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Quatrain: Chinese poetic style. It is also known as truncated sentences, broken sentences, and absolute poems. Each poem has four sentences, usually five words and seven words.
It is referred to as five uniques, seven uniques, and occasionally six uniques. It originates from the ballads of the Han and Wei and Jin dynasties and the Northern and Southern Dynasties. The name "quatrain" originated around the Southern Dynasties.
Liang and Chen Shi have generally used quatrains to refer to four short poems, and their rhymes are relatively free, or ancient quatrains. After the Tang Dynasty, near-quatrains prevailed, and the rhythm was the same as the first, second, or middle four sentences in the eight-sentence poem. Therefore, some Tang people attributed quatrains to legal poems in poetry collections.
Later, some scholars believed that the quatrain was composed of half of the poem. Flexible and lightweight, suitable for expressing fleeting thoughts and feelings, quatrains are widely used by poets, and their creation flourishes more than any other form of poetry. In the Song Dynasty, Hong Mai once compiled 10,000 quatrains of the Tang Dynasty, accounting for about 1 5 of the total number of extant Tang poems.
In addition to Li Bai, Wang Changling, Du Mu, and Li Shangyin, who are good at quatrains, there are also many famous articles through the ages, which are not necessarily from the hands of famous artists. In addition, most of the Tang quatrains are sung with music, such as Wang Wei's "Weicheng Song", Li Bai's "Qingping Tune", Liu Yuxi and Bai Juyi's "Bamboo Branches", "Willow Branches", etc., so the quatrains are also regarded as Tang people's music.
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Quatrain Open Categories: Literature, Poetry, Genres.
Quatrains are also known as truncated sentences, broken sentences, and quaint poems. Each poem has four sentences, usually five words and seven words. It is referred to as five uniques, seven uniques, and occasionally six uniques.
Quatrains are divided into legal and ancient quatrains. The law only existed after the rise of the law and poetry, and the ancient law existed long before the appearance of the law and poetry. Here we will discuss the two quatrains separately.
The law is the same as the rhythm of the poem, the rhyme is limited to the flat rhyme, and according to the plainness of the rhythm, pay attention to sticking to the pair.
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The rhyme is limited to flat rhyme, and according to the flatness of the rhythm, pay attention to stickiness.
Rise-up. 仄) 仄平仄, 平平仄仄平.
Ping) Ping, (Ping) Ping, (Ping) Pingping.
Flat. Ping) Ping, (Ping) Ping, (Ping) Pingping.
仄) 仄平仄, 平平仄仄平.
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Quatrain Song Zhinan.
The ancient wood is tied with a short canopy in the shade, and the cane helps me across the east of the bridge.
The clothes want to wet the apricot blossom rain, and the wind blows the willow wind.
Quatrain Song Huang Tingjian.
The flowers are scented and people want to break Zen, and the mood is actually middle-aged.
Spring poetry is like a boat, eight sections of the beachhead boat.
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Near-style poems, four sentences and one poem, short and concise, divided into seven words and five words. It is divided into Vinaya and Ancient Jue.
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The five-character quatrain is one of the traditional Chinese poetry genres, which belongs to a kind of quatrain, which refers to a small poem with five words and four sentences that conforms to the norms of legal poetry, and belongs to the category of near-style poetry. This style originated from the small poems of Yuefu in the Han Dynasty, which was deeply influenced by the folk songs of the Six Dynasties and matured in the Tang Dynasty. The whole article is only two crosses, which can show a fresh picture and convey a kind of artistic conception of a real sedan chair.
Because of the small to see the big, closed to the good to rise to less is always more, in the short chapter contains a wealth of content, is its biggest feature. The five-character quatrain has two cases. Representative works include Wang Wei's "Birdsong Stream", Li Bai's "Silent Night Thinking of Socks Stupid", Du Fu's "Eight Arrays", Wang Zhilian's "Climbing the Stork's Tower", Liu Changqing's "Sending Lingche to the Master" and so on.
