Who are the Bada Mountain People? Who are the Bada Shanren refers to

Zhu Qi (c. 1626 - c. 1705) was a painter in the late Ming and early Qing dynasties, and a member of the Ming dynasty. No. Eight mountain people, also known as snow, a mountain, into the house, donkey house, etc., after entering the Qing Dynasty, the name was changed to Daolang, the word Liangyue, the number of breaking the clouds, Han nationality, Nanchang (now Jiangxi) people. After the death of the Ming Dynasty, he cut his hair and became a monk, and later converted to Taoism and lived in Nanchang Qingyun Spectrum Taoist Institute.

The painting is famous for its large-scale ink freehand, and is good at splashing ink, especially the flower and bird painting. In the creation of the natural method, the pen and ink concise, majestic, unique, to create a lofty and vertical style. His freehand paintings of flowers and birds were influenced by Xu Wei, and with his simple and lonely painting style, he became a grandmaster of his own generation.

"Bada Shanren" is the nickname of the famous calligrapher and painter Zhu Qi in the Qing Dynasty. Zhu Qi is a descendant of Zhu Quan, the king of Ningxian of the Ming Dynasty, and in his middle and late years, he used "Bada Shanren" in his calligraphy and painting works until his death. There are various interpretations of the meaning of "Bada Shanren" No. 1:

Chen Ding said in "The Biography of the Eight Great Mountain People": "The Eight Great People, all four corners of the four directions, are all big for me, and no one is greater than me." Zhang Geng said in the "Catalogue of National Dynasty Paintings":

Or say, the mountain people are solid monks, and they try to hold the eight great people to feel the scriptures, because they think it is the number. Some experts believe that the nickname "Bada Shanren" and Zhu Qi's origin are related to the abandonment of monks and the return of monks: "eight" refers to the eighth grandson of Zhu Quan, King of Ning; "Big" and "Hang" are in the same voice, indicating that they are the eighth generation of descendants, and now they have returned to their ancestors.

In addition to the name "Bada Shanren", Zhu Qi also has legal names and aliases such as "Shi Chuanqi", "Blade An", "Xuege", "Geshan", "Donkey", "Donkey House" and so on.

Zhu Qi, a native of Bada Mountain, was a painter in the late Ming and early Qing dynasties.

Bada Shanren's original name was Zhu Qi, also known as Zhu Daolang, known as Liangyue, and Bada Shanren was his document name in his later years. He is a descendant of Zhu Quan, the sixteenth son of Zhu Yuanzhang, the Taizu of the Ming Dynasty. After King Ning changed the title of Nanchang, the descendants of the successive generations lived in Nanchang and other places, divided into eight branches, and the eight mountain people were the seventh grandson of King Yiyang.

His grandfather, Zhu Duo, was a poet and painter who was famous for his landscape painting style. Father Zhu Mou, also good at landscapes, flowers and birds, famous Jiangyou, unfortunately died of a dark disease in middle age, uncle Zhu Mou, is also a painter, author of "Painting History Meeting". Bada Shanren grew up in a clan family, and was nurtured by the art of his parents since he was a child, and he was smart and studious, and he was able to compose poems at the age of eight, and at the age of eleven he could paint green mountains and green waters, and when he was a child, he could also write the Mi family Xiaokai with his wrist.

When he was a teenager, he took the township exam and was hired as a student.

Characters and features of their works

There is an inscription poem in the Eighth National Congress: "There are no ink spots and many tears, and the mountains and rivers are still the old mountains and rivers." The coconut trees in the troubled times are left to be carefully traced by Wenlin.

This first sentence "there are no more ink spots and more tears" is the most concise and concise statement of the characteristics of his painting art and the thoughts and emotions he embodies, and only by following this clue that he suggests can we truly understand and appreciate the great works of art of this painter.

Bada Shanren are good at painting landscapes, flowers and birds. His paintings, the brushwork is indulgent, does not constitute the law, vigorous and round, full of ease, and the chapter is complete without seeking completeness. His flowers and birds are not calculated how many or small, but focus on the status and momentum of the arrangement.

and whether it is used at the right time, surprisingly and cleverly.

His method of winning the three, such as finding deficiencies in the layout of the painting, sometimes uses the book cloud to make up for the meaning. Bada Shanren can poetry, calligraphy exquisite, so even if his paintings are not much, with his inscription poems, the artistic conception is sufficient, his painting code shooting, making people feel small and a lot, this is the artistic ingenuity.

The head of the Bada Shanren has a hole in the front. It's a person.

Bada Shanren is the alias of the painter Zhu Qi in the late Ming and early Qing Dynasties, Zhu Qi's word blade hermitage, the number Bada Shanren, he is the ninth grandson of Zhu Quan, the seventeenth son of Zhu Yuanzhang, Taizu of the Ming Dynasty, and he is the royal grandson.

After the death of the Ming Dynasty, he cut his hair and became a monk, became an outlaw, and later converted to Taoism and lived in Nanchang Qingyun Spectrum Taoist Academy. He is good at calligraphy and painting, and the flowers and birds are mainly freehand in ink and wash, and the image is exaggerated and peculiar.

The pen and ink are condensed and resolute, the style is majestic and timeless, the landscape master Dong Qichang is concise, there is a quiet interest, and the rhyme of sparseness. He is good at calligraphy, can write poetry, and uses very little ink.

Zhu Qi (1626 - c. 1705), formerly known as Zhu Tong