The problem of the left hand accompaniment of the piano, how to play the chords of the universal acc

As far as the improvisational accompaniment of pop songs is concerned, on the one hand, it is the theoretical study of improvisational accompaniment, and on the other hand, it is a lot of practice, listening and groping with your ears, and there is no conclusion about what is the best accompaniment. The left-hand accompaniment is generally accompanied by a level one, four, or five being the easiest. You'll also have to familiarize yourself with twenty-four major and minor keys, and there are plenty of improvised accompaniment tutorials available online, so it's helpful to see if you're going to see them!

Also, the texture of the accompaniment is diverse, so buy a book for improvised accompaniment.

I also practice.

There is no fixed accompaniment for improvisational accompaniment, everyone has their own accompaniment habits, and it is recommended to come according to their own accompaniment habits.

Pop songs are just about playing well!

Remember

Left Hand Orchestration 1 You need to learn basic music theory and harmony You need to be able to write chords.

2 You need to master the various textures that you play with your left hand.

It is better to look at theoretical books on harmony and improvised accompaniment.

1. Piano left-handed playing skills.

The left hand performs the following 4 tasks in piano playing:

1. The left hand is often responsible for the playing of the accompaniment part;

2. The left hand is sometimes responsible for playing the melody part;

3. The left hand is responsible for accurately grasping the rhythm of dance music or dance music;

4. The left hand plays the same task as the right hand in polyphony**, which illustrates the important role of left-hand technique in piano performance and the importance of strengthening left-hand technique training.

2. Left hand accompaniment technique.

1.Only the four commonly used keys of C, G, D, and F are played, including of course their relationship minor keys.

2.Choose a simple degree of popular pop songs to arrange with the left hand accompaniment, and if your favorite songs are more complex, you can cut them down and simplify them, and try to adapt them to your personal performance level as much as possible.

3.The left hand does not use complex chords, and generally chooses the third chord, the seventh chord, and a very small number of minor third chords.

4.The left-hand accompaniment texture can generally be singled, and the chord breakdown is controlled within one octave, and in special cases it is no more than two octaves.

5.There is no polyphony, and the primary and secondary of both hands are not inverted, that is, it does not take the form of a melody of the left hand and the accompaniment of the right hand.

6.The accompaniment pattern can generally be single, with few variations, no jumps, and no long-distance bass and treble chords.

The three universal ways of the left hand accompaniment of the piano are to only play the four common keys of C, G, Laughing and Laughing, D, and F; Choose the third chord and the seventh chord; Do not turn your hands upside down.

The left hand plays 4 tasks in piano playing:

The left hand is often responsible for the playing of the accompaniment part; The left hand is sometimes responsible for playing the melodic part; The left hand is responsible for accurately grasping the rhythm of dance music or dance music; The left hand plays the same role as the right hand in polyphony**, illustrating the important role of left-hand technique in piano performance and the importance of strengthening left-hand technique training.

Left Hand Accompaniment Technique:

Only four common tones of C, G, D, and F are played; Choose a simple degree of popular pop songs with left-hand accompaniment; The left hand does not use complex chords, and generally chooses the third chord, the seventh chord, and a very small number of minor third chords. The left-hand accompaniment texture can generally be singled, and the chord breakdown is controlled within an octave; There is no polyphony, and the primary and secondary of both hands are not inverted, that is, it does not take the form of a melody of the left hand and the accompaniment of the right hand. The accompaniment tone pattern can generally be single, with few changes, not many jumps, and no long-distance bass and treble chords.

Piano Origin:

A piano is a keyboard instrument that pulls the hammer with keys to strike the strings. Since the end of the eighteenth century, the piano has been the dominant domestic keyboard instrument in Europe and the United States. The piano originated in Europe, and in the early eighteenth century, the Italian Bartolommeo Cristofori invented a keyboard-style instrument similar to the modern piano.

It has a history of more than 300 years.

The predecessor of the piano was the plucked clavichord, also known as the harpsichord. It is much the same as the internal principle of the piano, which is equipped with a soundboard and many taut strings inside the body. The difference is that the piano's hammer strikes the strings, and the plucked clavichord uses a plucked plectrum to pluck the strings.

1 35 35, here 35 two keys pressed together, this accompaniment type can be used for 3 beat works such as "Edelweiss"; There is also a kind of 1 5 1 3 here is an arpeggio accompaniment, 1 5 is the bass area, 1 3 is the middle range, which is an arpeggio accompaniment from left to right of the left hand, which is used for more lyrical tunes, such as "The Same Song" and so on.

1 5 3 5 is better used in nursery rhymes, such as little stars; There is also 1 35 35, here 35 two keys are pressed together, this accompaniment type can be used for works in 3 beats such as "Edelweiss"; There is also a kind of 1 5 1 3 here is an arpeggio accompaniment, 1 5 is the bass area, 1 3 is the middle range, which is an arpeggio accompaniment from left to right of the left hand, which is used for more lyrical tunes, such as "The Same Song" and so on.

There are three commonly used chords, one is the 1 3 5 you said, one is 4 6 1, and the other is 5 7 2.

15, one beat for every two notes, the basic type of accompaniment, its key and analogy.

1351, 2462, 3573, 4614, 5725, (the last note is all treble) and so on

Let's get married, what accompaniment to this song.

Accompaniment of the left hand of the piano:

1. Look at the melody of this piece, be familiar with which part is which major or minor key, and at the same time be familiar with the scale.

2. After knowing which tune this part is, listen carefully to each bar, press the melody of this key with the left hand, and play the melody with the right hand, which is suitable then the left hand of this bar will use which melody, and each bar should be pressed at least 1 and melody, and if you want to sound good, you can press 2, as long as you can keep up with the speed when you play.

3. When playing the melody with the left hand in the piano, the "g" is "so" (that is, the fifth build), then you can't just try three melody like in the scale book, you have to try all 7, but you generally only need to try "1 to 6 melody", and there are very few 7.

Here the 1 harmony starts with "so", and in the accompaniment key, the "so" in G major is taken as the usual "do", and so on, the 1 harmony is "so+xi+ri.""2 and spin is "la+do+mi.""up).

Is it that the left-hand accompaniment does not give a score? At first, there are a few basic chords and scales for left-handed accompaniment, and after mastering them, find some simple tunes to try with your left hand, and after more practice, you will find a feeling, and gradually you will be able to match them.

Yes, each chord has a corresponding strumming pattern, which is specified at the beginning.