1. The number of sentences is fixed. There are only four sentences, each with five words, for a total of two crosses.
2. Strict rhyme. Poetry is all rhyming, some sentences rhyme, some rhyme every other sentence, there is no essential difference between the rhyme and the ancient style of poetry, his rhyme is strictly expressed in the general only rhyme and can not rhyme. That is to say, it cannot rhyme, and the rhyme foot must use the words in the same rhyme, and the words that rhyme with each other must not be used.
3. Pay attention to fairness.
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The quatrain is written as follows.
The seven-character quatrain, as the name suggests, is a four-sentence poem of seven words and one sentence.
The seven-character quatrain is divided into two types, one is a near-style poem that abides by the rhythm of the plain and the square.
We call it the "Seven Words Rule", and the usual abbreviation of "Seven Words" refers to the Seven Words Rule, and everyone must pay attention here.
The seven-character quatrain that does not abide by the law of Pingqi is called "Seven Words Ancient Jue", which can be referred to as "Seven Ancient Words" or collectively referred to as "Ancient Jue". Because of this, there are many friends who don't know the rules of Pingqian nowadays who like to call themselves "Seven Uniques" when they write poems in seven words and four sentences - this is actually wrong, and it is one of the key points of being joked by insiders. But if you call yourself "Seven Gus", others will have no opinion.
How do you write a seven-word quatrain? It must be divided into two forms: "Returning to the Seven Ancient Words" and "Seven Uniques" to be treated separately.
And these two formats, the focus is on the requirements of the Ping Qi Rules, there are requirements for the seven uniques, and there are no requirements for the seven ancients.
In layman's terms, it means that you must abide by the rules when writing the seven-word law. The set of things in Pingqi Gelu is indispensable for the seven absolutes.
However, we need to make it clear that this relative is only the relative of words, and does not force the meaning to be relative. The meaning of the word is relative, and that is called a battle.
For quatrains, the battle is the icing on the hunger, because we want to talk about it in a simple way, this kind of dispensable rhetorical device.
Just skip it.
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Quatrains, also known as truncated sentences, broken sentences, and quaint poems, are four sentences and one poem, short and concise. It is a Han poetry genre that became popular in the Tang Dynasty and belongs to a form of near-style poetry. [1] The term quatrain first appeared in the Qi and Liang periods of the Southern Dynasties.
The interpretation of it is not consistent among the families, and some people think that the judgment is "half of the law of interception" in order to be sung in music. The quatrain consists of four sentences, which are divided into the law and the ancient law, of which the law has strict rules and regulations. Common quatrains such as five-character quatrains and seven-character quatrains, and six-character quatrains are rare.
The quatrain originated from the Yuefu short chapter of the Han and Wei dynasties, and its name may come from the "couplet" of the literati of the six dynasties. According to the literature, during the Six Dynasties, the literati feasted and collected the poems, and there was a custom of composing poems in conjunction with each person, each person composing four sentences and five words to form a whole poem. If each person's work is cut off and written separately, it is called "a quatrain", and the title of the quatrain is thus established.
Four sentences and one absolute, the concept of ode to fiber is naturally formed, since the "Book of Songs", the vast majority of poems are based on four sentences as a paragraph. Most of the poems in the Book of Songs are four words and four sentences, which the ancients called "one chapter". In the Han and Wei dynasties, there were very few poems with four sentences as the whole text, so there is no need to set a poetic noun for the poems of four sentences, that is, four sentences and one must not have become a standard.
But in the longer psalms, the method of writing four lines and one sentence has developed naturally. After the Jin and Song dynasties, due to the influence of folk songs, poets liked to imitate four-sentence folk songs, and a large number of small poems with five words and four sentences appeared. After Qi Liang, four sentences and one absolute became the specification of the poem, and the name "absolute" was given.
In the Southern Dynasties, "broken sentences", "short sentences" and "absolute (sentences)" were all used to refer to poems with five words and four sentences.
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