical point of view, when a thing reaches its peak, it will go to the opposite. When the aesthetics are tired, they begin to judge ugliness. Specifically, first of all, your so-called ugly books, strange books, are they really ugly, weird, or they may be ugly when ordinary people look ugly, but they are actually not ugly, but the aesthetics are not at that level.

For example, when Huaisu's cursive script first came out, it may also be considered an ugly book, because the characters are difficult to recognize, and it is not a classic yet. There is also a possibility of selling fame and reputation, wanting to attract attention by making a big news, and this kind of heat will disappear quickly.