How to deal with the other party, one person sings black face, and the other sings white face

We often see this strategy in clichéd cop films. The police take a suspect to the police station, and the first officer to appear is usually a fierce-looking guy.

He used various methods to threaten the suspect, telling him that "if you don't cooperate, we will be unkind to you". After a while, the policeman was suddenly called away by a mysterious **, and a second policeman appeared.

He is simply the gentlest and kindest man in the world. He handed the cigarette to the suspect and said, "Listen, kid, it's not that bad. I like you a lot. I know you're in a very difficult situation right now.

Why don't you let me help you? See what I can do for you. He seems to be asking you some unimportant questions, but in fact he is going deeper, and what he really wants to ask is, "Did you hide the corpse to **?" ”

Small questions lead to big decisions.

Starting with a few seemingly trivial questions and working your way up can be a very effective way to do it. When you want to put pressure on the other person, but you don't want the other person to be antagonistic, white face and black face are a very effective strategy. After the threat of blackface, play the gentle and benevolent whiteface and let the small problems lead to the other party's big decisions.

In real life, people use white-face blackface tactics much more often than you think. When negotiating with someone, you need to be careful if your opponent is two people, as the other person is likely to use the white-face black-face strategy on you.

Let's say you have a meeting with the VP of Human Resources for a lawn hoe company. When the vice president's secretary leads you to the vice president, you are surprised to find that the president of the other company wants to come in and listen to your presentation.

At this point, a two-on-one scene is formed, but you continue to demonstrate, and everything seems to be going well. You think you have a good chance of closing the deal, but you don't expect the president of the other company to suddenly take the case.

He told his VP, "Listen, I don't think these people really want to give us a serious proposal, I have other things to do." Then he rushed out of the room.

If you can be a little more flexible in terms of **, I think we still have hope. Why don't you see what I can do for you? "If you don't realize it's just a little trick on the other side, you're likely to ask:

What do you think your company's president can accept? "Soon, you'll see the VP as your negotiator — but the problem is, he's not on your side.

All poisons do not invade, and I don't believe anything.

One sings red face and one white face.

"Singing red" is interpreted as "a metaphor for playing a friendly or likable role in resolving conflicts", and "white-faced" is interpreted as "metaphors for playing a harsh or annoying role in resolving conflicts"; Singing blackface means the same as singing redface.

In the drama mask, the white face is the villain, a symbol of treachery and insidiousness, and it is more typical of Cao Cao's face; The black face is a positive character, a symbol of loyalty and integrity, and it is more typical of Bao Zheng's face. One positive and one negative, one loyal and one traitor, originally opposites, but "white face" and "black face" express the same meaning, both of which are the meaning of a stern attitude.

Peking Opera Red Face, a red character in Peking Opera. In traditional opera, the red face is used to represent a positive or righteous character who plays a friendly or endearing role in the process of resolving conflicts (as opposed to "singing white faces"), representing a positive or righteous character.

It means that he is loyal, brave, upright, and bloody and brave. Such as Guan Yu, Zhao Kuangyin, Jiang Wei, etc., but there are exceptions, such as Liu Jin, the villain in "Famen Temple", has a red face, which has an ironic meaning, so that people can know at a glance that he is a eunuch who is in power. The flower face of "I" in Feng Jicai's work "Flower Face" is a red face.

If the child makes a mistake, then the parents should be serious, if the adult makes a mistake, then the parent should communicate with the child well, so that the child knows that he is wrong, so that he can correct it, otherwise the child will be like this in the future, it will be difficult to discipline, and the child will become worse, so we must let the child realize his own problems, so that the child can correct it, otherwise it will be difficult to educate, and it is difficult for the child to correct it.

It depends on the specific situation, generally speaking, it is white-faced, but sometimes it will be black-faced, depending on the seriousness of the matter, generally speaking, if it is a small matter, don't care, if it is a very serious matter, you must fight for reason, if it is a very serious matter, you must seriously criticize and educate, if it is some trivial matter, don't care, because it will not solve any problems, but will affect your feelings, if it is a big thing, then it is necessary to discuss, after all, a slap does not make a sound, to communicate moreOnly by communicating more and understanding can we solve problems. Good luck!

The villain role in Peking Opera, so there are often expressions of strict father and mother or strict mother and loving father in the family. That is, a person who pretends to be a good person (weak and easy to talk).

White face, a singing white face is a common phenomenon.

Red face, a singing red face This is evolved from the characters represented by the Peking Opera masks: the decent characters in Peking Opera adopt a tolerant attitude towards things and a harsh attitude towards things, they may be too indulgent to their children, and if their parents are strict.

In the process of educating their children.

Redfaces are good people. Refers to playing a positive role, a person who pretends to be a bad guy (tough and rigid), a white face is bad, and vice versa.

Have fun. Referring to playing the opposite role, the child is afraid that there is no way to live.

What does "singing white-faced" mean in "one of them sings red-faced, the other white-faced"?