I want to know about the official book and ask for information

1. Go to the online bookstore of Jingdong or Excellence - take a look - there must be a book on this - first read the history of calligraphy, or Chinese calligraphy or calligraphy art, which is general.

3. There are also calligraphy books and technique books - that is, books that tell the writing method of this calligraphy book--- including tools and materials, common sense ---

4. It is also one of the good ways to search.

Judging from the content of the text, this work expresses the importance and emphasis on morality and personality, especially when mentioning words such as "character is as heavy as a mountain" and "conscience is as precious as gold", the author advocates a lofty life value, that is, to have noble moral character and moral concepts, and pay attention to inner quality and character.

Secondly, from the perspective of writing techniques, the font of this Lishu work is strong and powerful, the thickness of the strokes is moderate, and the overall structure is stable and orderly, reflecting the author's unique writing style and exquisite skills. Especially when writing the sentence "people are like autumn water jade as gods", the author adopts the writing technique of opening and closing, grass and wild, and the round shape makes the whole work more vivid and powerful, full of movement and artistic sense.

Finally, from the overall effect, this Lishu work has high artistic value and cultural connotation. Through its unique writing techniques and textual content, it shows the charm and essence of Chinese calligraphy, and expresses the author's attention and concern for morality and personality. It not only has ornamental value, but also has profound humanistic and social significance, and has positive significance and role in inheriting and promoting the traditional culture of Chinese oranges.

To sum up, this Lishu work shows the artistic charm and cultural connotation of Chinese calligraphy with its profound theme, unique writing style and superb skills, and has high appreciation and collection value.

The lines are smooth, the structure is steady, and the strokes are strong, which is a good work.

Four words of evaluation:Pretty good!

The bottom of these two official calligraphy is very good, and the penmanship is very standardized and sophisticated. The structure of the grinding word is very individual, and it looks beautiful and atmospheric, elegant and ancient.

Lishu works:

The meaning of 'subordinate' is 'attached' in Shuowen Jie Zi, and the Later Han Shu Feng Yichuan is trained as 'genus', and this meaning is still used today, and the word 'subordinate' is used in modern Chinese.

Jin Shu Wei Heng Biography, Shuowen Jie Word Order and Paragraph Notes, also lack Hongfeng believes that Lishu is 'Sasuke Seal is not caught', so Lishu is an auxiliary font of the small seal. ”

Secondly, what exactly is called subordinate, and what kind of strict difference between subordination and seal, Mr. Wu Botao has analyzed and determined in the above article, and here is an excerpt of a few small paragraphs worth considering in Wu's text.

Wu Yun "The small seal also preserves the will of the pictographs, and the painting of its finished objects is bent with the body; Lishu went one step further, destroying the knot of the pictographs with stroke symbols, and became non-pictographic."

He added, "The small seal and the official script are actually two systems, marking two major stages in the development of Chinese characters. The small seal is the knot of the ancient hieroglyphic characters, and the official script is the beginning of the new characters that change the pictograms into strokes. "When we judge whether a certain font is a script, we must first look at whether it has damaged the structure of the seal script and lost the original meaning of the pictogram. ”

Lishu is a font in Chinese calligraphy, which originated in the Eastern Han Dynasty and developed in the Wei, Jin, Southern and Northern Dynasties and Sui and Tang dynasties, and is an important part of the history of Chinese calligraphy. With its simple, vigorous and beautiful characteristics, Lishu has become a classic work in Chinese calligraphy. Here are a few famous Lishu works:

1."Zhaozhou Bridge".

"Zhaozhou Bridge" is the representative work of the Tang Dynasty calligrapher Ouyang Xun, and it is a classic work in Lishu. This work is based on the big seal, combined with the characteristics of the small seal of the previous banquet and the official book, showing the simple, strong and beautiful characteristics of the official book. "Zhao Sou or Zhou Bridge" has become a classic in the history of Chinese calligraphy with its powerful strokes and the harmony of the overall layout.

2."Orchid Pavilion Preface".

"Orchid Pavilion Preface" is the representative work of the calligrapher Wang Xizhi of the Eastern Jin Dynasty, and it is a classic work in the official book. With its exquisite brushwork and exquisite conception, this work has become a classic in the history of Chinese calligraphy. With its elegant and beautiful temperament, "Orchid Pavilion Preface" expresses the spiritual connotation of traditional Chinese culture and has high artistic value.

3."Big Character God Monument".

The Big Character God Tablet is the representative work of the Tang Dynasty calligrapher Yan Zhenqing, and it is a classic work in the official book. With its powerful strokes and the harmony of the overall layout, this work has become a classic in the history of Chinese calligraphy. With its superb skills and profound cultural connotation, the "Big Character God Tablet" has become a classic work in the history of Chinese calligraphy.

In short, Lishu is a classic font in Chinese calligraphy, which has high artistic value and cultural connotation. The above several famous works of Lishu show the simplicity, strength and beauty of Lishu, and have high artistic value and historical value.

The first to learn, 1Horizontal drawing. Horizontal painting is a characteristic stroke in the official book. It is often beautiful to "fly sideways". There are two kinds of horizontal paintings in Lishu, one is flat and horizontal, and the other is wave horizontal. There are two kinds of square pens and round pens.

Flat horizontal. It refers to the horizontal horizontal shape, generally against the front of the pen, the folding pen in the center of the run, back to the front of the pen or open front to close the pen. There are convex, concave, and basic flat shapes.

The second step is to wave horizontally. It is a kind of wave brush, which refers to the horizontal painting with a pitching state. Generally, the pen is reversed, the pen is folded, the silkworm head is formed, and then the pen is lifted, and the front is frustrated at the end of the pen, forming a swallowtail.

There is also the phenomenon of small silkworm head and large swallowtail. The waves should generally be written thick and round, the silkworm head and swallowtail should be full, and the horizontal middle should be slightly bent upward.