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One of the two robbers was named France, and the other was England.
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1.For the first time, in 1860, the French army occupied the Old Summer Palace on the 6th of the month, after which the British and French forces began to sack the Old Summer Palace. On October 11, the British army sacked the Old Summer Palace again.
On October 18, British troops burned the Old Summer Palace. During the Second Opium War, the Anglo-French alliance invaded Beijing, and the Qing Dynasty fled in a hurry. The invaders had long heard that the Old Summer Palace was a cornucopia, so they invaded the garden and looted it.
They loaded valuable treasures into carts and transported them back to their own countries. They set fire to the garden again, and the fire lasted for several days, and many buildings in the garden were destroyed, which was the "fire robbery" of the Old Summer Palace.
2.The second time, in 1900, after the invasion of the Eight-Nation Alliance, the remnants of the Old Summer Palace were looted again, but the real damage was the demolition of the Eight Banners Guard Barracks of the Old Summer Palace stationed on the periphery. In 1900, the Eight-Nation Coalition invaded Beijing and looted the Old Summer Palace.
After that, some bandits and ruffians took the opportunity to commit crimes and looted all the property that the foreign devils had no time to rob. Then, they sawed off the building timber and the piles of the wooden bridge, or pulled them down with large ropes, and cut down all the trees in the garden and pulled them to the market to sell for money.
Subsequently, some people took away all the stones of the Old Summer Palace, especially those exquisite jade carved with various patterns and patterns, and then either sold them or built houses, yards and pigsties. So, what is left of the Old Summer Palace of value? That's the soil.
Many people began to build houses on the ruins of the former palace of Chabusheng in the Old Summer Palace, and leveled the mountains, filled the lakes, and planted wheat and rice, without any shame! After all kinds of hardships, the world-famous Yuanmingyuan was finally completely destroyed.
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"The Female Historian".
The Female History of Zhen Tu Imitation of the Defeat of the Cavity is a silk painting created by Gu Kaizhi of the Eastern Jin Dynasty in China. The original work has been lost, there are copies of the Tang Dynasty, the original 12 paragraphs, because of the age, only 9 paragraphs remain, for the silk color book, now in the British Museum.
Cloisonné unicorn.
The cloisonne unicorn was originally a treasure of the Old Summer Palace, which was plundered and lost overseas after the "burning of the Old Summer Palace" in 1860, and was collected in the Palace of Fontainebleau in France. It was stolen at 6 a.m. on March 1, 2015, and its whereabouts are unknown.
"Chrysanthemum Labyrinth of the Old Summer Palace".
The Chrysanthemum Labyrinth of the Old Summer Palace was originally a treasure of the Old Summer Palace, and it was a painting drawn by the Qing Dynasty court painter Lang Shining. In 1860, the Old Summer Palace was looted and lost overseas, and is now in the collection of the National Library in Paris, France.
Qianlong Great Jade Mountain.
Qianlong Dayushan was originally a treasure of the Old Summer Palace, but was plundered and lost overseas after the "burning of the Old Summer Palace" in 1860, and is now collected in the Minneapolis Oak Art Center. Weighs 640 pounds. It is a piece of Xinjiang Hetian jade with green and white color, which can radiate a cool gray-green luster, and is carved into a jade mountain with high peaks and deep valleys.
This exquisite jade carving artwork is the largest surviving round tablet in the world.
Seal of the Old Summer Palace.
In 1904 (the thirtieth year of Guangxu), Kang Youwei traveled to Paris, and saw the treasures of China's inner government and jade seals in the Strange Rules Museum, and thought that they were cultural relics of the Old Summer Palace. In 1860, after the "burning of the Old Summer Palace", it was plundered and lost overseas, and is now in the collection of the Oriental Museum in Paris, France.
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