What are the main characteristics of the art of opera?

The synthesis of dramatic art is the primary aesthetic characteristic of aesthetic characteristics.

First of all, from the level of art, comprehensive arts such as drama and opera have absorbed a variety of elements from various arts, organically integrated them into their own means of expression, and greatly enriched their artistic expression. This is true for both drama and drama. The art of Chinese opera is to synthesize the essence of literature, dance, art, martial arts, acrobatics and many other artistic categories, forming its own unique means of expression and unique aesthetic characteristics, which is concentrated in relying on the opera performance program to organically integrate "poetry", "song", "dance" and "drama".

Secondly, from a higher level of aesthetics, the synthesis of drama and opera is by no means limited to the organic integration of various artistic elements, but is more concentrated in the fact that they integrate time art and space art, visual art and auditory art, plastic art and performing art, and realize a high degree of comprehensiveness of the aesthetic level, so that they can integrate sight and hearing, time and space, movement and stillness, reproduction and performance, so as to have a huge comprehensive performance ability, which greatly expands and enriches the audience's aesthetic feelings, making comprehensive art the most popular art category.

Comprehensive, virtual, programmatic.

Expand your knowledge: Chinese opera is a highly integrated Han folk art. This synthesis is not only reflected in its integration of various artistic disciplines to create new ideas, but also in its exquisite and profound performing arts.

A variety of different artistic factors are closely integrated with the performing arts, and the full function of the opera is realized through the performances of the actors. We call theatre "the art of synthesis" and form a new independent art. Among them, the organic composition of singing, reading, doing, and hitting on the actors is the most concentrated and prominent embodiment of the comprehensiveness of opera.

Virtuality is the basic way in which opera reflects life. It refers to the performance of actors, using a deformed way to compare the real environment or object, so as to express life, but its artistry is higher than the real scene in life.

The virtuality of Chinese opera is first manifested in the flexibility of staring and space processing on stage, and the so-called "three or five walks all over the world, six or seven people and millions of soldiers" is a typical virtuality.

The structure of the Chinese opera art is stable, which can be said to be the epitome of China's stable social structure. The art of opera is the sublimation of an art form based on a deep understanding of life, in which traditional Chinese artistic values are accumulated.

From the perspective of opera aesthetics, the artistic rules of opera, the background of the creation of opera, and the appreciation of opera can all reveal the aesthetic psychology.

Summary: China's aesthetics are different from those of the West, which focuses on the beauty of realism, while China focuses on the beauty of freehand. Ideologically, the Chinese are often infected by the environment and integrated into it, relying on rich imagination and expressing it in an intuitive form, which is permeated with the beauty of understanding and poetic feelings.

What are the main artistic characteristics of Chinese opera? As follows:

The three major characteristics of the art of opera are comprehensiveness, virtuality, and programmaticity.

1. Comprehensive: Chinese opera is a highly comprehensive national art. This synthesis is not only manifested in the integration of the individual.

The art genre (such as dance, acrobatics, etc.) is innovative and is also reflected in its exquisite and profound performing arts. Every.

Different artistic factors are closely integrated with the performing arts, and the full function of opera is realized through the performance of actors.

2. Virtuality: Virtuality is the basic method of opera to reflect life. It refers to the performance of the actors, with a kind of deformation of the square.

to compare the real environment or object to represent life.

3. Programmaticity: Programming is the expression of opera reflecting life. It refers to the standardization and dance of life movements.

and be reused. The program is directly or indirectly in life, but it is a refinement and generalization of life according to certain norms.

bracket, beautification.

It is mainly composed of opera actors and opera forms, and there are many forms of opera, such as Kunqu opera and Huangmei opera.

I think the main artistic characteristics of Chinese opera are composed of ** and rhythm, so it can be seen that Chinese opera is indeed very worthy of our admiration.

Some of the roles they play, as well as some of their makeup and image, and a movement when rapping, are made up of these combinations.

They are comprehensive, programmatic, and virtual.

1. Comprehensive refers to a comprehensive art that includes various factors such as dance, literature, art, martial arts, acrobatics and performing arts, which has high artistry and is the most significant feature that distinguishes it from other art categories.

2. Virtuality refers to the performance without physical objects, and the props and scenes that are not on the stage can be quietly expressed according to the virtual performance of the actors, so that the audience can have the feeling of being in the mirror.

3. Formulaic refers to the use of singing, reading, and playing in the performance of Chinese opera. The singing, dragon sets, masks, costumes, and the terraces, temple platforms, and stages involved in the performance venues also have their fixed roles, adding a lot of unique charm to the drama.