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The brig fog wet my wings.

But the wind won't allow me to hesitate.

Shore, beloved shore.

Just said goodbye to you yesterday.

Here you are again today.

Tomorrow we will be in.

Another latitude meets.

It's a storm, a light.

Connects us.

It's a storm, another light.

Let us divide things again.

Not afraid of the ends of the earth.

Isn't it in the morning and the sun.

You're on my voyage.

I'm in your sight.

Brigs to oak trees.

Goddess Peak, motherland, my dear motherland.

I thought it was a sanitary napkin brand.

The Goddess Peak is in the midst of the various colored handkerchiefs waving at you.

Whose hand was suddenly withdrawn.

Tightly covered his eyes.

When people scattered, who.

Also standing in the stern.

The crowd of clothes flew like a churning cloud.

Jiang Tao raised his voice.

A low voice of beautiful dreams sheds beautiful sorrow.

Heaven on earth, passed down from generation to generation.

But the heart. Can it really be turned into stone?

It is a crane looking out into the sky.

Missed countless times of the moonlight in the spring river.

Along the banks of the river. The torrent of golden chrysanthemum and ligustrum.

I am inciting a new betrayal.

Instead of exhibiting millennium on a cliff.

It's better to cry on your lover's shoulder for one night.

Hui'an woman. Wildfires are in the distance, far away.

In your amber eyes.

Silver ornaments in ancient tribes.

Restrain the soft waist.

Happiness is unpredictable, but a girl's dream.

Dandelions generally fall slowly on the surface of the sea.

Ah, the waves are endless.

Born not to like to talk about suffering.

It is not that suffering has ceased forever.

When the dong flute and the pipa are in the evening light.

Awaken the general sorrow.

You gently bite the corner of the turban in your mouth.

Standing gracefully between the sea and the sky.

Overlooked: your bare feet.

Alkali flats and reefs that have been stepped on.

So, in the cover and illustrations.

You become a landscape, you become a legend.

Shu Ting, formerly known as Gong Peiyu, was born in 1952 in Shima Town, Xiamen, Fujian Province, one of the representative writers of the Hazy Poetry School. In 1969, he went to the countryside to join the queue, and returned to the city in 1972 to work as a worker. In 1979, he began to publish poetry.

In 1980, he worked in the Fujian Provincial Federation of Literary and Art Circles and engaged in professional writing. He is the author of poetry collections "Brig", "Singing Iris", "Archaeopteryx", essay collections "Heart Smoke", "Autumn Mood", "Hard Bones", "Poetry in the Dewdrop", Shu Ting's Anthology (3 volumes), etc. The poem "Motherland, My Dear Motherland" won the 1980 National Young and Middle-aged Outstanding Poetry Award, and "Brig" won the first National New Poetry Outstanding Poetry Collection Award and the 1993 Zhuang Zhengwen Literature Award.

Shu Ting is good at introspection of her own emotional rhythm, and she especially shows the unique sensitivity of women in capturing complex and detailed emotional experiences. The complexity and richness of emotions are often expressed through special sentence structures such as assumptions and concessions. Shu Ting was also able to discover sharp and profound poetic philosophies ("Goddess Peak", "Hui'an Woman") in some conventional phenomena that are often ignored, and wrote about this discovery with both speculative power and moving.

Shu Ting's poems have bright and beautiful imagery, meticulous and smooth thinking logic, and in this respect, her poems are not "hazy". It's just that most poems use metaphors, partial or overall symbolism, and rarely use direct confessions, and the images expressed have a certain degree of ambiguity.

He is the author of a collection of poems, Brig.

"Singing Iris", "Archaeopteryx", essay collections "Heart Smoke", "Autumn Mood", "Hard Bones", "Poetry in the Dewdrop", "Motherland, My Dear Motherland" won the 1980 National Young and Middle-aged Outstanding Poetry Award, and "Brig" won the first National New Poetry Outstanding Poetry Collection Award.

Guo Lusheng (index finger): "Believe in the Future".

Gu Cheng: "One Generation", "Far and Near".

Shu Ting: "To the Oak Tree", "Motherland, My Dear Motherland", "Goddess Peak".

Liang Xiaobin: "I Love Autumn Scenery", "China, My Key Lost".

Yang Lian: "Nuorilang".

River: "Star Variations", "Monument", "Let's Run Together".

At that time, the representative poets were Bei Dao, Shu Ting, Gu Cheng, Jiang He, and Yang Lian, who were later called the "Five Hazy Poets". Now these five people have their own things, and Beidao is still heavyweight, but he mainly rewrites essays; Gu Cheng died tragically in a foreign country; Yang Lian is still wandering around, but his poems are difficult to arouse excitement; The rivers are incognito, isolated and widowed, and have little contact with the outside world; Only Shu Ting has achieved fame, but her influence in the poetry world is declining day by day. Other obscure poets who were active at the time are now nowhere to be seen......Representative works include Beidao's "Declaration" and "Answer", Gu Cheng's "Generation", Yang Lian's "Nuorilang", Shu Ting's "Goddess Peak" and "To the Oak Tree" and so on.

The poets of the hazy school in our country are:Beidao, Gu Cheng, Shu Ting, Index Finger, Jiang He, Yang Lian, Liang Xiaobin, Meng Ke, Haizi, Muye, etc.

Their masterpieces are:Bei Dao's "Answer", Gu Cheng's "Arc", Shu Ting's "Brig", Index Finger's "Believe in the Future", Jiang He's "Star Variations", Yang Lian's "Dormant Volcano", Liang Xiaobin's "China, My Key Is Lost", Meng Ke's "Sunflowers in the Sunshine", Hai Zi's "Facing the Sea, Spring Blossoms", and Makino's "The Name of the Sea is Lonely".

Bei Dao, Shu Ting, Gu Cheng, Hai Zi Bei Dao: "Everything", "Answer", "Declaration" Shu Ting: "To the Oak Tree", "Motherland, My Dear Motherland", "Goddess Peak" Gu Cheng:

Generation", "Far and Near" Haizi: "Facing the Sea, Spring Blossoms".